This volume by Strickland, an English ornithologist, and Mitchell, a physician, reconstructs the habits of the extinct dodo and related birds.. Since physical remains were so few, they also relied on contemporary paintings by artists such as Roelandt Savery, many of which are reproduced in this book.

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Well versed in natural history, particularly geology and ornithology, Hugh Edwin Strickland (1811-53) became fascinated by the dodo and mankind's influence on its extinction. Seeking to investigate this flightless bird and other extinct species from islands in the Indian Ocean, he invited the comparative anatomist Alexander Gordon Melville (1819-1901) to help him separate myth from reality. Divided into two sections, this 1848 monograph begins with Strickland's evaluation of the evidence, including historical reports as well as paintings and sketches, many of which are reproduced. Melville then analyses the osteology of the dodo and Rodrigues solitaire, describing his findings from dissections of the few available specimens and making comparisons with similar species. A seminal work, it correctly concluded that the dodo was more closely related to pigeons than vultures, and the book also inspired others to take up the search for new fossil evidence.

Using the history of the concept of extinction with the dodo as a case study, Pinto-Correia carefully weaves together story fragments to give a cohesive eye-opening view of 17th century exploration and the grave ramifications it had for the survival and extinction of many species. More importantly, she shows us the intellectual underpinnings of the old view that it was acceptable for some animals to die out. Within this narrative, we can see what the modern view of the dodo tells us about the history of our changing understanding and valuation of nature and our place in it. Strong writing, powered by lively historical anecdotes and sober insights into human behavior, makes this beautifully illustrated book a page-turner to the end.