An ancient genie falls in love with a curvy human, but hers may be the one wish he can never fulfill. In a world where wishes have dark consequences, Tanika's heart is a fortress, built from the loss of everyone she's dared to love. Bound by a childhood wish gone horrifically awry, she's the unwilling master of a malevolent djinn who can only be confined by her vow of virginal solitude. Her resolve wavers, however, when an enigmatic billionaire graces her salon. Ophir's intense gaze offers unspoken promises, and his touch ignites her long-dormant desires. For over a millennium, Ophir has sought a passage back to his realm, wearied by immortality on Earth. He's irresistibly drawn to the curvy hairdresser who smells of magic makes him think staying on Earth might not be so bad. All he has to do is convince her not all djinn are foes. Yet the sinister presence of Tanika's bound djinn lurks in the shadows, ready to exploit her burgeoning love and unleash evil upon the world. With secrets exposed and emotions teetering on the edge, Tanika is caught in a maelstrom of past tragedies and future fears. Can she place her trust in Ophir and let his love liberate her, or will her past forever dictate her future? Dare to unveil the mystique of wishes and the human heart. Embark on Tanika and Ophir's spellbinding journey, where every page deepens their perilous love and culminates in a twist that will leave you breathless. Can love truly conquer the darkness? Read now and find out.

Three djinn warriors. One power-hungry sorceress. The battle for good and evil has taken a whole new turn… From New York Times Bestselling Author Elisabeth Naughton, the final story in a series about brotherhood, survival and unexpected love in a world filled with magic and betrayal. Even desire comes at a price… Imprisonment has taught Ashur, the youngest djinn prince enslaved by a power-hungry sorceress, one thing: life as a pleasure slave has its rewards…if you play by the rules. He’s been tortured. He’s nearly died protecting a tribe that’s forsaken him. But he’s also seen life on the other side as an obedient slave. For a shot at revenge against the brothers who abandoned him, he’s willing to serve his master, even if it means using passion to corrupt the souls she needs to fuel her immortality. His first assignment, however, turns out to be more than just a woman in need of a little pleasure. Claire is an angel, and angels have the ability to steal djinn powers. No amount of vengeance—not even a ravenous desire he can’t seem to control—is worth the loss of his powers. And there’s no way he’s tangling with a celestial being. Unless, of course, she tangles with him first…

Ashrafi and Bilal are orphaned siblings stranded and defined by the troubles in Kashmir. 18 year old Bilal is the pride of the region, part of a teenage football team set for great heights, and pushed to the limits by the violence around them. Haunted by hope, his sister is caught in the past, and Bilal is torn between escaping the myths of war and the cycles of resistance. Interweaving true stories and testimonies with Islamic storytelling, the play paints a magical portrait of a generation of radicalised kids, and a beautiful landscape lost to conflict.

The Acehnese, a Muslim people of Sumatra, fought Dutch attempts to colonize them for forty years. After its "pacification," Acehnese society evolved peacefully, yet nonetheless the Acehnese participated fully in the Indonesian revolution and in a rebellion against the Indonesian central government not long after. Based on field work done in the early 1960s, James Siegel's The Rope of God, traces the evolution in Islam, in the economy, and in the structure of the family to show how it was that Aceh mobilized itself as a society from the time of the colonial war to the emergence of the republic. At a time when this Indonesian society is once again in movement, this influential study has gained a certain new relevance. To bridge this span of time since its initial publication in 1969, Siegel has added two additional chapters to his original volume: one a description of political elements today and the other a previously published piece on Acehnese domestic politics. Important when it first appeared, The Rope of God continues to be of enduring importance today and will be warmly welcomed back into print. James Siegel is Professor of Anthropology and Asian Studies, Cornell University and is the author of New Criminal Type in Jakarta: A Counter-Revolution Today, among other books.

The magnificent title story of this collection of fairy tales for adults describes the strange and uncanny relationship between its extravagantly intelligent heroine--a world renowned scholar of the art of story-telling--and the marvelous being that lives in a mysterious bottle, found in a dusty shop in an Istanbul bazaar. As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable. The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor. "A dreamy treat.... It is not merely strange, it is wondrous." --Boston Globe "Alternatingly erudite and earthy, direct and playful.... If Scheherazade ever needs a break, Byatt can step in, indefinitely." --Chicago Tribune "Byatt's writing is crystalline and splendidly imaginative.... These [are] perfectly formed tales." --Washington Post Book World

From a young age, Tofik Dibi feels "it"—a spirit, or djinn, that follows him everywhere. Where "it" goes, "they" go—his classmates, his colleagues, all the people who fear and hate "it," his homosexuality. The son of Moroccan immigrants, Dibi was elected to the Dutch Parliament in 2006 at just twenty-six years old. During his six years in office, he fought for the equal rights of Dutch Muslims against a political elite that cast them as misogynists, homophobes, and, after 9/11, terrorists. But Dibi himself never came out publicly as queer—until he wrote Djinn. A bestseller upon its publication in Dutch in 2015, it tells the poignant, at times heartbreaking, story of Dibi's coming-of-age as a gay Muslim man with humor and grace. From his Amsterdam childhood to his experiences in New York City clubs and internet chatrooms to his unlikely political ascent, Djinn explores contemporary issues of race, religion, sexuality, and human rights in and beyond Europe. Yet it also promises readers who may not see themselves reflected in popular culture—like Dibi as a young man—an all-too-rare sense of visibility and recognition.

The all-knowing djinn of ancient lore can adopt many forms, but there are times when it chooses the limits of one body, one life. In this bewitching first novel, a djinn takes up residence in a restlessly brilliant woman, guiding her choices in life and love as she chases the satisfaction that eludes her—from a cloistered Florentine boarding school to the glamour of a Milan fashion house to a life beyond her means in 1990s Manhattan. She is as skilled at observing the worlds she moves through as her djinn is skilled at observing her, but an ever-growing self-awareness does not help her to realize her heart’s desires. That is, until the wise djinn puts her in the path of the Princess: imperious octogenarian and mother of a man she can never fully possess. With Diary of Djinn, Alhadeff has given us a novel of playful intelligence and insight, and a poignant testimony to love’s unpredictable unfolding.

Discover the “extraordinary” (The Washington Post) debut novel that “announces the arrival of a literary supernova” (The New York Times Book Review),“a drama of childhood that is as wild as it is intimate” (Chigozie Obioma). WINNER OF THE EDGAR® AWARD • LONGLISTED FOR THE WOMEN’S PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • The Washington Post • NPR • The Guardian • Library Journal In a sprawling Indian city, a boy ventures into its most dangerous corners to find his missing classmate. . . . Through market lanes crammed with too many people, dogs, and rickshaws, past stalls that smell of cardamom and sizzling oil, below a smoggy sky that doesn’t let through a single blade of sunlight, and all the way at the end of the Purple metro line lies a jumble of tin-roofed homes where nine-year-old Jai lives with his family. From his doorway, he can spot the glittering lights of the city’s fancy high-rises, and though his mother works as a maid in one, to him they seem a thousand miles away. Djinn Patrol on the Purple Line plunges readers deep into this neighborhood to trace the unfolding of a tragedy through the eyes of a child as he has his first perilous collisions with an unjust and complicated wider world. Jai drools outside sweet shops, watches too many reality police shows, and considers himself to be smarter than his friends Pari (though she gets the best grades) and Faiz (though Faiz has an actual job). When a classmate goes missing, Jai decides to use the crime-solving skills he has picked up from TV to find him. He asks Pari and Faiz to be his assistants, and together they draw up lists of people to interview and places to visit. But what begins as a game turns sinister as other children start disappearing from their neighborhood. Jai, Pari, and Faiz have to confront terrified parents, an indifferent police force, and rumors of soul-snatching djinns. As the disappearances edge ever closer to home, the lives of Jai and his friends will never be the same again. Drawing on real incidents and a spate of disappearances in metropolitan India, Djinn Patrol on the Purple Line is extraordinarily moving, flawlessly imagined, and a triumph of suspense. It captures the fierce warmth, resilience, and bravery that can emerge in times of trouble and carries the reader headlong into a community that, once encountered, is impossible to forget.