The Diwan of Shaykh Muhammad ibn al-Habib, (1290/1871 - 1391/1972), is a masterful transmission of the essential teachings of the tasawwuf based squarely on the Book and the Sunnah, in a clear and accessible classical Arabic, and in this edition accompanied by an uncluttered English translation.

One of the finest poets in post-Biblical Hebrew literature, in a major new translation.

A Selection of Ghalib's Ghazals in Devnagri and English, along with the English Translations

Poems of 'Abid and 'Amir are found in other works but the 11th-century MS in the British Library on which this edition is based is unique. Both are tribal poets of the Jahiliyyah, the period before Islam. 'Abd ibn al-Abras, regarded as one of the best pre-Islamic poets, was contemporary with the greatest of them all, Imru' al-Qais of Kindah, and his poems reflect the events of the first half of the 6th century, such as the attempt and ultimate failure of the Princes of Kindah to impose their hegemony on the nomads of northern Arabia, among them 'Abid's tribe, the Bani Asad, who slew Imru' al-Qais's father, Hujr. 'Amir's tribe, on the other hand, dwelt in Central Arabia, some distance to the West of Mecca and he was a contemporary of the Prophet Muhammad. 'Amir remained pagan but, though he is credited by some accounts with bitter hostility to Islam, his poems are mainly concerned with war and rivalry with neighbouring tribes.

Captivating, true stories full of intrigue, adventure, desire and romance from the royal households— stories of love and betrayal which have been retold across generations. The descriptions of the harems of these Maharajas in India and Europe, their royal palaces, queens and courtesans, horses and cavalries, Rolls Royce cars, lion-hunting, royal feasts and grand durbaars will keep you glued till the end. These are an insider’s account of a priceless past of extravagance and lavish expenditure.

The pre-Islamic warrior-poet 'Antarah ibn Shaddad, a composer of one of the Mu'allaqat, attracted the attention of the philologists who were active in Iraq at the nascence of the scholarly study of Arabic. These philologists collected and studied the diwan of 'Antarah as part of their recovery and codification of the Jahiliyyah: 'Antarah became one of the Six Poets, a collection of pre-Islamic poets associated with al-Asma'i, “the father of Arabic philology.” Two centuries later, in al-Andalus, al-Shantamari and al-Batalyawsi composed their commentaries on the diwans of the Six Poets. This study uncovers the literary history of 'Antarah’s diwan and presents five editions, with critical apparatus, of the extant recensions, based on an extensive collation of the surviving manuscripts. An Arabic edition with English scholarly apparatus.

In 1814, Johann Wolfgang von Goethe read the poems of the great fourteenth-century Persian poet Hafiz in a newly published translation by Joseph von Hammer-Purgstall. For Goethe, the book was a revelation. He felt a deep connection with Hafiz and Persian poetic traditions, and was immediately inspired to create his own West-Eastern Divan as a lyrical conversation between the poetry and history of his native Germany and that of Persia. The resulting collection engages with the idea of the other and unearths lyrical connections between cultures. The West-Eastern Divan is one of the world’s great works of literature, an inspired masterpiece, and a poetic linking of European and Persian traditions. This new bilingual edition expertly presents the wit, intelligence, humor, and technical mastery of the poetry in Goethe’s Divan. In order to preserve the work’s original power, Eric Ormsby has created this translation in clear contemporary prose rather than in rhymed verse, which tends to obscure the works sharpness. This edition is also accompanied by explanatory notes of the verse in German and in English and a translation of Goethe’s own commentary, the “Notes and Essays for a Better Understanding of the West-Eastern Divan.” This edition not only bring this classic collection to English-language readers, but also, at a time of renewed Western unease about the other, to open up the rich cultural world of Islam.

“As a bookseller, I loved Shelf Life for the chance to peer behind the curtain of Diwan, Nadia Wassef’s Egyptian bookstore—the way that the personal is inextricable from the professional, the way that failure and success are often lovers, the relationship between neighborhoods and books and life. Nadia’s story is for every business owner who has ever jumped without a net, and for every reader who has found solace in the aisles of a bookstore.” —Emma Straub, author of All Adults Here “Shelf Life is such a unique memoir about career, life, love, friendship, motherhood, and the impossibility of succeeding at all of them at the same time. It is the story of Diwan, the first modern bookstore in Cairo, which was opened by three women, one of whom penned this book. As a bookstore owner I found this fascinating. As a reader I found it fascinating. Blunt, honest, funny.” —Jenny Lawson, author of Broken (in the best possible way) The warm and winning story of opening a modern bookstore where there were none, Shelf Life: Chronicles of a Cairo Bookseller recounts Nadia Wassef’s troubles and triumphs as a founder and manager of Cairo-based Diwan The streets of Cairo make strange music. The echoing calls to prayer; the raging insults hurled between drivers; the steady crescendo of horns honking; the shouts of street vendors; the television sets and radios blaring from every sidewalk. Nadia Wassef knows this song by heart. In 2002, with her sister, Hind, and their friend, Nihal, she founded Diwan, a fiercely independent bookstore. They were three young women with no business degrees, no formal training, and nothing to lose. At the time, nothing like Diwan existed in Egypt. Culture was languishing under government mismanagement, and books were considered a luxury, not a necessity. Ten years later, Diwan had become a rousing success, with ten locations, 150 employees, and a fervent fan base. Frank, fresh, and very funny, Nadia Wassef’s memoir tells the story of this journey. Its eclectic cast of characters features Diwan’s impassioned regulars, like the demanding Dr. Medhat; Samir, the driver with CEO aspirations; meditative and mythical Nihal; silent but deadly Hind; dictatorial and exacting Nadia, a self-proclaimed bitch to work with—and the many people, mostly men, who said Diwan would never work. Shelf Life is a portrait of a country hurtling toward revolution, a feminist rallying cry, and an unapologetic crash course in running a business under the law of entropy. Above all, it is a celebration of the power of words to bring us home.