The Distorting Mirror analyzes the multiple and complex ways in which urban Chinese subjects saw themselves interacting with the new visual culture that emerged during the turbulent period between the 1880s and the 1930s. The media and visual forms examined include lithography, photography, advertising, film, and theatrical performances. Urbanites actively engaged with and enjoyed this visual culture, which was largely driven by the subjective desire for the empty promises of modernity—promises comprised of such abstract and fleeting concepts as new, exciting, and fashionable. Detailing and analyzing the trajectories of development of various visual representations, Laikwan Pang emphasizes their interactions. In doing so, she demonstrates that visual modernity was not only a combination of independent cultural phenomena, but also a partially coherent sociocultural discourse whose influences were seen in different and collective parts of the culture. The work begins with an overall historical account and theorization of a new lithographic pictorial culture developing at the end of the nineteenth century and an examination of modernity’s obsession with the investigation of the real. Subsequent chapters treat the fascination with the image of the female body in the new visual culture; entertainment venues in which this culture unfolded and was performed; how urbanites came to terms with and interacted with the new reality; and the production and reception of images, the dynamics between these two being a theme explored throughout the book. Modernity, as the author shows, can be seen as spectacle. At the same time, she demonstrates that, although the excessiveness of this spectacle captivated the modern subject, it did not completely overwhelm or immobilize those who engaged with it. After all, she argues, they participated in and performed with this ephemeral visual culture in an attempt to come to terms with their own new, modern self.

This collection brings togethet some of Laxman's best short stories, travelogues about the United State, Australia, the Andamans, Darjeeling etc

In 1998, Brenda Nottestad, a young Christian wife and mother, with two children, was breathing a sigh of relief that her life was so blessed and that her two children were growing into high achieving, good kids. Anorexia and bulimia were foreign to her with the exception of an occasional made-for-TV movie. Until, that is, her own daughter, at age 15 was caught throwing up at school and the cheerleading advisor contacted Brenda. Thus began the journey that is in this book. It is a mother's journal from the depths of disbelief and despair through a maze of counseling, medical treatment and prayer to reach the other side of a mountain she never dreamed her family would be asked to climb. As Brenda grieved, battled and fought the forces of darkness for her daughter, the easy answers she thought would come, just were not there. For every step forward, there were two steps backward. The healing truly had to be a process--a journey of intellect and faith. This book is a remarkable insight into a mother's heart, a daughter's pain, a family's faith, and God's truly amazing grace to overcome the insidious world that is eating disorders.

Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity In the 1950s, a French journalist joked that the Chinese were “blue ants under the red flag,” dressing identically and even moving in concert like robots. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, China had become a monotonous world, a place of endless repetition and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom. In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, traveled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. But it was far from boring and was possessed of its own kind of diversity.

"Drawing on memoirs, archives, and interviews, Davis and Trani trace American prejudice toward Russia and China by focusing on the views of influential writers and politicians over the course of the twentieth century, showing where American images originated and how they evolved"--Provided by publisher.

We wouldn't use a "funhouse" mirror that distorts our reflection or a broken mirror that impairs our image to apply makeup or style our hair. Why, then, do we use the worldly mirrors of others' opinions and our own presumptuous thoughts to view our inner selves? These types of mirrors not only give us a false perception of ourselves, but they wound us and hold us captive by the reflected ugliness of fear, guilt, worry, condemnation, and perfectionism. Many of us see and feel the paralyzing effects of these ugly burdens, but we have no idea how to take them off. Consequently, So we continually live in the destructive trap of insecurity knowing deep down there is more to life than what we are experiencing. Seeing Yourself in the Mirror of Truth illuminates this destructive impact that deception and lies have on your identity. Not only will you become acquainted with the truth that sets you free from this trap, but you will be taught how to tame, shape, and polish your personality using God's mirror. Just like you partner with the mirror each morning to polish your appearance, you will learn how to partner with God through His Word to see and remove your ugly insecurities as you willingly let God transform you into a beautiful woman in Jesus Christ. Are you ready to look into the Mirror of Truth?

Written by the candidate's late father Richard J. Kerry and updated with a foreword by John Kerry's biographer and an afterword by an Associate Editor at The New Republic, the book is a unique look at the political thought of John Kerry's key influence.

In a famous passage in The Red and the Black, the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

A scholar and bride-to-be spends a year without mirrors to get a better view of what really matters When Kjerstin Gruys became engaged, she was thrilled—until it was time to shop for a wedding dress. Having overcome an eating disorder years before, Gruys found herself struggling to maintain a positive self-image; so she decided to refocus her attention. Mirror, Mirror Off the Wall charts Gruys’s awakening as she vows to give up mirrors and other reflective surfaces, relying on friends and her fiancé to help her gauge both her appearance and outlook on life. The result? A renewed focus on what truly matters, regardless of smeared makeup or messy hair. With humorous and poignant scenes from Gruys’ life, Mirror, Mirror Off the Wall sparks important conversations about body image and reclaiming the power to define beauty.

A mirror, when clear, reflects an exact representation of any who stand before it. Each gift, imperfection, and scar is seen clearly and in detail. A mirror that is skewed will still portray a reflection, but the reflection will not directly represent reality. This is the general theory behind the famed Funhouse Mirrors, and why they are so intriguing. In an instant, one can see their reality differently. Sometimes we see something we dislike, and other times, we see what we prefer. Louis Bianco believes our perceptions are like mirrors, reflecting what occurs in real life back into our cognition. Skewed perceptions, much like mirrors, will distort our cognition, causing us to see reality differently than what is actually in front of us. America, is our cognition distorted? Through this book, Bianco hopes that each of us can decide for ourselves how accurately our perceptions depict reality. ***** "Louis Bianco once again provides our world with extraordinary testimony that is presented in a well-organized, scientific, and yet graceful manner. In Bianco's first creation, he challenged everything we knew about disability and diagnosis. In this powerful book, he challenges every perception we have about our country, our world, and how we see ourselves in our own 'mirror.' Funhouse Mirrors is a must for every bookshelf. I assure you, you will be grateful for this introspective journey with this gifted and brilliant author." ~ Catherine Hughes, bestselling author, blogger, coach, editor, speaker, and trainer, The Caffeinated Advocate