This quiet story of the Holocaust chronicles the lives of several Danes through the summer of 1943. It is the discontinuity of small things--the scattered inconveniences, chance meetings, glimpses of injustice, and indulgences of hope, --that haphazardly directs each individual to his fate. An hypnotic story of ordinary people caught in a silent maelstrom, ultimately driven to extraordinary feats. FIC000000

Lit from Within offers creative writers a window into the minds of some of America’s most celebrated contemporary authors. Witty, direct, and thought-provoking, these essays offer something to creative writers of all backgrounds and experience. With contributions from fiction writers, poets, and nonfiction writers, this is a collection of unusual breadth and quality.

Research Paper (postgraduate) from the year 2008 in the subject English Language and Literature Studies - Literature, , language: English, abstract: Postmodern eye looks at human society from the vantage-point which is much criticized by the philosophers of a wide range of different disciplines. It is said that postmodernism fails to establish its own philosophy, own solution and, thereby, postmodern urge is kept aside all human endeavor looking at it with a suspicious eye. On the other hand, the postmodernists, addressing the all-inclusive-philosophies as meta-narratives, declare that the metanarratives have lost their power to convince and, therefore, advocate little narratives. However, this paper tries to respect the postmodern urges with the study of the novel The God of Small Things.

What exactly does it mean to be young, Jewish and creative in 21st-century America? How do you reconcile a quiet life in the Midwest with a parallel life in Israel? And how do you fit in a five-year-old son with an interest in frilly dresses? Ohio professor and celebrated cultural essayist Kevin Haworth answers these questions and more in this, his debut full-length essay collection; and the answers are part Sloane Crosley, part Philip Roth, with a dash of Malcolm Gladwell's intelligence and a pinch of Denis Johnson's poetic style. Already the winner of a pre-publication grant from the Ohio Arts Council, from a former winner of the Samuel Goldberg Prize for Jewish fiction, this will be right up the alley of those who enjoy "The Believer" and "This American Life," a charming but darkly tinged look at circumcision, terrorist bombers, the Catskills in the '70s, and all the other confusing things that make up the life of post-9/11 Jewish American parents and artists.

Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. This debate over ethics, however, has sidelined important questions of literary form. Bending Genre does not ask where the boundaries between genres should be drawn, but what happens when you push the line. Written for writers and students of creative writing, this collection brings together perspectives from today’s leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, and David Shields. Each writer’s innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground.

FINALIST FOR THE 2021 BOOKER PRIZE & A NEW YORK TIMES TOP 10 BOOK OF 2021 WINNER OF THE DYLAN THOMAS PRIZE “A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.” —New York Times Book Review, Editors’ Choice “Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer…I’m so glad I read this. I really think this book is remarkable.” —David Sedaris From "a formidably gifted writer" (The New York Times Book Review), a book that asks: Is there life after the internet? As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?" Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

In paperback at last: Rivka Galchen’s beloved baby bible—slyly hilarious, surprising, and absolutely essential reading for anyone who has ever had, held, or been a baby In this enchanting miscellany, Galchen notes that literature has more dogs than babies (and also more abortions), that the tally of children for many great women writers—Jane Bowles, Elizabeth Bishop, Virginia Woolf, Janet Frame, Willa Cather, Patricia Highsmith, Iris Murdoch, Djuna Barnes, Mavis Gallant—is zero, that orange is the new baby pink, that The Tale of Genji has no plot but plenty of drama about paternity, that babies exude an intoxicating black magic, and that a baby is a goldmine.

"A masterly assessment of the way the idea of quanta of radiation became part of 20th-century physics. . . . The book not only deals with a topic of importance and interest to all scientists, but is also a polished literary work, described (accurately) by one of its original reviewers as a scientific detective story."—John Gribbin, New Scientist "Every scientist should have this book."—Paul Davies, New Scientist

Choice Outstanding Academic Title 2006 The existence and grounding of human or natural rights is a heavily contested issue today, not only in the West but in the debates raging between "fundamentalists" and "liberals" or "modernists in the Islamic world. So, too, are the revised versions of natural law espoused by thinkers such as John Finnis and Robert George. This book focuses on three bodies of theory that developed between the thirteenth and seventeenth centuries: (1) the foundational belief in the existence of a moral/juridical natural law, embodying universal norms of right and wrong and accessible to natural human reason; (2) the understanding of (scientific) uniformities of nature as divinely imposed laws, which rose to prominence in the seventeenth century; and (3), finally, the notion that individuals are bearers of inalienable natural or human rights. While seen today as distinct bodies of theory often locked in mutual conflict, they grew up inextricably intertwines. The book argues that they cannot be properly understood if taken each in isolation from the others.

This guide to computational fluid mechanics introduces beginning graduate students to the subject's standard methods and common pitfalls.