This charming story tells the tale of Herman the rabbit, who thinks his ears are too big and cause him too many problems. He decides to go on an odyssey to Africa to convince another animal to trade ears with him. After meeting with an elephant, hippopotamus, impala, lion, and rhinoceros, Herman discovers why his ears are the perfect ears for him, and learns a valuable lesson of self-acceptance.

For more than a hundred years, the tales of Joel Chandler Harris have entertained and influenced both readers and writers. Nights with Uncle Remus gathers seventy-one of Harris's most popular narratives, featuring African American trickster tales, etiological myths, Sea Island legends, and chilling ghost stories. Told through the distinct voices of four slave storytellers, indispensable tales like "The Moon in the Mill-Pond" and other Brer Rabbit stories have inspired writers from Mark Twain to William Faulkner, Zora Neale Hurston to Toni Morrison, and helped revolutionize modern children's literature and folktale collecting. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Joel Chandler Harris was an American journalist, fiction writer, and folklorist best known for his collection of Uncle Remus stories. Harris wrote novels, narrative histories, translations of French folklore, children's literature, and collections of stories depicting rural life in Georgia. As fiction writer and folklorist, he wrote many 'Brer Rabbit' stories from the African-American oral tradition. He realized the literary value of the stories he had heard from the slaves of Turnwold Plantation. Harris set out to record the stories and insisted that they be verified by two independent sources before he would publish them. The stories, mostly collected directly from the African-American oral storytelling tradition, were revolutionary in their use of dialect, animal personages, and serialized landscapes. 1. The Uncle Remus Books — Uncle Remus: His Songs and His Sayings (1881) — Nights with Uncle Remus (1883) — Uncle Remus and His Friends (1892) — The Tar-Baby and Other Rhymes of Uncle Remus (1904) — Told by Uncle Remus (1905) — Uncle Remus and Brer Rabbit (1907) — Uncle Remus and the Little Boy (1910) — Uncle Remus Returns (1918) — Seven Tales of Uncle Remus (1948) 2. Mr. Thimblefinger Series — Little Mr. Thimblefinger and His Queer Country (1894) — Mr. Rabbit at Home (1895) — The Story of Aaron (So Named), the Son of Ben Ali (1896) — Aaron in the Wildwoods (1897) 3. The Novels — The Romance of Rockville (1878) — On the Plantation (1892) — Sister Jane (1896) — Gabriel Tolliver (1902) — A Little Union Scout (1904) — Shadow between His Shoulder Blades (1909) — The Bishop and the Boogerman (1909) 4. The Shorter Fiction — Mingo and Other Sketches in Black and White (1884) — Free Joe and Other Georgian Sketches (1887) — Daddy Jake, The Runaway: And Short Stories Told After Dark (1889) — Balaam and His Master and Other Sketches and Stories (1891) — Evening Tales (1893) — Stories of Georgia (1896) — Tales of the Home Folks in Peace and War (1898) — The Chronicles of Aunt Minervy Ann (1899) — Plantation Pageants (1899) — On the Wing of Occasions (1900) — The Making of a Statesman and Other Stories (1902) — Wally Wanderoon and His Story-Telling Machine (1903)

A discontented little rabbit wishes for a pair of red wings, but the reaction of his mother and the other animals convinces him that it is better just to be himself.

The final novel of one of America’s most beloved writers—a tale of degeneration, corruption, and spiritual crisis A Penguin Classic In awarding John Steinbeck the 1962 Nobel Prize in Literature, the Nobel committee stated that with The Winter of Our Discontent, he had “resumed his position as an independent expounder of the truth, with an unbiased instinct for what is genuinely American.” Ethan Allen Hawley, the protagonist of Steinbeck’s last novel, works as a clerk in a grocery store that his family once owned. With Ethan no longer a member of Long Island’s aristocratic class, his wife is restless, and his teenage children are hungry for the tantalizing material comforts he cannot provide. Then one day, in a moment of moral crisis, Ethan decides to take a holiday from his own scrupulous standards. Set in Steinbeck’s contemporary 1960 America, the novel explores the tenuous line between private and public honesty, and today ranks alongside his most acclaimed works of penetrating insight into the American condition. This Penguin Classics edition features an introduction and notes by leading Steinbeck scholar Susan Shillinglaw. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Contributions by Kelly Blewett, Claudia Camicia, Alisa Clapp-Itnyre, Lisa Rowe Fraustino, Elisabeth Graves, Karlie Herndon, KaaVonia Hinton, Holly Blackford Humes, Melanie Hurley, Kara K. Keeling, Maleeha Malik, Claudia Mills, Elena Paruolo, Scott T. Pollard, Jiwon Rim, Paige Sammartino, Adrianna Zabrzewska, and Wenduo Zhang First published in 1922 to immediate popularity, The Velveteen Rabbit by Margery Williams has never been out of print. The story has been adapted for film, television, and theater across a range of mediums including animation, claymation, live action, musical, and dance. Frequently, the story inspires a sentimental, nostalgic response—as well as a corresponding dismissive response from critics. It is surprising that, despite its longevity and popularity, The Velveteen Rabbit has inspired a relatively thin dossier of serious literary scholarship, a gap that this volume seeks to correct. While each essay can stand alone, the chapters in "The Velveteen Rabbit" at 100 flow in a coherent sequence from beginning to end, showing connections between readings from a wide array of critical approaches. Philosophical and cultural studies lead us to consider the meaning of love and reality in ways both timeless and temporal. The Velveteen Rabbit is an Anthropocene Rabbit. He is also disabled. Here a traditional exegetical reading sits alongside queering the text. Collectively, these essays more than double the amount of serious scholarship on The Velveteen Rabbit. Combining hindsight with evolving sensibilities about representation, the contributors offer thirteen ways of looking at this Rabbit that Margery Williams gave us—ways that we can also use to look at other classic storybooks.

The management of wild rabbits is a vexing problem worldwide. In countries such as Australia and New Zealand, wild rabbits are regarded as serious pests to agriculture and the environment, while in many European countries they are considered an important hunting resource, and are a cornerstone species in Mediterranean ecosystems, modifying habitats and supporting important predator populations such as the Iberian lynx. The introduction of two viral diseases, myxomatosis and rabbit haemorrhagic disease, as biological control agents in Australia has been met favourably, yet their spread in southern Europe threatens natural rabbit populations. Despite this, scientists with very different goals still work together with a common interest in understanding rabbit biology and epidemiology. Australia's War Against Rabbits uses rabbit haemorrhagic disease as an important case study in understanding how animal populations adapt to diseases, caused in this case by an RNA virus. Looking at rabbit haemorrhagic disease (RHD) in an ecological framework enables insights into both virus and rabbit biology that are relevant for understanding other emerging diseases of importance to humans. This book provides up-to-date information on recent advances in areas ranging from virus structure and disease mechanics through to the sociological implications of using biological control agents and the benefits to the economy and biodiversity. It is a compelling read for wildlife disease researchers, wildlife managers, rabbit biologists, people working in the public health and education sectors, and landholders and farmers with experience or interest in RHD.