This crucial work calls for an imaginative reach beyond a benign reality founded in technology and commercialism, by striving for a better, evolutionary existence through art."--BOOK JACKET.

From award-winning author Paul Yoon comes a beautiful, aching novel about three kids orphaned in 1960s Laos—and how their destinies are entwined across decades, anointed by Hernan Diaz as “one of those rare novels that stays with us to become a standard with which we measure other books.” Alisak, Prany, and Noi—three orphans united by devastating loss—must do what is necessary to survive the perilous landscape of 1960s Laos. When they take shelter in a bombed out field hospital, they meet Vang, a doctor dedicated to helping the wounded at all costs. Soon the teens are serving as motorcycle couriers, delicately navigating their bikes across the fields filled with unexploded bombs, beneath the indiscriminate barrage from the sky. In a world where the landscape and the roads have turned into an ocean of bombs, we follow their grueling days of rescuing civilians and searching for medical supplies, until Vang secures their evacuation on the last helicopters leaving the country. It’s a move with irrevocable consequences—and sets them on disparate and treacherous paths across the world. Spanning decades and magically weaving together storylines laced with beauty and cruelty, Paul Yoon crafts a gorgeous story that is a breathtaking historical feat and a fierce study of the powers of hope, perseverance, and grace.

What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Azem’s powerfully imaginative novel. Set in contemporary Tel Aviv forty eight hours after Israelis discover all their Palestinian neighbors have vanished, the story unfolds through alternating narrators, Alaa, a young Palestinian man who converses with his dead grandmother in the journal he left behind when he disappeared, and his Jewish neighbor, Ariel, a journalist struggling to understand the traumatic event. Through these perspectives, the novel stages a confrontation between two memories. Ariel is a liberal Zionist who is critical of the military occupation of the West Bank and Gaza, but nevertheless believes in Israel’s project and its national myth. Alaa is haunted by his grandmother’s memories of being displaced from Jaffa and becoming a refugee in her homeland. Ariel’s search for clues to the secret of the collective disappearance and his reaction to it intimately reveal the fissures at the heart of the Palestinian question. The Book of Disappearance grapples with both the memory of loss and the loss of memory for the Palestinians. Presenting a narrative that is often marginalized, Antoon’s translation of the critically acclaimed Arabic novel invites English readers into the complex lives of Palestinians living in Israel.

This mesmerizing literary novel is written with all the emotional precision and intimacy that have won Hisham Matar tremendous international recognition. In a voice that is delicately wrought and beautifully tender, he asks: When a loved one disappears, how does that absence shape the lives of those who are left? “A haunting novel, exquisitely written and psychologically rich.”—The Washington Post Nuri is a young boy when his mother dies. It seems that nothing will fill the emptiness her death leaves behind in the Cairo apartment he shares with his father—until they meet Mona, sitting in her yellow swimsuit by the pool of the Magda Marina hotel. As soon as Nuri sees Mona, the rest of the world vanishes. But it is Nuri’s father with whom Mona falls in love and whom she eventually marries. Their happiness consumes Nuri to the point where he wishes his father would disappear. Nuri will, however, soon regret what he’s wished for. When his father, a dissident in exile from his homeland, is abducted under mysterious circumstances, the world that Nuri and his stepmother share is shattered. And soon they begin to realize how little they knew about the man they both loved. “At once a probing mystery of a father’s disappearance and a vivid coming-of-age story . . . This novel is compulsively readable.”—The Plain Dealer “Studded with little jewels of perception, deft metaphors and details that illuminate character or set a scene.”—The New York Times “One of the most moving works based on a boy’s view of the world.”—Newsweek “Elegiac . . . [Hisham Matar] writes of a son’s longing for a lost father with heartbreaking acuity.”—Newsday Don’t miss the conversation between Hisham Matar and Hari Kunzru at the back of the book. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE Chicago Tribune • The Daily Beast • The Independent • The Guardian • The Daily Telegraph • Toronto Sun • The Irish Times Look for special features inside. Join the Circle for author chats and more. BONUS: This edition contains an excerpt from Hisham Matar's In the Country of Men.

Winner, Grand Prize, French Voices Award for Excellence in Publication and Translation The Space Age is over? Not at all! A new planet has appeared: Earth. In the age of the Anthropocene, the Earth is a post-natural planet that can be remade at will, controlled and managed thanks to the prowess of geoengineering. This new imaginary is also accompanied by a new kind of power—geopower—that takes the entire Earth, in its social, biological and geophysical dimensions, as an object of knowledge, intervention, and governmentality. In short, our rising awareness that we have destroyed our planet has simultaneously provided us not with remorse or resolve but with a new fantasy: that the Anthropocene delivers an opportunity to remake our terrestrial environment thanks to the power of technology. Such is the position we find ourselves in, when proposals for reengineering the earth’s ecosystems and geosystems are taken as the only politically feasible answer to ecological catastrophe. Yet far from being merely the fruit of geo-capitalism, this new grand narrative of geopower has also been activated by theorists of the constructivist turn—ecomodernist, postenvironmentalist, accelerationist—who have likewise called into question the great divide between nature and culture. With the collapse of this divide, a cyborg, hybrid, flexible nature has been built, an impoverished nature that does not exist without being performed by technologies that proliferate within the space of human needs and capitalist imperatives. Underneath this performative vision resides a hidden anaturalism denying all otherness to nature and the Earth, no longer by externalizing it as a thing to be dominated, but by radically internalizing it as something to be digested. Constructivist ecology thus finds itself in no position to confront the geoconstructivist project, with its claim that there is no nature and its aim to replace Earth with Earth 2.0. Against both positions, Neyrat stakes out the importance of the unconstructable Earth. Against the fusional myth of technology over nature, but without returning to the division between nature and culture, he proposes an “ecology of separation” that acknowledges the wild, subtractive capacity of nature. Against the capitalist, technocratic delusion of earth as a constructible object, but equally against an organicism marked by unacknowledged traces of racism and sexism, Neyrat shows what it means to appreciate Earth as an unsubstitutable becoming: a traject that cannot be replicated in a laboratory. Underway for billions of years, withdrawing into the most distant past and the most inaccessible future, Earth escapes the hubris of all who would remake and master it. This remarkable book, which will be of interest to those across the humanities, natural sciences, and social sciences, from theorists to shapers of policy, recasts the earth as a singular trajectory that invites humans to turn political ecology into a geopolitics.

"This is one of those times, a time choked in the weeds of academic and civilian formalism. To put it mildly, most of what we see in print in North America is unbearably trivial and singularly devoid of courage."--Andrei Codrescu, The Disappearance of the Outside. Known to the general public as a radio commentator on National Public Radio, Romanian-born essayist and poet Andrei Codrescu has developed a variety of voices throughout his career: Transylvanian humorist on NPR, surrealist poet in his many volumes of poetry, academic essayist in his philosophical writings and historical novelist. Taking seemingly everyday events in seemingly mundane places, Codrescu is able to link the random details into a larger whole, leading his readers and listeners to conclusions very different from those they first imagined. This work explores Codrescu's writings and how they are a part of the surrealist tradition. It examines the ways in which his poetry, essays and novels are influenced by his upbringing in Communist Romania and the liberal attitudes he encountered upon moving to the United States, and draws comparisons between Codrescu and other surrealists. An interview with the author is also included.

This textbook introduces advanced students of International Relations (and beyond) to the ways in which the advent of, and reflections on, the Anthropocene impact on the study of global politics and the disciplinary foundations of IR. The book contains 24 chapters, authored by senior academics as well as early career scholars, and is divided into four parts, detailing, respectively, why the Anthropocene is of importance to IR, challenges to traditional approaches to security, the question of governance and agency in the Anthropocene, and new methods and approaches, going beyond the human/nature divide. Chapter 9, “Security in the Anthropocene” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

In this book Aaron Hillyer considers the implications of Maurice Blanchot's strange formulation: "Literature is heading to its essence, which is its disappearance." This quest leads Hillyer to stage a dialogue between the works of Blanchot and Giorgio Agamben. Despite being primary points of reference for literary theory, no significant critical work has examined their "literary" writings together. The Disappearance of Literature initiates this new trajectory through readings of Blanchot's The Unavowable Community and Agamben's The Open, two short books that harbor their most enigmatic writings. A series of related concepts-study, community, mysticism, and friendship-emerges from this pairing, and, Hillyer argues, forms the basis of a new vein of contemporary literature found in the novels and hybrid fictions of Enrique Vila-Matas, Anne Carson, and Cesar Aira.

In the third book of this critically-acclaimed series, Sherlock Holmes' daughter faces a new unsolvable mystery with spies and a threat to the crown. Joanna and the Watsons receive an unexpected visitor to 221b Baker Street during a nocturnal storm. A rain-drenched Dr. Alexander Verner arrives with a most harrowing tale. Verner has just returned from an unsettling trip to see a patient who he believes is being held against his will. Joanna quickly realizes that Verner's patient is a high-ranking Englishman who the Germans have taken captive to pry vital information about England’s military strategies for the Great War. The man is revealed to be Alistair Ainsworth, a cryptographer involved in the highest level of national security. The police are frantic to find Ainsworth before the Germans can use him to decode all of England’s undeciphered messages. Ainsworth must be found at all costs and Joanna and the Watsons might be the only ones who can connect the clues to find him. USA Today bestselling author Leonard Goldberg returns with another puzzling case for the daughter of Sherlock Holmes to unravel in this exciting mystery sure to be enjoyed by fans of Sherlock Holmes.