“Those who eat my flesh and drink my blood abide in me, and I in them.” Dennis R. MacDonald offers a provocative explanation of those scandalous words of Christ from the Fourth Gospel—an explanation that he argues would hardly have surprised some of the Gospel’s early readers. John sounds themes that would have instantly been recognized as proper to the Greek god Dionysos (the Roman Bacchus), not least as he was depicted in Euripides’s play The Bacchae. A divine figure, the offspring of a divine father and human mother, takes on flesh to live among mortals, but is rejected by his own. He miraculously provides wine and offers it as a sacred gift to his devotees, women prominent among them, dies a violent death—and returns to life. Yet John takes his drama in a dramatically different direction: while Euripides’s Dionysos exacts vengeance on the Theban throne, the Johannine Christ offers life to his followers. MacDonald employs mimesis criticism to argue that the earliest Evangelist not only imitated Euripides but expected his readers to recognize Jesus as greater than Dionysos.

Our culture is well-populated with superheroes: Superman, Wonder Woman, Spider-Man, and more. Superheroes are not a modern invention; in fact, they are prehistoric. The gods and goddesses of the Greeks, for example, walked on water, flew, visited the land of the dead, and lived forever. Ancient Christians told similar stories about Jesus, their primary superhero—he possessed incredible powers of healing, walked on water, rose from the dead, and more. Dennis R. MacDonald shows how the stories told in the Gospels parallel many in Greek and Roman epics with the aim of compelling their readers into life-changing decisions to follow Jesus. MacDonald doesn’t call into question the existence of Jesus but rather asks readers to examine the biblical stories about him through a new, mythological lens.

"Those who eat my flesh and drink my blood abide in me, and I in them." Dennis R. MacDonald offers a provocative explanation of those scandalous words of Christ from the Fourth Gospel--an explanation that he argues would hardly have surprised some of the Gospel's early readers. John sounds themes that would have instantly been recognized as proper to the Greek god Dionysos (the Roman Bacchus), not least as he was depicted in Euripides's play The Bacchae. A divine figure, the offspring of a divine father and human mother, takes on flesh to live among mortals but is rejected by his own. He miraculously provides wine and offers it as a sacred gift to his devotees, women prominent among them, dies a violent death--and returns to life. Yet John takes his drama in a dramatically different direction: while Euripides's Dionysos exacts vengeance on the Theban throne, the Johannine Christ offers life to his followers. MacDonald employs mimesis criticism to argue that the earliest evangelist not only imitated Euripides but expected his readers to recognize Jesus as greater than Dionysos.

Bruce Ellis Benson puts forward the surprising idea that Nietzsche was never a godless nihilist, but was instead deeply religious. But how does Nietzsche affirm life and faith in the midst of decadence and decay? Benson looks carefully at Nietzsche's life history and views of three decadents, Socrates, Wagner, and Paul, to come to grips with his pietistic turn. Key to this understanding is Benson's interpretation of the powerful effect that Nietzsche thinks music has on the human spirit. Benson claims that Nietzsche's improvisations at the piano were emblematic of the Dionysian or frenzied, ecstatic state he sought, but was ultimately unable to achieve, before he descended into madness. For its insights into questions of faith, decadence, and transcendence, this book is an important contribution to Nietzsche studies, philosophy, and religion.

These two volumes of The New Testament and Greek Literature are the magnum opus of biblical scholar Dennis R. MacDonald, outlining the profound connections between the New Testament and classical Greek poetry. MacDonald argues that the Gospel writers borrowed from established literary sources to create stories about Jesus that readers of the day would find convincing. In The Gospels and Homer MacDonald leads readers through Homer’s Iliad and Odyssey, highlighting models that the authors of the Gospel of Mark and Luke-Acts may have imitated for their portrayals of Jesus and his earliest followers such as Paul. The book applies mimesis criticism to show the popularity of the targets being imitated, the distinctiveness in the Gospels, and evidence that ancient readers recognized these similarities. Using side-by-side comparisons, the book provides English translations of Byzantine poetry that shows how Christian writers used lines from Homer to retell the life of Jesus. The potential imitations include adventures and shipwrecks, savages living in cages, meals for thousands, transfigurations, visits from the dead, blind seers, and more. MacDonald makes a compelling case that the Gospel writers successfully imitated the epics to provide their readers with heroes and an authoritative foundation for Christianity.

These two volumes of The New Testament and Greek Literature are the magnum opus of biblical scholar Dennis R. MacDonald, outlining the profound connections between the New Testament and classical Greek poetry. MacDonald argues that the Gospel writers borrowed from established literary sources to create stories about Jesus that readers of the day would find convincing. In Luke and Vergil MacDonald proposes that the author of Luke-Acts followed Mark’s lead in imitating Homer’s Iliad and Odyssey, but greatly expanded his project, especially in the Acts, but adding imitations not only of the epics but also of Euripides’ Bacchae and Plato’s Socratic dialogues. The potential imitations include spectacular miracles, official resistance, epiphanies, prison breaks, and more. The book applies mimesis criticism and uses side-by-side comparisons to show how early Christian authors portrayed the origins of Christianity as more compelling than the Augustan Golden Age.

Marvin Meyer is one of the leading experts on the secret gospels-Gospel of Thomas, Secret Gospel of Mark, and others-who has changed forever how we read the canonical gospels and understand early Christianity. In this new collection of his work, Meyer looks at these revolutionary texts in original and illuminating ways. He writes, for example, about the naked youths in the villa of the Mysteries. On the walls of a villa in Pompeii, a famous mural depicts a naked male reading from a scroll, a look of wonder on his face. A naked youth again appears in the Gospel of Mark, abandoning his garment and fleeing naked when apprehended during Jesus' arrest. A similar youth appears in the Secret Gospel of Mark. These youths, Meyer proposes, serve as an image of religious initiation, candidates for the mysteries of Dionysus or of Christ. This is one of the many aspects of the secret gospels that Meyer examines with expert insight and creativity. Topics range from gender and infancy stories to discipleship and the relationship of the Gospel of Thomas to Islamic literature. Meyer's spellbinding readings of these materials offer fresh understandings of the canonical gospels. Marvin Meyer is Griset Professor of Bible and Christian Studies, and Director of the Albert Schweitzer Institute at Chapman University, Orange, California. He is author of The Secret Teachings of Jesus: Four Gnostic Gospels and The Gospel of Thomas: The Hidden Sayings of Jesus, and co-editor of Jesus Then and Now (Trinity Press International).

Drawing on the cutting edge of modern scholarship, this astonishing book completely undermines the traditional history of Christianity that has been perpetuated for centuries by the Church and presents overwhelming evidence that the Jesus of the New Testament is a mythical figure. “Whether you conclude that this book is the most alarming heresy of the millennium or the mother of all revelations, The Jesus Mysteries deserves to be read.” —Fort Worth Star-Telegram Far from being eyewitness accounts, as is traditionally held, the Gospels are actually Jewish adaptations of ancient Pagan myths of the dying and resurrecting godman Osiris-Dionysus. The supernatural story of Jesus is not the history of a miraculous Messiah but a carefully crafted spiritual allegory designed to guide initiates on a journey of mystical discovery. A little more than a century ago, most people believed that the strange story of Adam and Eve was history; today it is understood to be a myth. Within a few decades, authors Timothy Freke and Peter Gandy argue, we will likewise be amazed that the fabulous story of God incarnate—who was born of a virgin, who turned water into wine, and who rose from the dead—could have been interpreted as anything but a profound parable.

Dionysius the Areopagite, the early sixth-century Christian writer, bridged Christianity and neo-Platonist philosophy. Bringing together a team of international scholars, this volume surveys how Dionysius’s thought and work has been interpreted, in both East and West, up to the present day. One of the first volumes in English to survey the reception history of Dionysian thought, both East and West Provides a clear account of both modern and post-modern debates about Dionysius’s standing as philosopher and Christian theologian Examines the contrasts between Dionysius’s own pre-modern concerns and those of the post-modern philosophical tradition Highlights the great variety of historic readings of Dionysius, and also considers new theories and interpretations Analyzes the main points of hermeneutical contrast between East and West