Case study that presents & interprets the rich qualities of Dinka life. The reader learns of the structure of society, sex roles, courtship, kinship, age-sets & rivalries, the family, property, mores, law, religion, philosophy, poetry, & dance.

This seminal volume on the indigenous African Dinka group is a landmark documentation of a vanishing people in war-torn Sudan. World-renowned photographers Angela Fisher and Carol Beckwith have devoted their lives to documenting the rapidly disappearing ceremonies and cultures of the indigenous people of Africa. In breathtakingly poignant images, they present a story that started with their first visit to the Dinka thirty years ago. Living in harmony with their cattle, the Dinka have survived years of war only to find their culture on the brink of vanishing forever. Where the White Nile River reaches Dinka country, it spills over 11,000 square miles of flood plain to form the Sudd, the largest swamp in the world. In the dry season, it provides abundant pasture for cattle, and this is where the Dinka set up their camps. The men dust their bodies and faces with gray ash--protection against flies and lethal malarial mosquitoes, but also considered a mark of beauty. Covered with this ash and up to 7' 6- tall, the Dinka were referred to as -gentle- or -ghostly- giants by the early explorers. The Dinka call themselves -jieng- and -mony-jang, - which means -men of men.-

Jesse Zink has written a must-read for all interested in the ongoing crises in Africa and, in particular, the vexed relationship between civil war and religion.--Joel Cabrita, University Lecturer in World Christianity, Faculty of Divinity, University of Cambridge

Using more than a decade's worth of fieldwork in South Sudan, Clémence Pinaud here explores the relationship between predatory wealth accumulation, state formation, and a form of racism—extreme ethnic group entitlement—that has the potential to result in genocide. War and Genocide in South Sudan traces the rise of a predatory state during civil war in southern Sudan and its transformation into a violent Dinka ethnocracy after the region's formal independence. That new state, Pinaud argues, waged genocide against non-Dinka civilians in 2013-2017. During a civil war that wrecked the region between 1983 and 2005, the predominantly Dinka Sudan People's Liberation Army (SPLA) practiced ethnically exclusive and predatory wealth accumulation. Its actions fostered extreme group entitlement and profoundly shaped the rebel state. Ethnic group entitlement eventually grew into an ideology of ethnic supremacy. After that war ended, the semi-autonomous state turned into a violent and predatory ethnocracy—a process accelerated by independence in 2011. The rise of exclusionary nationalism, a new security landscape, and inter-ethnic political competition contributed to the start of a new round of civil war in 2013, in which the recently founded state unleashed violence against nearly all non-Dinka ethnic groups. Pinaud investigates three campaigns waged by the South Sudan government in 2013–2017 and concludes they were genocidal—they sought to destroy non-Dinka target groups. She demonstrates how the perpetrators' sense of group entitlement culminated in land-grabs that amounted to a genocidal conquest echoing the imperialist origins of modern genocides. Thanks to generous funding from TOME, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

When the Sudanese civil war reaches his village in 1985, 11-year-old Salva becomes separated from his family and must walk with other Dinka tribe members through southern Sudan, Ethiopia and Kenya in search of safe haven. Based on the life of Salva Dut, who, after emigrating to America in 1996, began a project to dig water wells in Sudan. By a Newbery Medal-winning author.

South Sudan became independent in 2011 after decades of rebel wars with the Government of Sudan. Independence prompted discussions about South Sudanese identity and shared history, in which material objects and cultural heritage featured as vitally important resources. However, the long-term effects of colonialism and conflict had largely precluded any concerted attempts to preserve material culture within the country; museums remained in Khartoum, the capital of the formally united Sudan. Furthermore, tens of thousands of objects had been removed from what is now South Sudan during the nineteenth and twentieth centuries to museum and private collections around the world.Up to now there have been few attempts to reconnect the history of these South Sudanese museum collections with people in or from South Sudan. Pieces of a Nation is the first extended study of South Sudanese material cultural heritage in museum collections and beyond.The chapters discuss a range of different objects and practices - from museum objects taken from South Sudan in the context of enslavement and colonialism in the nineteenth and twentieth centuries to efforts by South Sudanese to preserve their country's cultural heritage during recent conflicts.With essays by 32 contributors in Europe, South Sudan, Uganda, and Australia, this book delivers a unique range of perspectives on museum objects from South Sudan and on heritage practices in the country and among its diaspora. Written by curators, academics, heritage professionals, and artists in accessible and engaging style, it is intended for scholars, museum professionals, and a wide range of individuals interested in South Sudan, African arts and cultures, the history of museum collecting and colonialism, and/or the role of material heritage in peacebuilding and refugee contexts.At a time of widespread, prominent debates over the provenance of museum collections from Africa and calls for restitution, this book provides an in-depth empirical study of the circumstances and practices that led to South Sudanese objects entering foreign museum collections and the importance of these objects in South Sudan and around the world today.

Analyses the experiences of exile and return of Nuer women and men of all ages and how they negotiate and reshape gender identities and relations in the context of prolonged war and violence.