The third edition of The Dictionary of Sea Painters further enhances its stature as the pre-eminent reference guide in its field. Marine painting, as befits the historical importance of its subject, has a rich and varied heritage. The range stretches from the heroics of great artists such as Turner to the humble yet finely detailed harbour paintings intended for master mariners. The range of work between these two extremes is widely collected and admired, and the dictionary satisfies an ever-growing demand for authoritative information from collectors, dealers and auction houses. Other sections of the book offer a wealth of further information. There are detailed drawings of the stems and sterns of important ships, and maritime flags are illustrated in colour - an asset for the purposes of dating and identification.

The Witt Library of the Courtauld Institute of Art, London, is one of the world's greatest art history libraries. It contains some 1.7 million illustrations of the work of painters, draughtsmen, and engravers of the Western tradition, all of whom have been indexed by name, dates, and nationality. This new second edition of the Checklist of Painters is a transcription of the Witt index as it currently exists. The names of 66,000 artists, their dates, and their nationality (or school) are reproduced in alphabetical order. The Checklist of Painters is probably the most exhaustive work of its kind in existence; it now lists all painters (known by art historians) to have lived and worked from the year 1200 to 1994.

This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Your Compass to Maritime Mastery As boundless as the oceans, the field of maritime studies has charted the course of human civilization for centuries. It's an ever-evolving realm where the waves of change constantly reshape the contours of knowledge. In this expansive sea of understanding, having a reliable compass is indispensable. The Dictionary of Maritime, with its compendium of 4,645 meticulously curated entries, aims to be that navigational aid guiding enthusiasts, professionals, and scholars alike through the complex waters of maritime terminology. Our journey begins at the shores of basic nautical terms, ventures through the straits of maritime law, navigates the currents of naval architecture, and explores the depths of oceanography. Each entry within this dictionary is akin to a nautical star, guiding readers through the dense fog of maritime jargon towards the clarity of comprehension. The Dictionary of Maritime is far more than a mere collection of definitions; it's a lighthouse illuminating the path for those sailing the tumultuous seas of maritime studies. Whether you are a seasoned mariner, a maritime law scholar, a naval architect, or an oceanography student, this dictionary is designed to bridge the gap between the arcane and the understood, between obscurity and clarity. This book is not merely a passive repository of maritime terms but an active engagement with the rich tapestry of maritime knowledge. Each term, each phrase is a portal into a vast world that has shaped, and continues to shape, the course of human history. The terms encapsulated within these pages are buoy markers on your journey through the expansive waters of maritime understanding. Our endeavor is to foster a shared lexicon, a common ground of understanding that can enhance communication, collaboration, and comprehension across the myriad sectors within the maritime domain. By doing so, we aspire to contribute to the safety, efficiency, and evolution of the maritime world. As you delve into the pages of The Dictionary of Maritime, you are embarking on a voyage of discovery. Each term you encounter is a nautical mile on your journey towards a deeper understanding of the world that lies beyond the horizon. We invite you to hoist the sails of curiosity and let the winds of knowledge guide you through the enlightening pages of The Dictionary of Maritime. May your quest for understanding be as boundless as the oceans and may your exploration through these entries chart a course towards a lifetime of learning in the maritime realm.

This timely follow-up to Conway's highly successful Marine Art of Geoff Hunt (2004) presents the considerable artistic output of Britain's leading marine painter since 2003. This new volume is heavily illustrated with images ranging from large paintings to sketchbook drawings with text written by the artist himself. The new book reflects Hunt's developing career during a time in which he served a five-year term as President of the Royal Society of Marine Artists, worked on large-scale paintings such as the definitive Mary Rose,and also completed numerous outdoor sketches and paintings. The book is divided into six sections: 1. The Sea Painter's World, an introduction to the artist's studio work at Merton Place, London and his plein air work on the River Thames; 2. Home Waters; 3. The Mediterranean; 4. In the Wake of Nelson; 5. North America and 6. The West Indies and Beyond. This concept sets Geoff's work in a broadly geographical context, showcasing the artist's freer plein air style alongside the exhaustively researched maritime history paintings to which he owes his standing as Britain's leading marine artist.

This basic dictionary of South and Southeast Asian art offers clear and concise explanations of hundreds of useful terms. With over 1,300 entries and 112 line illustrations, this volume makes a handy reference for anyone interested and engaged in South and Southeast Asia Entries range from terms encountered in South and Southeast Asian history, religion, mythology, literature, to those specific to art and architecture, and are drawn from the diverse religious traditions of the region.