Based on corpora of Indus writing and a dictionary, the book validates Aristotle's insight on writing systems. Indus writing is composed using symbols of spoken words. The symbols are hieroglyphs of meluhha (mleccha) words spoken by artisans recording the repertoire of stone, mineral and metal workers. The writing results in a set of catalogs of metalworking of bronze age. Evidence of this competence in metallurgy which evolved from 4th millennium BCE of bronze age, is provided in corpora of metalware catalogs and a dictionary of melluhha (mleccha). Indus writing was a principal tool of economic administration for account-keeping by artisan and trader guilds and did not record literature or, history. Some sacred ideas and historical links across interaction areas between India and ancient Near East, may be inferred from the writing.

This book is a new approach for creating a categorized understanding of Indus seal symbols. Two hundredand sixty-two symbols have been analyzed in this book along with their geometric constructions whereapplicable. Each symbol has a unique definition, the interpretation of which is such that they hold themeaning regardless of the seals they appear in. In addition, the research considers the sequence of symbolsand its implications on the meaning of seals. This attempt at creating a dictionary for Indus seals based onVedic rituals can be used to interpret many more seals.Several themes such as the purpose of making the seals, the class of people using them, and the geometricalperfections that were adopted while structuring some of the symbols have been analyzed. The book alsostudies the numerous variations in symbols and addresses why it is hard to find identical seals.The seals portrayed on a two-inch stone piece could have been for ease of handling, transportation andstorage as reference documents for practitioners involved in Vedic rituals. It could also have served thepurpose of avoiding mistakes during recitation and ritual procedures at a time when script was non-existent.

Of the writing systems of the ancient world which still await deciphering, the Indus script is the most important. It developed in the Indus or Harappan Civilization, which flourished c. 2500-1900 BC in and around modern Pakistan, collapsing before the earliest historical records of South Asia were composed. Nearly 4,000 samples of the writing survive, mainly on stamp seals and amulets, but no translations. Professor Parpola is the chief editor of the Corpus of Indus Seals and Inscriptions. His ideas about the script, the linguistic affinity of the Harappan language, and the nature of the Indus religion are informed by a remarkable command of Aryan, Dravidian, and Mesopotamian sources, archaeological materials, and linguistic methodology. His fascinating study confirms that the Indus script was logo-syllabic, and that the Indus language belonged to the Dravidian family.

Indus Kohistani is a major language of the Dardic group of Indo-Aryan languages. It is spoken in North Pakistan along the west bank of the Indus. The Dardic languages are - in the words of the eminent linguist R.L. Turner - linguistically of great interest. They are of crucial importance for our understanding of the early stages of Indo-Aryan (Sanskrit) and of its prehistory. The dictionary contains around 8.000 entries, many of which are supplemented with parallels from other languages (Indo-Aryan, Iranian, Dravidian, etc.), and with information about their origin. The book is presently the most comprehensive dictionary of a Dardic language and a rich source for linguists and South Asian philologists.

This is a path-breaking work as significant as the decipherment of Egyptian hieroglyphs by Champollion. For nearly130 years, the Indus script has remained a challenging enigma to scholars of languages, writing systems and civilization studies. The script was invented and used over an extensive area of what is called the Indus or Sindhu-Sarasvati civilization. Over 2000 or 80% of archaeological sites are found on the Sarasvati River basin, a river adored in a very old human document called the Rigveda and which dried up due to tectonic and resulting river migration causes. In 1822, history was made when Egyptian hieroglyphs were deciphered by Jean-Francois Champollion from parts of the Rosetta Stone. Champollion showed that the Egyptian writing system, c.3000 BCE was a combination of phonetic and ideographic glyphs. The Rosetta Stone is dated196 BCE and had a decree in three versions: one in ancient Egyptian hieroglyphs, one in the Egyptian demotic script, and one in ancient Greek. Since alphabets of ancient Greek were known, Champollion used the trilingual inscription to validate his historic decipherment. Indus Script Cipher makes history recording hundreds of hieroglyphs of India. Absence of a Rosetta Stone which has been the principal impediment in validating any decryption of Indus script cipher is thus overcome. Further validation comes from evidences of the historical periods in India from c. 600 BCE showing continued use of Indus script hieroglyphs which evolved from c. 3300 BCE. This book details a decipherment.of the Indus script using the same rebus method used by Champollion to read ancient phonetic hieroglyphs of Indiat. By demonstrating an Indian linguistic area of cultural and language contacts and history of language changes, this is a landmark contribution to civilization studies of the world and will promote efforts to rewrite the ancient socio-cultural and economic history of a billion people in India and neighboring regions.

The unvarying essential meanings of around 1,000 symbols and symbolic themes commonly found in the art, literature and thought of all cultures through the ages are clarified.

This classic encyclopedia of symbols by the renowned Spanish poet illuminates the imagery of myth, modern psychology, literature, and art. J. E. Cirlot’s A Dictionary of Symbols is a feat of scholarship, an act of the imagination, and a tool for contemplation, as well as a work of literature—a reference book that is as indispensable as it is brilliant and learned. Cirlot was a composer, poet, critic, and champion of modern art whose interest in surrealism helped introduce him to the study of symbolism. This volume explores the space between the world at large and the world within, where nothing is meaningless, and everything is in some way related to something else. Running from “abandonment” to “zone” by way of “flute” and “whip,” spanning the cultures of the world, and including a wealth of visual images to further bring the reality of the symbol home, A Dictionary of Symbols is a luminous and illuminating investigation of the works of eternity in time.

This unique and authoritative guide describes more than 400 important Chinese symbols, explaining their esoteric meanings and connections. Their use and development in Chinese literature and in Chinese customs and attitudes to life are traced lucidly and precisely. `An ideal reference book to help one learn and explore further, while simultaneously giving greater insight into many other aspects of Chinese life ... the most authoritative guide to Chinese symbolism available to the general reader today ... a well-researched, informative and entertaining guide to the treasure trove of Chinese symbols.' - South China Morning Post

Hinduism Is Not Merely A Religion But A Way Of Life. Hinduism, In Its Traverse Of Four Thousand Years, Has Accumulated Many A Belief And Practice, Which Encompass The Whole Socio-Religio-Cultural Life Of A Devout. Since The Mythological Past, Hinduism Is Studded With Varied Signs And Symptoms, Which Are Mystic In Character And Symbolic In Nature, And Are Also Sacred Symbols Of Spiritualism As Well. These Symbols Are The Sacred Rivers; Mystic Mantras Like Om And Gayatri; The Auspicious Symbol Of Swastika; The Shivalinga, Salagram Shila Or Sacred Stone Objects; Tripundra Tilaks Or Urdhapundra Tilaks- The Process Of Besmearing The Body With Different Marks Of Sandal Pastes; The Sacred Conch Or Sankha And Venerated Trees Which Have Medicinal Value And Spiritual Ethos Like Tulsi, Vata, Rudraksha, Etc. All These Are Part Of Modern Hinduism But To Many Devouts And Observers These Symbols Stand Enigmatic! Thus This Book Attempts To Explore And Unearth The Hidden Philosophy Of These Signs And Gauge The Socio-Scientific Base And Tries To Find Out The Real Meaning Of Ritualistic Methodologies Of These Symbols, Which Are The Great Objects Of Veneration Of The Hindus Down The Ages.