This Is A New Release Of The Original 1845 Edition.

Excerpt from The Diary of Philip Henslowe, From 1591 to 1609 In the first instance, it seems desirable to say some thing Of the origin and history of a volume, which with the greatest liberality was placed, and has been allowed to remain, in our hands for an almost indefinite period. We can hardly rate too highly the obliga tions of the Shakespeare Society, to the Master, Warden, and Fellows of Dulwich College, in this respect, more especially to the Rev. Mr. Howes, who has charge Of the books of the Institution. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The diary of Philip Henslowe, owner of the Rose Theatre in London during the 1590s, remains the most valuable source of information about the workings of the Elizabethan public theatres. Discussions of theatres and drama in the age of Shakespeare routinely refer to Henslowe, whose 'diary' touches on every aspect of the day-to-day operations of the Rose and the companies of actors, especially the Admiral's Men. The diary preserves the account-book of an Elizabethan theatre owner who was also the father-in-law of the leading actor, Edward Alleyn, and contains many miscellaneous and personal entries. The first edition of Henslowe's Diary, published in 1961, has long been out of print. It provides a thorough introduction to the manuscript, a full transcription of the document itself and several helpful appendices and indexes. For this second edition one of the original editors, R. A. Foakes, has added a new preface and reading list.

This book focuses on the relationship between literary culture, power, society and war. It assesses the critical importance of Michel Foucault's lecture series Society Must Be Defended for contemporary debates about war and terror in literary and cultural studies, as well as social and political thought.