"My frank and loving reminiscence of a life in the hermetic world of Adult Film." A lifetime of success in the world of Adult Entertainment brought Miss Wriston-Ranger (Leafy) into close contact with the great and near-great of the world, spanning across six continents. She now takes us behind the scenes to mingle with politicians, artists, financiers, and even dictators, at their most unguarded.

David Mamet has been a controversial, defining force in nearly every creative endeavor-now he turns his attention to politics. In recent years, David Mamet realized that the so-called mainstream media outlets he relied on were irredeemably biased, peddling a hypocritical and deeply flawed worldview. In 2008 Mamet wrote a hugely controversial op-ed for the Village Voice, "Why I Am No Longer a 'Brain-Dead Liberal'", in which he methodically attacked liberal beliefs, eviscerating them as efficiently as he did Method acting in his bestselling book True and False. Now Mamet employs his trademark intellectual force and vigor to take on all the key political issues of our times, from religion to political correctness to global warming. The legendary playwright, author, director, and filmmaker pulls no punches in his art or in his politics. And as a former liberal who woke up, Mamet will win over an entirely new audience of others who have grown irate over America's current direction.

This one-of-a-kind book shares intimate personal stories of porn performers "coming out" to family, friends, partners, lovers, and community. The contributors represent a wide range of races, ethnicities, and genders. They include Joanna Angel, Annie Sprinkle, Betty Blac, Nina Hartley, Candida Royalle, Conner Habib, Dale Cooper, Christopher Zeischegg, Cindy Gallop, Drew DeVeaux, Erika Lust, Gala Vanting, Casey Calvert, Lorelei Lee, Stoya, Ignacio Rivera AKA Papí Coxxx, and many others. Jiz Lee is a veteran porn performer who had worked in over two-hundred projects within indie, queer, and hardcore gonzo adult genres. Lee is the editor of Coming Out Like a Porn Star, and co-editor of the Porn Studies Journal Special Issue: Porn and Labour.

"A true pioneer, artist, and star of her generation, Serena is the very definition of individuality and freedom tantamount to an exclusive community of golden era, erotic film performers. Melding natural beauty and raw sexuality with an intuitive, ethereal sensitivity, Serena created an abiding presence on screen. Almost 40 years after her film debut, exquisitely characterized by quiet wisdom and honesty, Serena continues to mystify and titillate fans. In her "memory book" Serena has crafted an odyssey of events, ruminations and images reflecting an inspired age of liberation. This is a superb read." - Jill C. Nelson, author of Golden Goddesses: 25 Legendary Women of Classic Erotic Cinema, 1968-1985

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.

Spanning centuries and continents, Mamet uses war and its players to explore, among other themes, redemption and forgiveness as they unfold in the context of conflict in the form of three novellas. In The Redwing, the first of the three novellas, a 19th-century Secret Service naval officer turned prisoner, then novelist, and finally memoirist recounts his own transformations during the course of his service and imprisonment. The protagonist in Notes on Plain Warfare examines religion through the prism of the American Indian wars. Finally, The Handle and the Hold is a vivid, dialogue-driven tale of two ex-military men who steal a plane in the month before the Israeli War of Independence.

“Absorbing...poignant, often heartbreaking...Schwarz is a vivid storyteller.” –The New York Times Book Review The #1 New York Times bestselling author of Drowning Ruth vividly evokes the perennially fascinating true crime love affair of Bonnie and Clyde in this suspenseful, gorgeously detailed fictional portrait of Bonnie Parker, one of America’s most enigmatic women. Born in a small town in the desolate reaches of western Texas and shaped by her girlhood in an industrial wasteland on the outskirts of Dallas, Bonnie Parker was a natural performer and a star student. She dreamed of being a movie star or a singer or a poet. But her dramatic nature, contorted by her limited opportunities and her overwhelming love for Clyde Barrow, pushed her into a course from which there was no escape but death. Infusing the psychological acuity of literary fiction with the relentless pacing of a thriller, Bonnie follows Bonnie from her bright, promising youth to her final month of shoot-outs, kidnappings, and desperate car chases through America’s hinterland in the grip of the Great Depression, as the noose of the law tightened around her. Enriched by Christina Schwarz’s extensive research in the footsteps of Bonnie and Clyde and written with her powerful sense of place and time, Bonnie is a plaintive and page-turning account of a woman destroyed by a lethal combination of longing and love.

Profiles the education and eccentric brilliance of writer and artist Edward Gorey, discussing the creative process that led to more than 100 children's books and inspired a generation of creators, from Lemony Snicket to Tim Burton.

In the ancient Jewish practice of the kavannah (a meditation designed to focus one’s heart on its spiritual goal), Lawrence Kushner and David Mamet offer their own reactions to key verses from each week’s Torah portion, opening the biblical text to new layers of understanding. Here is a fascinating glimpse into two great minds, as each author approaches the text from his unique perspective, each seeking an understanding of the Bible’s personalities and commandments, paradoxes and ambiguities. Kushner offers his words of Torah with a conversational enthusiasm that ranges from family dynamics to the Kabbalah; Mamet challenges the reader, often beginning his comment far afield—with Freud or the American judiciary—before returning to a text now wholly reinterpreted. In the tradition of Israel as a people who wrestle with God, Kushner and Mamet grapple with the biblical text, succumbing neither to apologetics nor parochialism, asking questions without fear of the answers they may find. Over the course of a year of weekly readings, they comment on all aspects of the Bible: its richness of theme and language, its contradictions, its commandments, and its often unfathomable demands. If you are already familiar with the Bible, this book will draw you back to the text for a deeper look. If you have not yet explored the Bible in depth, Kushner and Mamet are guides of unparalleled wisdom and discernment. Five Cities of Refuge is easily accessible yet powerfully illuminating. Each week’s comments can be read in a few minutes, but they will give you something to think about all week long. Lawrence Kushner teaches and writes as the Emanu-El Scholar at The Congregation Emanu-El of San Francisco. He has taught at Hebrew Union College–Jewish Institute of Religion in New York City and served for twenty-eight years as rabbi of Congregation Beth El in Sudbury, Massachusetts. A frequent lecturer, he is also the author of more than a dozen books on Jewish spirituality and mysticism. He lives in San Francisco. David Mamet is a Pulitzer Prize–winning playwright. He is the author of Glengarry Glen Ross, The Cryptogram, and Boston Marriage, among other plays. He has also published three novels and many screenplays, children's books, and essay collections.