An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.

Thomas De Quincey (1785-1859) is one of the greatest English prose writers of the nineteenth century. In this edition texts are drawn from the first published versions, and a full second version provided where he thoroughly recast his own work at a later date. The bulk of his unpublished manuscripts are presented here, among them several works only recently re-discovered.

An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.

An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.

An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.

Through an examination of her complete works and public response to them, Robertson gauges the extent of Inchbald's reputation as the dignified Mrs Inchbald, as well as providing a clear sense of what it meant to be a female Romantic writer.

Explores the connections between British and American Romanticism, focusing on the novels of Elizabeth Inchbald (1753-1821) and Nathaniel Hawthorne (1804-64). This study argues that Inchbald and Hawthorne are representative of a larger British/American cultural confluence during the eighteenth and nineteenth centuries.

While the French Revolution drew immense attention to French radicals and their ideas, London also played host to a radical intellectual culture. Drawing on both original material and a range of interdisciplinary insights, Radical Conduct transforms our understanding of the literary radicalism of London at the time of the French Revolution. It offers new accounts of people's understanding of and relationship to politics, their sense of the boundaries of privacy, their practices of sociability, friendship, gossip and discussion, the relations between radical men and women, and their location in a wider world of sound and movement in the period. It reveals a series of tensions between many radicals' deliberative practices and aspirations and the conventions and practices in which their behaviour remained embedded. Exploring these relationships and pressures reveals the fractured world of London society and politics, dramatically illuminating both the changing fortunes of radical men and women, and the intriguing uncertainties that drove some of the government's repressive policies.