In The Diamond Sutra in Chinese Culture, Venerable Yong You examines the varied history of the Diamond Sutra and its profound effect upon Chinese Buddhism, as well as its wide-ranging impact on Chinese religion, culture, art, literature, folklore, and technology. Beginning from the introduction of the Diamond Sutra in China until the Song dynasty, Venerable Yong You delves deeply into the Dunhuang collections, comprised of the oldest Chinese Buddhist manuscripts in the world, to offer insightful new research and a compelling perspective on the influence of this very important text.

Contextualizing the sutra within a milieu of intense religious and cultural experimentation, this volume unravels the sudden rise of Diamond Sutra devotion in the Tang dynasty against the backdrop of a range of social, political, and literary activities. Through the translation and exploration of a substantial body of narratives extolling the efficacy of the sutra, it explores the complex social history of lay Buddhism by focusing on how the laity might have conceived of the sutra and devoted themselves to it. Corroborated by various sources, it reveals the cult’s effect on medieval Chinese religiosity in the activities of an empowered laity, who modified and produced parasutraic texts, prompting the monastic establishment to accommodate to the changes they brought about.

Two classic Zen Buddhist texts that present the foundational teachings of the tradition—now collected in one volume for the modern practitioner The Diamond Sutra, composed in India in the fourth century CE, is one of the most treasured works of Buddhist literature and is the oldest existing printed book in the world. It is known as the Diamond Sutra because its teachings are said to be like diamonds that cut away all dualistic thought, releasing one from the attachment to objects and bringing one to the further shore of enlightenment. The format of this important sutra is presented as a conversation between the Buddha and one of his disciples. The Sutra of Hui-neng, also known as the Platform Sutra, contains the autobiography of a pivotal figure in Zen history and some of the most profound passages of Zen literature. Hui-neng (638–713) was the sixth patriarch of Zen in China but is often regarded as the true father of the Zen tradition. He was a poor, illiterate woodcutter who is said to have attained enlightenment upon hearing a recitation of the Diamond Sutra. Together, these two scriptures present the central teaching of the Zen Buddhist tradition and are essential reading for all students of Buddhism.

The Diamond Sutra, a mainstay of the Mahayana tradition, has fascinated Buddhists for centuries because of its insights into dualism and illusion: the "diamond" can cut through any obstacle on the road to enlightenment. In the Diamond Sutra, the Buddha responds to a disciple's question about how to become a Buddha. The Diamond that Cuts Through Illusion presents a dialogue between the Buddha and his disciple, Subhuti, which illuminates how our minds construct limited categories of thought. The answer: we must move beyond personal enlightenment to follow the path of the Bodhisattvas, fully enlightened beings who postpone Nirvana in order to alleviate the suffering of others. It offers us alternative ways to look at the world in its wholeness so we can encounter a deeper reality; develop reverence for the environment and more harmonious communities, families, and relationships; and act in the world skillfully and effectively. This revised edition includes Thich Nhat Hanh’s translation of the Sutra from the Chinese and, in his commentaries, his own diamond sharp insight, including new work on the environmental implications of the Diamond Sutra. A beautiful edition of one of Buddhism's central texts.

Drawing upon numerous manuscripts from China and Central Asia, the articles presented in this volume by leading scholars in the field examine a broad range of topics on the multi-lingual, multi-religious, and multi-ethnic communities along the Silk Road in the medieval period, and cover such topics as the social history of Kucha, book history in Dunhuang, the spread of Manichaeism, the political history of Turkic and Khotanese Kingdoms, and the travelogue of the Buddhist pilgrim Xuanzang. They demonstrate that Han Chinese, Khotanese, Sogdians, Tocharians, Tibetans, and Uyghurs have all contributed to constructing a sophisticated international network across Asia. Contributors are: Bi Bo, Chao-jung Ching, Jean Pierre Drège, Ogihara Hirotoshi, Xiaohe Ma, Nicholas Sims-Williams, Xinjiang Rong, Tokio Takata, Xiaofu Wang, Wenkan Xu, Yutaka Yoshida, Lishuang Zhu, Peter Zieme.

In this brilliant new translation and commentary on The Diamond Sutra--one of the sublime wisdom teachings of Mahayana Buddhism--Mu Soeng integrates this ancient wisdom teaching with current scientific and psychological thought. His clear and readable commentary traces the connections between these teachings and contemporary theories of quantum reality, explores the sutra within the framework of Buddhist meditation practices, and provides a comprehensive historical survey of the Mahayana Buddhist tradition. Mu Soeng's goal throughout is to reveal the inspiration and wisdom of The Diamond Sutra to today's reader in an accessible, engaging, and modern manner.

“Dunhuang Manuscript Culture” explores the world of Chinese manuscripts from ninth-tenth century Dunhuang, an oasis city along the network of pre-modern routes known today collectively as the Silk Roads. The manuscripts have been discovered in 1900 in a sealed-off side-chamber of a Buddhist cave temple, where they had lain undisturbed for for almost nine hundred years. The discovery comprised tens of thousands of texts, written in over twenty different languages and scripts, including Chinese, Tibetan, Old Uighur, Khotanese, Sogdian and Sanskrit. This study centres around four groups of manuscripts from the mid-ninth to the late tenth centuries, a period when the region was an independent kingdom ruled by local families. The central argument is that the manuscripts attest to the unique cultural diversity of the region during this period, exhibiting—alongside obvious Chinese elements—the heavy influence of Central Asian cultures. As a result, it was much less ‘Chinese’ than commonly portrayed in modern scholarship. The book makes a contribution to the study of cultural and linguistic interaction along the Silk Roads.

When a Chinese monk broke into a hidden cave in 1900, he uncovered one of the world’s great literary secrets: a time capsule from the ancient Silk Road. Inside, scrolls were piled from floor to ceiling, undisturbed for a thousand years. The gem within was the Diamond Sutra of AD 868. This key Buddhist teaching, made 500 years before Gutenberg inked his press, is the world’s oldest printed book. The Silk Road once linked China with the Mediterranean. It conveyed merchants, pilgrims and ideas. But its cultures and oases were swallowed by shifting sands. Central to the Silk Road’s rediscovery was a man named Aurel Stein, a Hungarian-born scholar and archaeologist employed by the British service. Undaunted by the vast Gobi Desert, Stein crossed thousands of desolate miles with his fox terrier Dash. Stein met the Chinese monk and secured the Diamond Sutra and much more. The scroll’s journey—by camel through arid desert, by boat to London’s curious scholars, by train to evade the bombs of World War II—merges an explorer’s adventures, political intrigue, and continued controversy. The Diamond Sutra has inspired Jack Kerouac and the Dalai Lama. Its journey has coincided with the growing appeal of Buddhism in the West. As the Gutenberg Age cedes to the Google Age, the survival of the Silk Road’s greatest treasure is testament to the endurance of the written word.