WINNER OF THE GLENGARRY BOOK AWARD WINNER OF THE CITY OF REGINA BOOK AWARD From the winner of the Governor General’s Literary Award, an engaging new novel about the unconventional Estella Diamond and her struggle with the expectations that bind her family Estella Diamond is the youngest child and only daughter of a successful brick-factory owner, a self-described family man who is not averse to being called a kingpin. Estella’s precocious nature leads her to discover something none of her brothers know: that their father was once married to an aspiring ceramics artist named Salina, who dreamed big and turned her back on society’s conventions. Estella grows up planning her future in the image of her father’s daring first wife, rather than that of her traditional mother. When her plans are derailed again and again by the family patriarchy, she longs to rebel and be like Salina. Unable to openly challenge her father, and with a chorus of sisters-in-law passing judgment, she does the right thing instead, and plays the role of the good daughter. Until she doesn’t. The effects of Estella’s rebellion will stay with her and the family for years, until she is left alone in the house her father built with only her housekeeper, Emyflor, for company. When an uncompromising young woman named Hannah Diamond enters her world, Estella is forced to wrestle with the legacy she helped create and to confront the woman she has become, just in time for one last reinvention.

House on Diamond Hill: A Cherokee Plantation Story

Eddy and Eleanor discover a secret attic room in their extraordinary house.

There's more to me than most people see. Twelve-year-old Willow would rather blend in than stick out. But she still wants to be seen for who she is. She wants her parents to notice that she is growing up. She wants her best friend to like her better than she likes a certain boy. She wants, more than anything, to mush the dogs out to her grandparents' house, by herself, with Roxy in the lead. But sometimes when it's just you, one mistake can have frightening consequences . . . And when Willow stumbles, it takes a surprising group of friends to help her make things right again. Using diamond-shaped poems inspired by forms found in polished diamond willow sticks, Helen Frost tells the moving story of Willow and her family. Hidden messages within each diamond carry the reader further, into feelings Willow doesn't reveal even to herself. Diamond Willow is a 2009 Bank Street - Best Children's Book of the Year.

In the latest thrilling novel in the Ava Lee series, Ava launches an investigation into a fraudulent investment scheme that sends her around the globe on the trail of illegal diamonds, drug smuggling, and offshore banking. Ava and Pang Fai are in Toronto to attend a party at the home of Ava’s mother, Jennie Lee. When Ava’s best friend, Mimi, fails to appear, Ava goes looking for her. She finds Mimi at home, distraught over the death of her father, who has taken his own life after losing the family’s savings in a fraudulent investment scheme. Moved to avenge this tragedy and recover the stolen money, Ava launches an investigation that takes her to cities on three continents. As she tracks the money, Ava is thrust into the underworld of illegal diamond trading, international drug smuggling, and the world’s most secretive offshore banking haven. Along the way, a number of Ava’s old friends offer their assistance—from her business partner, May Ling Wong, to her ge ge, the Mountain Master of Shanghai, Xu. Most poignant of all, Ava is visited in her dreams by Uncle, who offers her much-needed guidance as she confronts a new face of power and corruption.

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

A modern-day classic. This highly acclaimed adventure series about two friends desperate to save their doomed city has captivated kids and teachers alike for almost fifteen years and has sold over 3.5 MILLION copies! Lina and Doon escaped the dying city of Ember and led their people to the town of Sparks. But they soon discover that winter is harsh aboveground. When Doon finds a book with torn pages that hints at a mysterious device from the Builders, it doesn’t take much for him to convince Lina to join him for one last adventure in the city of Ember. But what—and who—will they find when they return? Praise for the City of Ember books: Nominated to 28 State Award Lists! An American Library Association Notable Children’s Book A New York Public Library 100 Titles for Reading and Sharing Selection A Kirkus Reviews Editors’ Choice A Child Magazine Best Children’s Book A Mark Twain Award Winner A William Allen White Children’s Book Award Winner “A realistic post-apocalyptic world. DuPrau’s book leaves Doon and Lina on the verge of undiscovered country and readers wanting more.” —USA Today “An electric debut.” —Publishers Weekly, Starred “While Ember is colorless and dark, the book itself is rich with description.” —VOYA, Starred “A harrowing journey into the unknown, and cryptic messages for readers to decipher.” —Kirkus Reviews, Starred

Number 11, Dukes Square, looks just like the other houses on the Brighton seafront: a Regency terrace with elegant sash windows, a winding staircase, and post piled up in the hall for its tenants. It might be part of the city's history, but it's also a place of brand new beginnings. Georgie has followed her childhood sweetheart to Brighton but is determined to carve out a career for herself in journalism. Throwing herself into the city's delights is fun and exciting, but before she knows it, she's sliding into all kinds of trouble. Charlotte's in the city for a new start, hoping to keep her head down and somehow get over the heartbreaking loss she's suffered in the past. But Margot, the stylish old lady on the top floor, has other ideas. Like it or not, Charlotte must confront the outside world, and the possibilities it still holds. A terrible revelation sent Rosa running from London to start again as a sous chef. The work is gruelling and thankless but it's a distraction at least . . . until she comes up against the stroppy teenager next door who challenges her on her lifestyle choices. What if Rosa's passion for food could lead her to more interesting places? As the three tenants find each other, it's as if a whole new chapter of their lives has begun.

For decades the suburbs have been where art happens despite: despite the conformity, the emptiness, the sameness. Time and again, the story is one of gems formed under pressure and that resentment of the suburbs is the key ingredient for creative transcendence. But what if, contrary to that, the suburb has actually been an incubator for distinctly American art, as positively and as surely as in any other cultural hothouse? Mixing personal experience, cultural reportage, and history while rejecting clichés and pieties and these essays stretch across the country in an effort to show that this uniquely American milieu deserves another look.