Aquest llibre reflecteix l'evolució en el camp dels estudis diaspòrics. Els articles han estat agrupats en dues seccions. La primera té com objectiu les experiències dels africans diaspòrics; la segona secció, àmplia el radi de recerca i se centra en les representacions literàries de la diàspora dels asiàtic-americans, porto-riquenys i als anglo-europeus. De la mateixa manera, un aspecte no menys interessant d'aquest llibre són les múltiples maneres en les que s'han tornat a teoritzar les idees de Paul Gilroy i a aplicar-se a una infinitat d'escrits. De fet, els articles testifiquen la diàspora com una experiència que potencialment pot -com així succeeix- afectar a tot el món, pel que la diàspora es converteix en una representació metonímica de la pròpia experiència.

Toni Morrison’s ninth novel, A Mercy, has been received with much acclaim by both the critical and lay reading public. Hailed as her best novel after the award-winning Beloved, most critics to date have concentrated on its setting in the late seventeenth century, a time in which, according to the author herself, slavery was “pre-racial,” a time before the “Terrible Transformation” irrevocably linked slavery to skin-color or “race.” Though a slender, easy to read novel, A Mercy is in fact a richly-layered text, full of multiple meanings and possibilities, a work of art that has only just begun to be “mined” for its critical import. The present volume is the first to deal with these possibilities, presenting a variety of critical approaches that include narrative theory, the eco-critical, the geographical, the allegorical, the Miltonian, the feminist, the metaphorical, and the Lacanian. As such, not only is it conceived to enrich the work of Morrison scholars and students, but also to illuminate the use of critical theory in elucidating a complex literary text. A Mercy clamors for close reading and thoughtful interrogation and promises to reward the perceptive reader.

This book presents a systematic approach to the literary analysis of cultural practices. Based on a postcolonial framework of diaspora, the book utilizes literary theory to investigate cultural phenomena such as food preparation and song. Razia Parveen explores various diverse themes, including the female voice, genealogy, space, time, and diaspora, and applies them to the analysis of community identity. This volume also demonstrates how a literary analysis of oral texts helps to provide insight into women’s lived narratives. For example, Parveen discusses how the notion of the ‘third space’ creates a distinctly feminine spatiality.

This volume brings forward a descriptive approach to the translation and reception of African American women’s literature in Spain. Drawing from a multidisciplinary theoretical and methodological framework, it traces the translation history of literature produced by African American women, seeking to uncover changing strategies in translation policies as well as shifts in interests in the target context, and it examines the topicality of this cohort of authors as frames of reference for Spanish critics and reviewers. Likewise, the reception of the source literature in the Spanish context is described by reconstructing the values that underlie judgements in different reception sources. Finally, this book addresses the specific problem of the translation of Black English into Spanish. More precisely, it pays attention to the ideological and the ethical implications of translation choices and the effect of the latter on the reception of literary texts.

This volume provides a partial mapping of the ambivalent representational forms and cultural politics that have characterized Latinx identity since the 1990s, looking at literary and popular culture texts, as well as new media expressions. The chapters tackle themes related to the diversity of Latinx culture and experience, as represented in different media the borderland context, issues related to gender and sexuality, the US–Mexico borderland context, and the connections between spatiality and Latinx self-representation—sketching the “now” of Latinx representation and considering that “Latinx” is an unstable signifier, and the present, as well as culture and media, are always in motion.

This anthology interrogates two salient concepts in studying the black experience. Ushered in with the age of New World encounters, modernity emerged as brutal and complex, from its very definition to its manifestations. Equally challenging is blackness, which is forever dangling between the range of uplifting articulations and insidious degradation. The essays in Western Fictions address the conflicting confluences of these two terms. Questioning Eurocentric and mainstream American interpretations, they reveal the diverse meanings of modernities and blackness from a wide range of milieus of the black experience. Interdisciplinary and wide-ranging in thematic and epochal scope, they use theoretical and empirical studies of a range of subjects to demonstrate that, indeed, blackness is relevant for understanding modernities and vice versa.

This collection of essays attempts to expand the notion of the «Black Atlantic» beyond its original racial, geographical, linguistic and cultural borders while acknowledging its remarkable ability to disturb established historical truths and to go beyond traditional dichotomies, thereby providing an essential tool for cross-cultural understanding. It is divided into four sections, each of them dealing with a different approach to the question of the «Black Atlantic». «Definitions» touches on the various limitations of Gilroy's original concept. «Readings» focuses on how the «Black Atlantic» can be productively used in readings of certain literary texts. «Practices» shifts towards the practical applications of the concept in order to explore the impact it has had on academic disciplines and examine to what extent it may have altered their epistemology and working procedures. Finally, «Dialogues» engages with the «Black Atlantic» from the perspectives of two creative writers whose work includes transatlantic themes and characters.

During the past ten years, political debates, legal disputes, and rising violence associated with the presence of Haitian migrants have flared up throughout the Caribbean basin in such places as Guadeloupe, the Dominican Republic, French Guiana, the Bahamas, and Jamaica. The contributors to this volume explore the common thread of prejudice against the Haitian diaspora as well as its potential role in the construction of national narratives from a comparative and interdisciplinary perspective. These essays, written by historians, anthropologists, sociologists, and Francophone studies scholars, examine how Haitians interact as an immigrant group with other parts of the Caribbean as well as how they are perceived and treated, particularly in terms of ethnicity and race, in their migration experience in the broader Caribbean. By discussing the prevalence of anti-Haitianism throughout the region alongside the challenges Haitians face as immigrants, this volume completes the global view of the Haitian diaspora saga.

A Companion to Diaspora and Transnationalism offers a ground-breaking combined discussion of the concepts of diaspora and transnationalism. Newly commissioned essays by leading scholars provide interdisciplinary perspectives that link together the concepts in new and important ways. A wide-ranging collection which reviews the most significant developments and provides valuable insights into current key debates in transnational and diaspora studies Contains newly commissioned essays by leading scholars, which will both influence the field, and stimulate further insight and discussion in the future Provides interdisciplinary perspectives on diaspora and transnationalism which link the two concepts in new and important ways Combines theoretical discussion with specific examples and case studies

Poignant stories from one of the world’s largest political exoduses of children Praise for the first edition: “Compelling reading.”—New Republic “A collection of tearful testimonies woven with a tale of the event that unfolded in Cuba and led desperate parents to make the heart-wrenching decision to send their children along to a foreign country.”—Miami Herald “[Conde] does an impressive job of reporting dozens of personal stories and fascinating vignettes. . . . A compilation of tales, some moving, many astonishing.”—Chicago Tribune “A well-researched history of Operation Pedro Pan, a portrait of early revolutionary Cuba and a compendium of testimony from the now-grown children.”—Publishers Weekly “The book’s primary value lies in the individual stories, from tearful departure and arrival in Miami to temporary shelters and placement in homes or, in some cases, in orphanages; to learning a new language and adjusting and, in many cases, assimilating; to reunions with parents, adolescence in the ’60s and ’70s, and adulthood.”—Booklist “Conde does an excellent job of narrating the essential outline of the history of Operation Pedro Pan, and an equally superb job of analyzing the circumstances that created this exodus, from the viewpoint of those who felt compelled to create it and keep it going. . . . Operation Pedro Pan is . . . as much a primary source as it is a work of history, as much a window onto a mentality as it is a guide to events, names, and institutions.”—Carlos M. N. Eire, Hispanic American Historical Review “Fascinating is the least one can say about this book. It’s the story of thousands of Cuban children who wouldn’t grow up under communism and were sent by their parents to the never-never land of America. Some of them lived happily ever after because this version of Peter Pan is a tragedy with a happy ending sometimes. Fidel Castro, by the way, plays a very credible Captain Hook.”—Guillermo Cabrera Infante, Cervantes Prize‒winning novelist On August 11, 1961, at the age of ten, Yvonne Conde left Cuba in one of the world’s largest political exoduses of children in history—Operation Pedro Pan. Between 1960 and 1962 over 14,000 children were sent out of Cuba alone by desperate parents who feared for their children’s future under Castro. Unlike Peter Pan, however, these children continued to grow up even while separated from their families. As the children arrived in temporary camps in Miami, volunteers such as Father Bryan O. Walsh helped them find new homes across the country. Conde tracked down hundreds of these children to tell their diverse stories—their uplifting, poignant, and sometimes tragic experiences in American foster homes and orphanages. Because Conde herself was a Pedro Pan child, others have opened up to her like never before to share their feelings about this painful time in their lives. Today, these children and their families struggle to heal the emotional scars of their long separation. In this edition, with a new prologue, Conde looks back on Operation Pedro Pan from the vantage point of six decades and brings readers up to date on events and discoveries since the groundbreaking first publication of this book in 1999. Writing with compassion and rare insight, Conde uncovers the true tales of a little-known episode of the Cold War.