Magic springs from unexpected sources. In the second novel of The Werewolves of Rebellion series, Phillip Andrews, second-in-command of the Werewolves of Rebellion, bumps into Daffodil, a leggy blond, and falls hard for her. There’s only one problem—she’s the River Rebel’s branded property. But Daffodil has even worse problems and finds herself in a dangerous, abusive sexual game with Ezra Smith, acting president of the River Rebels. Upon meeting Phillip, Daffodil can’t get him out of her mind. He gives her hope and strength, things no man has ever inspired in her before. If she tries to leave the River Rebels, Ezra will surely find her and murder Phillip. And when she foils one of Ezra’s human-trafficking shipments, Daffodil is forced to escape the MC and go into hiding in Phillip’s arms. As Halloween approaches, the Werewolves of Rebellion are faced with bizarre deaths in their MC. Men are found drained of everything, leaving only mummified husks behind. Demon-women tantalize dreams and frighten everyone in the MC. Bernadette, mate to club president Frank Nightshade, is now an apprentice witch, but although she keeps trying to protect the MC and Frank’s clan from evil, now she must save Phil and his new woman, Daffodil, too. The only way that Phil and Daffodil can be together is to vanquish the demons, but in doing so, how many will lose their lives, and will it be worth it for their love?

Inspired by the true story of a political murder that horried Russians in 1869, Fyodor Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia.

A talented bodyguard entering the city, facing the flirtatious young miss of the Wealthy Class, he says that if I don't go to hell, whoever goes to hell, I will take this seductress! In the face of such an overbearing opponent, he used his hot-blooded iron fist to trample his opponent beneath his feet. A dragon is a dragon, he said.

A scholarly work that aims to be both broad enough in scope to satisfy upper-division undergraduates studying folk belief and narrative and detailed enough to meet the needs of graduate students in the field. Each of the seven chapters in Part 1 focuses on one aspect of Russian folk belief, such as the pagan background, Christian personages, devils and various other logical categories of the topic. The author's thesis - that Russian folk belief represents a "double faith" whereby Slavic pagan beliefs are overlaid with popular Christianity - is persuasive and has analogies in other cultures. The folk narratives constituting Part 2 are translated and include a wide range of tales, from the briefly anecdotal to the more fully developed narrative, covering the various folk personages and motifs explored in Part 1.

"Landmarks in Russian literature" by Maurice Baring. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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A study of the 'demonic markers' that run throughout Dostoevsky's fiction, this also explores the narrative and generic implications of the way Dostoevsky inscribed the demonic in his fictional works - implications that point to a new understanding of familiar concepts in the work of this Russian master.

This sourcebook provides the first systematic overview of witchcraft laws and trials in Russia and Ukraine from medieval times to the late nineteenth century. Witchcraft in Russia and Ukraine, 1000–1900 weaves scholarly commentary with never-before-published primary source materials translated from Polish, Russian, and Ukrainian. These sources include the earliest references to witchcraft and sorcery, secular and religious laws regarding witchcraft and possession, full trial transcripts, and a wealth of magical spells. The documents present a rich panorama of daily life and reveal the extraordinary power of magical words. Editors Valerie A. Kivelson and Christine D. Worobec present new analyses of the workings and evolution of legal systems, the interplay and tensions between church and state, and the prosaic concerns of the women and men involved in witchcraft proceedings. The extended documentary commentaries also explore the shifting boundaries and fraught political relations between Russia and Ukraine.