In this book, Alan Krell investigates the place barbed wire holds in the social imagination.

The book is an autobiographical tale of being a victim of lies. The story details how it was tempted to handle the lies and why the book was finally written. The author wants to make the world a better place.

From a New York Times–bestselling author, this regency romance is “full of spirited romance . . . nefarious skullduggery . . . [and] lively emotional skirmishes” (Publishers Weekly). To British privateer Ethan Sharpe, Grace Chastain was nothing but a pawn for vengeance against Harmon Jeffries, the traitor responsible for his brutal years in prison. Believing Grace to be Jeffries’ mistress, he plans to humiliate his enemy by seducing her. Grace fears her priceless heirloom necklace has begun to live up to its curse when Captain Sharpe makes her his prisoner aboard his schooner. Defiantly she resists his coarse advances, and suspects there is more to this complex sea captain than his brooding anger and silent accusations. But Ethan quickly realizes that she is not the wicked woman he imagined her to be. Grace is as headstrong as she is lovely, and the battle of wills that ensues weakens his resolve. Now Ethan must decide: can he settle the demons of his past and follow the destiny his heart commands?

THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.

“Get your head into the clouds with Aerial Geology.” —The New York Times Book Review Aerial Geology is an up-in-the-sky exploration of North America’s 100 most spectacular geological formations. Crisscrossing the continent from the Aleutian Islands in Alaska to the Great Salt Lake in Utah and to the Chicxulub Crater in Mexico, Mary Caperton Morton brings you on a fantastic tour, sharing aerial and satellite photography, explanations on how each site was formed, and details on what makes each landform noteworthy. Maps and diagrams help illustrate the geological processes and clarify scientific concepts. Fact-filled, curious, and way more fun than the geology you remember from grade school, Aerial Geology is a must-have for the insatiably curious, armchair geologists, million-mile travelers, and anyone who has stared out the window of a plane and wondered what was below.

The Georgian terraces are rising. In the aftermath of the abolition of the slave trade, the port of Bristol is awash with the commercial gains of the Empire. But in the midst of all the grand building projects something is rotten at the heart of the city. The first victim is discovered. News of the mutilated body speads quickly. And as further horrifically charred corpses are found, the new streets are gripped with a primal sense of fear. The city fathers decide to step in to suppress the rising panic. An innocent is drawn into the tangled net. A lowly legal clerk with a taste for coffee, Inigo Bright has been charged with investigating customs fees in the great port. Yet this routine investigation will drag him down in a net of violence and deception that puts not only his life but that of those closest to him in deadly danger...

Collects issues of the Dynamite Entertainment series.

Discover the haunting untold true story of the woman whose crimes inspired speculation that Jack the Ripper was a woman. On October 24, 1890, a woman was discovered on a pile of rubbish in Hampstead, North London. Her arms were lacerated and her face bloodied; her head was severed from her body save a few sinews. Later that day, a blood-soaked stroller was found leaning against a residential gate, and the following morning the dead body of a baby was found hidden underneath a nettle bush. So began the chilling story of the Hampstead Tragedy. Eventually, Scotland Yard knocked on the door of No. 2 Priory Street, home to Mary Eleanor Pearcey, the pretty 24-year-old mistress whose dying request was as bizarre and mysterious as her life. Woman at the Devil's Door is a thrilling look at this notorious murderer and the webs she wove.

In her celebrated essay "Against Decoration," published in Parnassus, Mary Karr took aim against the verbal ornaments that too often pass for poetry these days and their attendant justifications: deconstruction and a "new formalism" that elevates form as an end in itself. Her own poems, she says, are "humanist poems," written for everyday readers rather than an exclusive audience--poems that do not require an academic explication in order to be understood. Of The Devil's Tour, her newest collection, she writes: "This is a book of poems about standing in the dark, about trying to memorize the bad news. The tour is a tour of the skull. l am thinking of Satan in Paradise Lost: 'The mind is its own place and it can make a hell of heav'n or a heav'n of hell ... I myself am hell."

“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.