Only God can bring a dead man back to life. On the outside, Cody Bates appeared as any other normal kid on the playground. But abuse, prescription drugs, and bullying had produced anything but a normal human being. Before long, his preteen drug addiction and young offender incarcerations transitioned into narcotic trafficking, gangs, murder, and life in a maximum-security prison. Organized crime, counter-surveillance, and violent stiff-arm tactics became Cody’s way of life as he fought desperately for the things of this world—money, power, women, and drugs. To counter the crippling emptiness that consumed him day after day, he resorted to the only solution he had: cocaine. As his health deteriorated and his addiction worsened, he fell deeper into psychosis where he encountered the demonic faces, whispers, and sirens no one but him could see and hear. The future appeared bleak as he fell deeper into the devil’s hands. It seemed obvious to everyone that there was only one way this could all end. But there are things far worse than death for a man intent on destroying everything and everyone in his path.

This delightful collection makes the rich but little-known Slovak folk culture available for English-language readers. Most of the fifty tales assembled here from the collections of folklorist Pavol Dobsinsky are translated into English for the first time. The poetic qualities of the originals have been carefully preserved. The general reader will enjoy these tales immensely, and students will find an insightful introduction to the genres of the folktale and the specifics of Slovak tales. For expert readers, all of the tales have been classified according to the Aarne-Thompson index, and many include short commentaries that draw on the work of Viera Gasparikova.

Demons is an allegory of the potentially catastrophic consequences of the political and moral nihilism that were becoming prevalent in Russia in the 1860s. A fictional town descends into chaos as it becomes the focal point of an attempted revolution, orchestrated by master conspirator Pyotr Verkhovensky. The mysterious aristocratic figure of Nikolai Stavrogin—Verkhovensky's counterpart in the moral sphere—dominates the book, exercising an extraordinary influence over the hearts and minds of almost all the other characters. The idealistic, western-influenced generation of the 1840s, epitomized in the character of Stepan Verkhovensky (who is both Pyotr Verkhovensky's father and Nikolai Stavrogin's childhood teacher), are presented as the unconscious progenitors and helpless accomplices of the 'demonic' forces that take possession of the town.