Winner of the 2000 National Book Critics Circle Award for Fiction for "Being Dead, " Crace is known for his finely honed style. Here he gets to work really close to the bone, producing 60 brief flights of fantasy on appetite, food and objects of desire.

Nearly three decades since the publication of the seminal "Metaphors We Live By," Cognitive Linguistics is now a mature theoretical and empirical enterprise, with a voluminous associated literature. It is arguably the most rapidly expanding school in modern linguistics, and one of the most exciting areas of research within the interdisciplinary project known as cognitive science. As such, Cognitive Linguistics is increasingly attracting a broad readership both within linguistics as well as from neighbouring disciplines including other cognitive and social sciences, and from disciplines within the humanities. This volume contains over 20 papers by leading experts in cognitive linguistics which survey the state of the art and new directions in cognitive linguistics. The volume is divided into 5 sections covering all the traditional areas of study in cognitive linguistics, as well as newer areas, including applications and extensions. Sections include: Approaches to semantics; Approaches to metaphor and blending; Approaches to grammar; Language, embodiment and cognition; Extensions and applications of cognitive linguistics."

We're dirty. We're messy. We die. That's life. On a remote Scottish island, an estranged mother and daughter are at loggerheads over how best to save their children. While Ella fights for her son's future, her mother Karen is terrified that Ella's environmental activism will her get killed. Trapped together until one of them gives in or lashes out, it quickly becomes clear that not all mothers know best. Around them, at the mercy of the brutal North Sea and Mother Nature, their close-knit community is being pushed to the brink in a world which is changing too fast for them to survive. Written by the award-winning 2015 IASH / Traverse Theatre Creative Fellow Clare Duffy and directed by Traverse Associate Director Gareth Nicholls, (Ulster American), Arctic Oil grapples with how trying to save the world could end up destroying those closest to us – and even ourselves.

A sumptuous, scintillating stew of sixty four short fictions about appetite, food, and the objects of our desire All great meals, it has been said, lead to discussions of either sex or death, and The Devil's Larder, in typical Cracean fashion, leads to both. Here are sixty four short fictions of at times Joycean beauty--about schoolgirls hunting for razor clams in the strand; or searching for soup-stones to take out the fishiness of fish but to preserve the flavor of the sea; or about a mother and daughter tasting food in one another's mouth to see if people really do taste things differently--and at other times, of Mephistophelean mischief: about the woman who seasoned her food with the remains of her cremated cat, and later, her husband, only to hear a voice singing from her stomach (you can't swallow grief, she was advised); or the restaurant known as "The Air & Light," the place to be in this small coastal town that serves as the backdrop for Crace's gastronomic flights of fancy, but where no food or beverage is actually served, though a 12 percent surcharge is imposed just for just sitting there and being seen. Food for thought in the best sense of the term, The Devil's Larder is another delectable work of fiction by a 2001 winner of The National Book Critics Circle Award.

In Anthony Hope's 'Phroso', Lord Wheatley's quest for adventure takes him to Neopalia, a Turkish island in the Aegean Sea. But when he arrives with the intent of purchasing the island, he finds the locals unwilling to give up their home and insisting that he make Phroso, a young woman who happens to be the daughter of the previous island owner, the ruler of Neopalia. As Wheatley falls in love with her, a Turkish man named Mouraki Pasha kidnaps Phroso, leading to a series of battles and complications. To achieve his goals, Wheatley must fight for both Neopalia and the woman he loves.