“Yokomizo at his absolute best... From the ominous opening through the brilliant final reveal, [he] ably blends suspense and fair-play detection... A classic of the genre.” —Publishers Weekly, starred review An ingenious classic locked-room murder mystery about the feuding family of a composer that’s perfect for fans of Lucy Foley, Ruth Ware, and Anthony Horowitz This standalone novel features the scruffy sleuth Kosuke Kindaichi—the most famous Japanese detective—created by one of Japan's greatest crime writers: Seishi Yokomizo, the “Japanese Agatha Christie” Locked room mysteries are hot again, and this classic from the golden age of crime presents a mind-bending Japanese mystery from the great Seishi Yokomizo, whose fictional detective Kosuke Kindaichi is a pop culture phenomenon akin to Sherlock Holmes. This time the beloved scruffy sleuth Kosuke Kindaichi investigates a series of gruesome murders within the feuding family of a brooding, troubled composer, whose most famous work chills the blood of all who hear it. Readers will be totally engrossed by one of Yokomizo’s most clever guessing games, in which everyone has something to hide…

Not only an interesting novel, but a great ethnological work with insight into Indian life, lore and character. The story grows ore powerful as it progresses and its pictures of Tahante and his devoted love are pathetic in the extreme, and as true to Indian nature as art can make them.

One of Japan's greatest classic murder mysteries, introducing their best loved detective, translated into English for the first time. In the winter of 1937, the village of Okamura is abuzz with excitement over the forthcoming wedding of a son of the grand Ichiyanagi family. But amid the gossip over the approaching festivities, there is also a worrying rumour - it seems a sinister masked man has been asking questions around the village. Then, on the night of the wedding, the Ichiyanagi household are woken by a terrible scream, followed by the sound of eerie music. Death has come to Okamura, leaving no trace but a bloody samurai sword, thrust into the pristine snow outside the house. Soon, amateur detective Kosuke Kindaichi is on the scene to investigate what will become a legendary murder case, but can this scruffy sleuth solve a seemingly impossible crime?

The gripping tale of a legendary, century-old murder spree *** A silent, simmering killer terrorized New England in1911. As a terrible heat wave killed more than 2,000 people, another silent killer began her own murderous spree. That year a reporter for the Hartford Courant noticed a sharp rise in the number of obituaries for residents of a rooming house in Windsor, Connecticut, and began to suspect who was responsible: Amy Archer-Gilligan, who’d opened the Archer Home for Elderly People and Chronic Invalids four years earlier. “Sister Amy” would be accused of murdering both of her husbands and up to sixty-six of her patients with cocktails of lemonade and arsenic; her story inspired the Broadway hit Arsenic and Old Lace. The Devil’s Rooming House is the first book about the life, times, and crimes of America’s most prolific female serial killer. In telling this fascinating story, M. William Phelps also paints a vivid portrait of early-twentieth-century New England.

A New York Times Notable Book of 2015 “A tour-de-force reimagining of Camus’s The Stranger, from the point of view of the mute Arab victims.” —The New Yorker He was the brother of “the Arab” killed by the infamous Meursault, the antihero of Camus’s classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.

“I will tell you a fairy tale,” said the Devil, “on one condition: you must not ask me the moral. You may draw any conclusion you like, but please do not question me. As it is, far too many follies are laid at our door, yet we, strictly speaking, do not even exist. It is you who create us.” My story takes place in New York some twenty-five years ago. There lived then a young man by the name of Hugh B.; I will not tell you his full name, but you will soon guess it for yourself. His name is known now to people in all five parts of the globe. But then he was completely unknown. I will start at a tragic moment in the life of this young man, when he was travelling from one of the suburbs of New York to Manhattan, with the intention of buying a revolver and then shooting himself on a lonely shore on Long Island; in a spot which had remained in his memory from the times of boyhood excursions, when he and his playmates, pretending to be explorers, had discovered unknown countries around New York. His intention was very definite and the decision final. All in all, it was a very common occurrence in the life of a big city, something encountered repeatedly; in fact, to be frank, I have had to arrange similar events thousands and tens of thousands of times. However, this time such a common beginning had a quite uncommon sequel and a most uncommon result. Nevertheless before turning to the outcome of the day, I must tell you in detail all that led up to it. Hugh was a born inventor. From early childhood, when walking with his mother in the park or playing with other children, or simply sitting quietly in a comer building with bricks or drawing monsters, he invented incessantly, constructing in his mind a variety of extraordinary contrivances, improvements for everything in the world. He derived a special satisfaction from inventing improvements and adaptations for his aunt. He would draw her with a chimney, or on wheels. For one drawing, in which this not young maiden was portrayed with six legs and other variations, the little Hugh was severely punished. It was one of his first memories. Not long after this Hugh learned first to design and then to make models of his inventions. By this time he had learnt that live people cannot be improved upon. Nevertheless his inventions were, of course, all pure fantasy: when he was fourteen, he nearly drowned himself trying out home-made water skis of his own design.

The unpardonable sin is lurking like a deadly shark preying on its next unsuspecting meal. ... Will you be its next victim? One of the most confusing and debated teachings of the Bible is the unpardonable sin, found in Matthew 12:31: "Every sin and blasphemy will be forgiven men, but the blasphemy against the Spirit will not be forgiven men." Some attribute this frightening sin to cursing the name of God, while others believe it has to do with murder. Whatever it is, millions of Christians live in fear that they've committed it and have no real hope. But even worse, others might be close to living beyond God's mercy and don't even know it! What is the Bible truth about the unpardonable sin? What is so awful about it and why can't God forgive it? You don't need to guess! Pastor Doug Batchelor tackles these questions to give you all the information you need to know about this perplexing topic. Not only will you get clear and penetrating answers, you'll discover new hope and a strategy to stay right with God.

This book is about representations of the devil in English and European literature. Tracing the fascination in literature, philosophy, and theology with the irreducible presence of what may be called evil, or comedy, or the carnivalesque, this book surveys the parts played by the devil in the texts derived from the Faustus legend, looks at Marlowe and Shakespeare, Rabelais, Milton, Blake, Hoffmann, Baudelaire, Goethe, Dostoevsky, Bulgakov, and Mann, historically, speculatively, and from the standpoint of critical theory. It asks: Is there a single meaning to be assigned to the idea of the diabolical? What value lies in thinking diabolically? Is it still the definition of a good poet to be of the devil's party, as Blake argued?

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.