According to The Historical Journal there has only been one scholarly study of mixed-race history. This text---New People: Mulattoes and Miscegenation in the United States---fails to address events after 1930 in any detail, and ends its historical analysis with a discussion of the mixed-race people who committed themselves to a "New Negro" group. In an attempt to cover this gap in the academic literature, my dissertation analyses the creative artistry of individuals who were born after 1930 and were told, by governmental agencies in the US, UK and Canada, that they had a Black father and a white mother. My first case study looks at Philippa Schuyler, the daughter of George Schuyler, the most prominent African American journalist of the early twentieth century. I acknowledge that George Schuyler's journalistic peers marketed his daughter as a "Negro" child prodigy during the 1930s and 1940s, but I also document how she fashioned herself as a "mulatto" writer or a vaguely aristocratic "off-white" femme fatale during the 1950s and 1960s. My second case study looks at Lawrence Hill, a writer who grew up in the suburbs of Toronto during the 1950s and 1960s and has achieved a degree of prominence in Canada by casting himself as a middle-class Black "race man" like his African American father, the first director of the Ontario Human Rights Agency. Subsequent case studies investigate the legacy of the "Black is beautiful" movements of the 1960s on a wider variety of individuals---from working-class folks in Nova Scotia and Merseyside to American idols---and provide further evidence for my argument that a Black identity has been masculinized in opposition to the stigma attached to a "mulatto" identity associated with young "brown girls". In doing so, I draw heavily on the work of Otto Rank, W.E.B Du Bois and Frantz Fanon. In particular, I link Rank's ideas about creative artistry---that it was a masculine attempt to give birth to a new self, community or nation---to the theories of Du Bois and Fanon that defined "honest intellectuals" in a Black Atlantic against mixed-race women and children.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

A groundbreaking history of racism Racisms is the first comprehensive history of racism, from the Crusades to the twentieth century. Demonstrating that there is not one continuous tradition of racism, Francisco Bethencourt shows that racism preceded any theories of race and must be viewed within the prism and context of social hierarchies and local conditions. In this richly illustrated book, Bethencourt argues that in its various aspects, all racism has been triggered by political projects monopolizing specific economic and social resources. Racisms focuses on the Western world, but opens comparative views on ethnic discrimination and segregation in Asia and Africa. Bethencourt looks at different forms of racism, and explores instances of enslavement, forced migration, and ethnic cleansing, while analyzing how practices of discrimination and segregation were defended. This is a major interdisciplinary work that moves away from ideas of linear or innate racism and recasts our understanding of interethnic relations.

LAJSA Book Award Winner, 2017, Latin American Jewish Studies Association As Cuba industrialized in the nineteenth century, an epochal realignment of the social order occurred. In this period of change, two seemingly disparate, yet nevertheless intertwined, ideological forces appeared: anti-Semitism and abolitionism. As the antislavery movement became organized in Cuba, the argument grew that Jews participated in the African slave trade and in New World slavery, and that this participation gave Jews extraordinary influence in the new Cuban economy and culture. What was remarkable about this anti-Semitism was the decidedly small Jewish population on the island in this era. This form of anti-Semitism, Silverstein reveals, sprang almost exclusively from mythological beliefs.

The National Book Award winning history of how racist ideas were created, spread, and deeply rooted in American society. Some Americans insist that we're living in a post-racial society. But racist thought is not just alive and well in America -- it is more sophisticated and more insidious than ever. And as award-winning historian Ibram X. Kendi argues, racist ideas have a long and lingering history, one in which nearly every great American thinker is complicit. In this deeply researched and fast-moving narrative, Kendi chronicles the entire story of anti-black racist ideas and their staggering power over the course of American history. He uses the life stories of five major American intellectuals to drive this history: Puritan minister Cotton Mather, Thomas Jefferson, abolitionist William Lloyd Garrison, W.E.B. Du Bois, and legendary activist Angela Davis. As Kendi shows, racist ideas did not arise from ignorance or hatred. They were created to justify and rationalize deeply entrenched discriminatory policies and the nation's racial inequities. In shedding light on this history, Stamped from the Beginning offers us the tools we need to expose racist thinking. In the process, he gives us reason to hope.

Reprint of the original, first published in 1873.

'That's how at six at night on 11 May 1928 I stopped being a Yanyuwa child and became a nowhere person... Motherless, cultureless and stuck in a government institution because my mother was Aboriginal and my father was not. I ceased to be an Aboriginal but I would never be white. I was not something bad, shameful, called a half-caste.' - Hilda Jarman Muir In the nineteenth and twentieth centuries, people of mixed Aboriginal and European ancestry - half-castes - were commonly assumed to be morally and physically defective, unstable and degenerate. They bore the brunt of society's contempt, and the remobal of their children created Australia's stolen generations. Nowhere People is a history of beliefs about people of mixed race, both in Australia and overseas. It explores the concept of racial purity, eugenics, and the threat posed by miscegenation. Award-winning author Henry Reynolds also tells for the first time of his own family's search for the truth about his father's ancestry, and gives a poignant account of the contemporary predicament facing people of mixed heritage.