Irish saga literature represents the largest collection of vernacular narrative in existence from the early Middle Ages, using the tools of Christian literacy to retell myths and legends about the pagan past. This unique corpus remains marginal to standard histories of Western literature: its tales are widely read, but their literary artistry remains a puzzle to many even within Celtic studies. This book, the first to offer a systematic literary analysis of any single native Irish tale, aims to show how one particularly celebrated saga 'works' as a story: the Middle Irish tale Togail Bruidne Da Derga (The Destruction of Da Derga's Hostel), which James Carney called 'the finest saga of the early period'. This epic tale tells how the legendary king Conaire was raised by a shadowy Otherworld to the kingship of Tara and, after a fatal error of judgement, was hounded by spectres to an untimely death at Da Derga's Hostel at the hands of his own foster-brothers. By turns lyrical and laconic, and rich in native mythological imagery, the story is told with a dramatic intensity worthy of Greek tragedy, and the intricate symmetry of its narrative procedure recalls the visual patterning of illuminated manuscripts such as The Book of Kells. This book invites the reader to enjoy and understand this literary masterpiece, explaining its narrative artistry within its native, classical and biblical literary contexts. Against a historical backdrop of shifting ideologies of Christian kingship, it interprets the saga's possible significance for contemporary audiences as a questioning exploration of the challenges and paradoxes of kingship.

Whitley Stokes (28 February 1830 - 13 April 1909) was an Irish lawyer and Celtic scholar. Stokes studied Irish, Breton and Cornish texts as materials for comparative philogy, learning Old Irish and Middle Risih. In the hundred years since his death he has continued to be a central figure in Celtic scholarship. Many of his editions have not been superseded in that time and his total output in Celtic studies comes to over 15,000 pages. The Destruction of Da Derga's Hostel is an Irish tale belonging to the Ulster Cycle of Irish mythology. It recounts the birth, life, and death of Conaire Mór son of Eterscél Mór, a legendary High King of Ireland, who is killed at Da Derga's hostel by his enemies when he breaks his geasa. It is considered one of the finest Irish sagas of the early period, comparable to the better-known Táin Bó Cúailnge.The theme of gathering doom, as the king is forced through circumstances to break one after another of his taboos, is non-Christian in essence, and no Christian interpretations are laid upon the marvels that it relates. In its repetitions and verbal formulas the poem retains the qualities of oral transmission. The tone of the work has been compared with Greek tragedy.

Reproduction of the original: 1000 Mythological Characters by Edward S. Ellis

Clive James has been close to death for several years, and he has written about the experience in a series of deeply moving poems. In Sentenced to Life, he was clear-sighted as he faced the end, honest about his regrets. In Injury Time, he wrote about living well in the time remaining, focusing our attention on the joys of family and art, and celebrating the immediate beauty of the world. When The River in the Sky opens, we find James in ill health but high spirits. Although his body traps him at home, his mind is free to roam, and this long poem is animated by his recollection of what life was and never will be again; as it resolves into a flowing stream of vivid images, his memories are emotionally supercharged ‘by the force of their own fading’. In this form, the poet can transmit the felt experience of his exceptional life to the reader. As ever with James, his enthusiasm is contagious; he shares his wide interests with enormous generosity, making brilliant and original connections, sparking passion in the reader so that you can explore the world’s treasures yourself. Because this is not just a reminiscence, it’s a wise and moving preparation for and acceptance of death. As James realizes that he is only one bright spot in a galaxy of stars, he passes the torch to the poets of the future, to his young granddaughter, and to you, his reader. A book that could not have been written by anyone else, this is Clive James at the height of his considerable powers: funny, wise, deeply felt, and always expressed with an unmatched power for clarity of expression and phrase-making that has been his been his hallmark.

This Compendium gives an outline of the historical, philosophical and ethical aspects of the return of cultural objects (e.g. cultural objects displaced during war or in colonial contexts), cites past and present cases (Maya Temple Facade, Nigerian Bronzes, United States of America v. Schultz, Parthenon Marbles and many more) and analyses legal issues (bona fide, relevant UNESCO and UNIDROIT Conventions, Supreme Court Decisions, procedure for requests etc.). It is a landmark publication that bears testament to the ways in which peoples have lost their entire cultural heritage and analyses the issue of its return and restitution by providing a wide range of perspectives on this subject. Essential reading for students, specialists, scholars and decision-makers as well as those interested in these topics.

This is a new release of the original 1930 edition.

Treasury of fanciful, picturesque narratives tell of brownies, kelpies, mermen, and other supernatural creatures that assist, annoy, and otherwise meddle in the lives of simple Scottish country folk. A delightful collection of imaginative and entertaining nursery and fairy tales, animal fables, witchcraft lore, and stories with a comic twist.

Documents the tragic story of the Layton family's--Lisa, Deborah and Larry--involvement in the Jonestown mass suicide and the airport murders.

The book concentrates on the cultures that arose in Europe after the dispersal of the Aryan-speaking people from their homeland north of the Black Sea during BC 4th millenium. Relying on mythology, history and archeology the author has traced the development and movements of the "Q-Celt" and "P-Celt" speaking peoples of Europe and Asia Minor. The time span covers from BC 3rd millenium to the Roman occupation of Celtic Europe. The emphasis is on the Bronze and Iron Ages. The result is a comprehensive overview of the people we have come to call the Celts. The work uses a clear language style and is organized as an encyclopedia for easy reference. Over 50 sub-cultures, 260 tribes and 1000 characters (dieties, heroes, warriors, etc.) are listed alphabetically, with separate chapters describing religious practices, customs, social structure, etc. as well as relevant museum collections and sites of interest. Complete 5 volume set, ISBN 1581128894, US $129.95 Vol 1, ISBN 1581128908, US $25.95 Vol II, ISBN 1581128916, US $25.95 Vol III, ISBN 1581128924, US $25.95 Vol IV, ISBN 1581128932, US $25.95 Vol V, ISBN 1581128940, US $25.95

In 1888 the name Jack the Ripper entered public consciousness with the brutal murders of women in the East End of London. The murderer was never caught, yet film and television depicts a killer with a recognisable costume, motive and persona. This book examines the origins of the screen presentation of the four key elements associated with the murders – Jack the Ripper, the victims, the detective and Whitechapel. Nineteenth-century history, art and literature, psychoanalytical theories of Freud and Jung and feminist film theory are all used to deconstruct the representation of Jack the Ripper on screen.