Usually, humans are the heroes of stories, while demons are the villains... in this one... it's not like that. In a kingdom ruled by a corrupt and narcissistic former hero, a boy named Shin finds a baby girl who happens to be the last demon alive... after becoming attached to her, he decides to protect her, no matter if he has to betray his own race and face the former hero...

Usually, humans are the heroes of stories, while demons are the villains... in this one... it's not like that. In a kingdom ruled by a corrupt and narcissistic former hero, a boy named Shin finds a baby girl who happens to be the last demon alive... after becoming attached to her, he decides to protect her, no matter if he has to betray his own race and face the former hero...

Hunter is the only man capable of killing the demons that left the world in ruins. But when he's hired by a notorious priestess to bring a thief to justice, the Demon Slayer gets more than he bargains for. Airie was raised in an abandoned temple as a priestess's daughter, having no idea of her true origins. In a time when any half-breed spawn of a demon is despised by mortal and immortal alike, not knowing the truth is the only thing keeping her safe. Forced to flee her home in the wake of disaster and discovery of who she is, Airie must place her trust in a man who believes she should never have been born. And when a demon uprising threatens lives he has sworn to protect, Hunter has to make a choice: abandon Airie to an uncertain fate, or overcome his own personal demons and love her for who she truly is.

It's Inspector Adrian Philips's job to keep the peace between humans and demons in Avvar. Part demon, part human, he's hated by both sides. But when he meets Roxanne, a fellow outcast, he finds in her everything his soul needs--and his body yearns for. The question is, will the exquisite pleasure they find together be worth the dangerous wrath of their enemies?

The Demon's Daughter (Prabhavati-pradyumnamu) is a sixteenth-century novel by the south Indian poet Pingali Suranna, originally written in Telugu, the language of present-day Andhra Pradesh. Suranna begins with a story from classical Hindu mythology in which a demon plans to overthrow the gods. Krishna's son Pradyumna is sent to foil the plot and must infiltrate the impregnable city of the demons; Krishna helps ensure his success by having a matchmaking goose cause Pradyumna to fall in love with the demon's daughter. The original story focuses on the ongoing war between gods and anti-gods, but Pingali Suranna makes it an exploration of the experience of being and falling in love. In this, the work evinces a modern sensibility, showing love as both an individualized emotion and the fullest realization of a person, transcending social and cultural barriers. The translators include an afterword that explores the cultural setting of the work and its historical and literary contexts. Anyone interested in the literature and mythology of India will find this book compelling, but all readers who love a good story will enjoy this moving book. Velcheru Narayana Rao and David Shulman have provided an elegant translation that will serve well the contemporary reader who wishes to encounter a masterwork of world literature largely unknown in the West.

This sixteenth-century work has a modern sensibility, presenting characters' inner worlds and understanding love as the fullest realization of the individual.

The first book in the New York Times bestselling epic fantasy trilogy by award-winning author Laini Taylor Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky. In a dark and dusty shop, a devil's supply of human teeth grown dangerously low. And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war. Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she's prone to disappearing on mysterious "errands"; she speaks many languages--not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she's about to find out. When one of the strangers--beautiful, haunted Akiva--fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?

This book brings together the essay collection "Written in the margins of life (Xie zai ren sheng bian shang)" and the short story collection "Human, beast, ghost (Ren shou gui)."

Since the publication of the first children's periodical in the 1750s, magazines have been an affordable and accessible way for children to read and form virtual communities. Despite the range of children's periodicals that exist, they have not been studied to the same extent as children's literature. The Edinburgh History of Children's Periodicals marks the first major history of magazines for young people from the mid-eighteenth century to the present. Bringing together periodicals from Britain, Ireland, North America, Australia, New Zealand and India, this book explores the roles of gender, race and national identity in the construction of children as readers and writers. It provides new insights both into how child readers shaped the magazines they read and how magazines have encouraged children to view themselves as political and world subjects.