The Democratic Arts of Mourning reflects on the variety of ways in which mourning affects political and social life. In recent decades, political theorists have increasingly examined and explored the themes of loss, grief, and mourning. With an introduction that contextualizes the turn to mourning in previous scholarship on the politics of tragedy, this book includes twelve chapters that clarify the intertwinement between politics and mourning. The chapters are organized into five thematic sections that each shed light on how democratic societies relate to loss, grief, suffering, and death. Collectively, the chapters explore the concept of mourning and its relationship to civic rituals, memorials, taboos, social movements, and popular music. Chapters examine how social groups defend their members against experiences of grief or mourning, or how poetic expressions—such as ancient Greek tragedy—can address the catastrophes of human life. Other chapters explore the politics of symbols and bodies, and how they can become fraught objects that stand in for a society’s undigested—unmourned—losses and absences. The book concludes with an interview with Bonnie Honig, whose own work on mourning has been deeply influential in contemporary political theory.

How does the way in which a democratic polity mourn its losses shape its political outcomes? How might it shape those outcomes? American Mourning: Tragedy, Democracy, Resilience answers these questions with a critical study of American public mourning. Employing mourning as a lens through which to view the shortcomings of American democracy, it offers an argument for a tragic, complex, and critical mode of mourning that it contrasts with the nationalist, romantic, and nostalgic responses to loss that currently dominate and damage the polity. Offering new readings of key texts in Ancient political thought and American political history, it engages debates central to contemporary democratic theory concerned with agonism, acknowledgment, hope, humanism, patriotism, and political resilience. The book outlines new ways of thinking about and responding to terrorism, racial conflict, and the problems of democratic military return.

How does the way in which a democratic polity mourn its losses shape its political outcomes? How might it shape those outcomes? American Mourning: Tragedy, Democracy, Resilience answers these questions with a critical study of American public mourning. Employing mourning as a lens through which to view the shortcomings of American democracy, it offers an argument for a tragic, complex, and critical mode of mourning that it contrasts with the nationalist, romantic, and nostalgic responses to loss that currently dominate and damage the polity. Offering new readings of key texts in Ancient political thought and American political history, it engages debates central to contemporary democratic theory concerned with agonism, acknowledgment, hope, humanism, patriotism, and political resilience. The book outlines new ways of thinking about and responding to terrorism, racial conflict, and the problems of democratic military return.

A timely and urgent exploration into the ways artists have grappled with race and grief in modern America, conceived by the great curator Okwui Enwezor Featuring works by more than 30 artists and writings by leading scholars and art historians, this book - and its accompanying exhibition, both conceived by the late, legendary curator Okwui Enwezor - gives voice to artists addressing concepts of mourning, commemoration, and loss and considers their engagement with the social movements, from Civil Rights to Black Lives Matter, that black grief has galvanized. Artists included: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark Bradford, Garrett Bradley, Melvin Edwards, LaToya Ruby Frazier, Charles Gaines, Theaster Gates, Ellen Gallagher, Arthur Jafa, Daniel LaRue Johnson, Rashid Johnson, Jennie C. Jones, Kahlil Joseph, Deana Lawson, Simone Leigh, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Tiona Nekkia McClodden, Okwui Okpokwasili, Adam Pendleton, Julia Phillips, Howardena Pindell, Cameron Rowland, Lorna Simpson, Sable Elyse Smith, Tyshawn Sorey, Diamond Stingily, Henry Taylor, Hank Willis Thomas, Kara Walker, Nari Ward, Carrie Mae Weems, and Jack Whitten. Essays by Elizabeth Alexander, Naomi Beckwith, Judith Butler, Ta-Nehisi Coates, Massimiliano Gioni, Saidiya Hartman, Juliet Hooker, Glenn Ligon, Mark Nash, Claudia Rankine, and Christina Sharpe.

Grief, Identity and the Arts addresses the interplay between grief and identity in a broad range of artistic disciplines, historical periods, and geographical areas.

"Political Mourning examines four case studies-the Triangle Fire, Emmett Till's murder, the attacks of September 11th, and the Black Lives Matter movement-to shed light on moments when everyday people died, when their deaths were the basis of calls for political change, and when such a change actually occurred"--

For nearly three decades, Sandra Bertman has been exploring the power of the arts and belief--symbols, metaphors, stories--to alleviate psychological and spiritual pain not only of patients, grieving family members, and affected communities but also of the nurses, clergy and physicians who minister to them. Her training sessions and clinical interventions are based on the premise that bringing out the creative potential inherent in each of us is just as relevant-- perhaps more so--as psychiatric theory and treatment models since grief and loss are an integral part of life. Thus, this work was compiled to illuminate the many facets that link grief, counseling, and creativity. The multiple strategies suggested in these essays will help practitioners enlarge their repertoire of hands-on skills and foster introspection and empathy in readers.

Each person?s grief is as unique as their fingerprint. But what everyone has in common is that no matter how they grieve, they share a need for their grief to be witnessed.?0David Kessler (2019)0The pandemic has once again made us more aware of the fragility of life and the importance of being able to properly mourn the dead. Dramaturg Guy Cools has been researching laments and other rituals of mourning. He is particularly interested in how the emotions of loss need to be externalized. The laments are a formal device, used in many cultures to express and contain the emotions of grief.0In a poetic, meandering, personal way Cools explores cultural habits, traditions, rituals, and artists? performances. His narrative looks into many forms of laments: literary, anthropological, philosophical, and in contemporary art practices. The latter part delves into artistic strategies to address or embody mourning: dialogical strategies that deal with personal losses; collective mourning rituals and how they invite communities to witness these losses; contemporary examples of laments that are not only used to dialogue with the dead but also to communicate with loved ones who are absent because of migration or exile; a very specific form of mourning that occurs when we grieve for the unrealized potential of a child?s unlived life, including that of an unborn child. And finally, the very recent phenomenon of lamenting not just the losses of the past, but also the loss of a future.

"Political Mourning examines four case studies-the Triangle Fire, Emmett Till's murder, the attacks of September 11th, and the Black Lives Matter movement-to shed light on moments when everyday people died, when their deaths were the basis of calls for political change, and when such a change actually occurred"--

Having set aside age-old ways of mourning, how do people in the modern world cope with tragic loss? Using traditional mourning rituals as an instructive touchstone, Gail Holst-Warhaft explores the ways sorrow is managed in our own times and how mourning can be manipulated for social and political ends. Since ancient times political and religious authorities have been alert to the dangerously powerful effects of communal expressions of grief--while valuing mourning rites as a controlled outlet for emotion. But today grief is often seen as a psychological problem: the bereaved are encouraged to seek counseling or take antidepressants. At the same time, we have witnessed some striking examples of manipulation of shared grief for political effect. One instance is the unprecedented concentration on recovery of the remains of Americans killed in the Vietnam War. In Buenos Aires the Mothers of the Disappeared forged the passion of their grief into a political weapon. Similarly the gay community in the United States, transformed by grief and rage, not only lobbied effectively for AIDS victims but channeled their emotions into fresh artistic expression. It might be argued that, in contrast to earlier cultures, modern society has largely abdicated its role in managing sorrow. But in The Cue for Passion we see that some communities, moved by the intensity of their grief, have utilized it to gain ground for their own agendas.