First published in 1886 as a "shilling shocker," Dr Jekyll and Mr Hyde takes the basic struggle between good and evil and adds to the mix bourgeois respectability, urban violence, and class conflict. The result is a tale that has taken on the force of myth in the popular imagination. This Broadview edition provides a fascinating selection of contextual material, including contemporary reviews of the novel, Stevenson's essay "A Chapter on Dreams," and excerpts from the 1887 stage version of Dr Jekyll and Mr Hyde. Also included are historical documents on criminality and degeneracy, the "Jack the Ripper" murders, and London in the 1880s. New to this second edition are an updated critical introduction and, in the appendices, writings on Victorian psychology by Thomas Carlyle, Richard Krafft-Ebing, and Henry Maudsley, among others.

A comprehensive reference to short fiction from Great Britain, Ireland, and the British Commonwealth. With approximately 450 entries, this A-to-Z guide explores the literary contributions of such writers as Joseph Conrad, James Joyce, D H Lawrence, Rudyard Kipling, Oscar Wilde, Katherine Mansfield, Martin Amis, and others.

"This first full-length psychobiographical analysis of Stevenson examines his life story, providing new insights into how his most significant memories and conflicts shaped the narrative structure and themes of his most celebrated works, Treasure Island; A Child's Garden of Verses; Strange Case of Dr. Jekyll and Mr. Hyde; and Kidnapped."--Provided by publisher.

Some of the most influential and interesting people in the world are fictional. Sherlock Holmes, Huck Finn, Pinocchio, Anna Karenina, Genji, and Superman, to name a few, may not have walked the Earth (or flown, in Superman's case), but they certainly stride through our lives. They influence us personally: as childhood friends, catalysts to our dreams, or even fantasy lovers. Peruvian author and presidential candidate Mario Vargas Llosa, for one, confessed to a lifelong passion for Flaubert's Madame Bovary. Characters can change the world. Witness the impact of Solzhenitsyn's Ivan Denisovich, in exposing the conditions of the Soviet Gulag, or Harriet Beecher Stowe's Uncle Tom, in arousing anti-slavery feeling in America. Words such as quixotic, oedipal, and herculean show how fictional characters permeate our language. This list of the Fictional 100 ranks the most influential fictional persons in world literature and legend, from all time periods and from all over the world, ranging from Shakespeare's Hamlet [1] to Toni Morrison's Beloved [100]. By tracing characters' varied incarnations in literature, art, music, and film, we gain a sense of their shape-shifting potential in the culture at large. Although not of flesh and blood, fictional characters have a life and history of their own. Meet these diverse and fascinating people. From the brash Hercules to the troubled Holden Caulfield, from the menacing plots of Medea to the misguided schemes of Don Quixote, The Fictional 100 runs the gamut of heroes and villains, young and old, saints and sinners. Ponder them, fall in love with them, learn from their stories the varieties of human experience--let them live in you.

A spine-chilling retelling of Robert Louis Stevenson's classic horror story, guaranteed to thrill young readers. Behind the locked door of Dr. Jekyll's laboratory lies a mystery his lawyer is determined to solve. Why does the doctor spend so much time in there? What is the connection between the respectable Dr. Jekyll and his loathsome visitor, Mr. Hyde? Why has Dr. Jekyll changed his will to Hyde's advantage? And who killed Sir Danvers Crew? Includes informative notes on both the author and the original text.

First published in 1886 as a “shilling shocker,” Dr Jekyll and Mr Hyde takes the basic struggle between good and evil and adds to the mix bourgeois respectability, urban violence, and class conflict. The result is a tale that has taken on the force of myth in the popular imagination. This Broadview edition provides a fascinating selection of contextual material, including contemporary reviews of the novel, Stevenson’s essay “A Chapter on Dreams,” and excerpts from the 1887 stage version of Dr Jekyll and Mr Hyde. Also included are historical documents on criminality and degeneracy, the “Jack the Ripper” murders, the “double brain,” and London in the 1880s. New to this third edition are an appendix on the figure of the Victorian gentleman and an expanded selection of letters related to the novel; the introduction and bibliography have also been updated to reflect recent criticism.

Many monsters in Victorian British novels were intimately connected with the protagonists, and representative of both the personal failings of a character and the failings of the society in which he or she lived. By contrast, more recent film adaptations of these novels depict the creatures as arbitrarily engaging in senseless violence, and suggest a modern fear of the uncontrollable. This work analyzes the dichotomy through examinations of Shelley's Frankenstein, Stoker's Dracula, H. Rider Haggard's She, Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Wells's The Island of Dr. Moreau, and consideration of the 20th century film adaptations of the works.

Edgar G. Ulmer: Detour on Poverty Row illuminates the work of this under-appreciated film auteur through 21 new essays penned by a range of scholars from around the globe. Ulmer, an immigrant to Hollywood who fell from grace in Tinseltown after only one studio film, became one of the reigning directors of Poverty Row B-movies. Structured in four sections, Part I examines various contexts important to Ulmer's career, such as his work at the Producers Releasing Corporation (PRC), and his work in exploitation films and ethnic cinema. Part II analyzes Ulmer's film noirs, featuring an emphasis on Detour (1945) and Murder Is My Beat (1955). Part III covers a variety of Ulmer's individual films, ranging from Bluebeard (1944) and Carnegie Hall (1947) to The Man from Planet X (1951) and Daughter of Dr. Jekyll (1957). Part IV concludes the volume with a case study of The Black Cat (1934), offering three different analyses of Ulmer's landmark horror film.

Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde is viewed as the classic allegory of man's duality--the good and evil embodied in every person. But could Jekyll's "transforming draught" have been alcohol? In the Victorian era, alcohol was the topic of national debate for decades and people endlessly deliberated its proper place in society. Shadowed all his life by the cloud of alcoholism, Stevenson well knew the good and evil of strong drink. This book investigates Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde as an allegory of alcoholism--an interpretation that cultural change and the story's renown have perhaps obscured. The author examines patterns of language, plot, characterization and imagery to reveal how mind-altering drink figures as the story's subtext. Early chapters establish the story's literal references to strong drink and its metaphors regarding alcohol. The focus then shifts to drinking in Stevenson's life, the sociology of drink in Victorian Britain, and the portrayal of alcohol in literature, including Stevenson's other works. Possible real-life models for the Jekyll-Hyde character are explored. Subsequent chapters examine the history of Britain's temperance movement, scenes that arose from Stevenson's dreams, how the temperance movement and industrial development may have influenced the story, and the story's interpretation in Stevenson's time. An appendix further investigates the elements of Stevenson's language.