Garrett Stewart begins The Deed of Reading with a memory of his first hesitant confrontation, as a teenager, with poetic density. In that early verbal challenge he finds one driving force of literature: to make language young again in its surprise, coming alive in each new event of reading. But what exactly happens in the textual encounter to make literary phrasing resonate so deeply with readers? To take the measure of literary writing, The Deed of Reading convenes diverse philosophic commentary on the linguistics of literature, with stress on the complementary work of Stanley Cavell and Giorgio Agamben. Sympathetic to recent ventures in form-attentive analysis but resisting an emphasis on so-called surface reading, Stewart explores not some new formalism but the internal pressures of language in formation, registering the verbal infrastructure of literary prose as well as verse. In this mode of "contextual" reading, the context is language itself. Literary phrasing, tapping the speech act’s own generative pulse, emerges as a latent philosophy of language in its own right, whereby human subjects, finding no secure place to situate themselves within language, settle for its taking place in, through, and between them. Stewart watches and hears this dynamics of wording played out in dozens of poems and novels over two centuries of English literary production—from Wordsworth and Shelley to Browning and Hopkins, from Poe and Dickens through George Eliot, Conrad, James, and on to Toni Morrison. The Deed of Reading offers a revisionary contribution to the ethic of verbal attention in the grip of "deep reading."

This illustrated children’s book celebrates the extraordinary potential of ordinary deeds—showing how one child’s act of kindness can change the world One ordinary day, Ordinary Mary stumbles upon some ordinary blueberries. When she decides to pick them for her neighbor, Mrs. Bishop, her thoughtful act starts a chain reaction that multiplies around the world. Mrs. Bishop makes blueberry muffins and gives them to her paperboy and four others—one of whom is Mr. Stevens, who then helps five different people with their luggage—one of whom is Maria, who then helps five other people—and so on, until the deed comes back to Mary.

Garrett Stewart begins The Deed of Reading with a memory of his first hesitant confrontation, as a teenager, with poetic density. In that early verbal challenge he finds one driving force of literature: to make language young again in its surprise, coming alive in each new event of reading. But what exactly happens in the textual encounter to make literary phrasing resonate so deeply with readers? To take the measure of literary writing, The Deed of Reading convenes diverse philosophic commentary on the linguistics of literature, with stress on the complementary work of Stanley Cavell and Giorgio Agamben. Sympathetic to recent ventures in form-attentive analysis but resisting an emphasis on so-called surface reading, Stewart explores not some new formalism but the internal pressures of language in formation, registering the verbal infrastructure of literary prose as well as verse. In this mode of "contextual" reading, the context is language itself. Literary phrasing, tapping the speech act’s own generative pulse, emerges as a latent philosophy of language in its own right, whereby human subjects, finding no secure place to situate themselves within language, settle for its taking place in, through, and between them. Stewart watches and hears this dynamics of wording played out in dozens of poems and novels over two centuries of English literary production—from Wordsworth and Shelley to Browning and Hopkins, from Poe and Dickens through George Eliot, Conrad, James, and on to Toni Morrison. The Deed of Reading offers a revisionary contribution to the ethic of verbal attention in the grip of "deep reading."

The deliciously witty first novel from Lynsay Sands Lady Emmalene Eberhart wanted to do it. She’d even begged an audience with the King so that he would order her husband to do it— because she was determined to be a good wife. But then her husband died, and Emma remained a virgin. Now the innocent young beauty finds herself with an ample dowry and promised to Amaury de Aneford, a landless knight whose able sword helped defend the King’s crown. Surely her new husband would want to do the deed, for his rugged good looks certainly make Emma’s heart skip more than a beat. And Emma suspects there is more to a wedding night than just a sound sleep . . . and more to true love than she ever imagined.

"It's 1997 and Great Britain is about to turn Hong Kong over to China until the rumor of the existence of a long lost deed giving ownership of Hong Kong to the British surfaces. Men who have been on opposite sides must now join forces to prevent a weapon of mass destruction from falling into the wrong hands."--Page 4 of cover

In this fast-paced historical thriller, the #1 New York Times bestselling author introduces Archer, a WWII veteran forced to investigate a small-town murder -- or risk returning to prison. It's 1949. When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of do's and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job -- and don't ever associate with loose women. The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail. Within a single night, his search for gainful employment -- and a stiff drink -- leads him to a local bar, where he is hired for what seems like a simple job: to collect a debt owed to a powerful local businessman, Hank Pittleman. Soon Archer discovers that recovering the debt won't be so easy. The indebted man has a furious grudge against Hank and refuses to pay; Hank's clever mistress has her own designs on Archer; and both Hank and Archer's stern parole officer, Miss Crabtree, are keeping a sharp eye on him. When a murder takes place right under Archer's nose, police suspicions rise against the ex-convict, and Archer realizes that the crime could send him right back to prison . . . if he doesn't use every skill in his arsenal to track down the real killer.

“[A] deliciously written account of the evolution of sex, in all of its bizarre manifestations” by a noted paleontologist—"Read, blush, and enjoy!” (Jared Diamond, author of Guns, Germs, and Steel). We all know about the birds and the bees, but what about the ancient placoderm fishes and the dinosaurs? In 2008, paleontologist John A. Long and a team of researchers announced their discovery of a 380-million-year-old placoderm fish fossil, known as “the mother fish,” which revealed the earliest known example of internal fertilization. As a result, placoderms are now considered to be the first species to have had intimate sexual reproduction, or sex as we know it—sort of. Inspired by this incredible find, Long began a quest to uncover the evolutionary history of copulation and insemination. In The Dawn of the Deed, he takes readers on a lively tour through the sex lives of ancient fish and the unusual mating habits of arthropods, tortoises, and even a well-endowed Argentine Duck. Long discusses these discoveries alongside what we know about reproductive biology and evolutionary theory, using the fossil record to provide a provocative account of prehistoric sex. The Dawn of the Deed also explores fascinating revelations about animal reproduction, from homosexual penguins to monogamous seahorses to the difficulties of dinosaur romance.

Clifford, a very big dog who always overdoes his good deeds, finds something to do that is his size.

Complete at Last in a Single Hardcover Volume ¾the Finest Trilogy of Epic Fantasy in a Decade Paksenarrion, a simple sheepfarmer's daughter, yearns for a life of adventure and glory, such as was known to heroes in songs and story. At age seventeen she runs away from home to join a mercenary company and begins her epic life . . . Book One: Paks is trained as a mercenary, blooded, and introduced to the life of a soldier . . . and to the followers of Gird, the soldier's god. Book Two: Paks leaves the Duke's company to follow the path of Gird alone¾and on her lonely quests encounters the other sentient races of her world. Book Three: Paks the warrior must learn to live with Paks the human. She undertakes a holy quest for a lost elven prince that brings the gods' wrath down on her and tests her very limits. At the publisher's request, this title is sold without DRM (Digital Rights Management). "Engrossing . . ." ¾Anne McCaffrey "A tour de force . . ." ¾Jack McDevitt "Worldbuilding in the grand tradition, background thought out to the last detail." ¾Judith Tarr "Superlative . . ." ¾Booklist "Brilliant . . . the excitement of high heroic adventure . . . will enchant the reader." ¾Bookwatch

From New York Times bestselling author Goldy Moldavsky comes an uproarious take on when the best of intentions go horribly wrong. Gregor Maravilla doesn't want much. Just to feed all the starving children. That's why he goes to Camp Save the World, a summer program for teen activists who care about making a difference. What could be better?It's almost perfect. Except some of these causes are kind of...strange. Like Eat Dirt--a campaign started by up-and-coming actress Ashley Woodstone. Gregor wasn't a fan of her work before, and he's certain she's only there now because of her fame. But Gregor is determinged to not let her ruin his experience.And then the contest is announced. That's when the sabotage starts. They want to see who can do the most good. But that leads to the most bad.No good deed goes unpunished.