Handmade rugs are perpetual objects of desire, sought after for their expressive designs and intricate combinations of pattern and color. Whether hand-knotted or handwoven, their tactile quality completes any well-furnished interior. A rug often occupies fully a third of a room and, if antique, is also often its most expensive single item, yet there has never been a book presenting decorative carpets as an integral component of interior design until now. Decorative carpet expert Alix G. Perrachon has, for the first time, compiled a book to guide all interested in placing handmade carpets in contemporary spaces—from individual homeowners to interior designers and their clients. Inside, thirty-two of America’s most celebrated designers—including Penny Drue Baird, Samuel Botero, Clodagh, Jamie Drake, David Easton, Thomas Jayne, Juan Montoya, Suzanne Tucker, Bunny Williams, and Vicente Wolf—discuss in animated terms how, and which pieces, they choose from the infinite array of handmade decorative carpets available in the market today. Their selections are illustrated with luxurious images drawn from their own work, revealing rugs ranging from Agras, Aubussons, and Axminsters to modern Tibetan and transitional designs in every style of interior from traditional to contemporary. In addition to engaging, accessible text and 300 full-color illustrations, The Decorative Carpet provides purchasing and care essentials, presents the twenty most popular types of rugs used by designers today—along with a brief description of the defining characteristics and history of each—and includes a glossary and suggestions for further reading, providing all the tools necessary for all those eager to explore the intriguing, expansive world of handmade decorative carpets to begin.

From the perspective of Western culture, it is not always easy to understand the complexities of the antique Oriental carpet. Part of the fascination lies in its dual nature as a simple, even humble artifact intended to be used in a variety of ways as well as a sophisticated artistic object with ancient designs unfamiliar to us. Providing the tools to understand the decorative and technical aspects of a carpet, including its geographic area of production, The Carpet: Origins, Art and History is a handsome reference book for lovers of art and antiques who are eager to deepen their knowledge of this intriguing world. Intentionally neither a manual nor a guide, this book aims to inform and captivate. The Carpet celebrates its subject with clear and concise text as well as photographs and design diagrams that illustrate the most important ancient carpets. The stunning photographs capture the beauty and intricacy of this extraordinary art and play an important role in the critique and analysis of the various carpet specimens. With diagrams and drawings, this book provides an inspiring study of the carpet in all its dimensions, from decoration and its interpretation to the layout system, the ornamental motifs and their symbolic meaning and origin.

"In 1927, the critic Rene Chavance identified carpet production as the most successful of the decorative arts in achieving 'the more visionary aims of the times'. Susan Day's book, a work of original scholarship accompanied throughout by illustrations both of the carpets themselves and of contemporary interiors, demonstrates that these Art Deco carpets have lost none of their decorative power. A significant number of the carpets are shown precisely as they were meant to be seen, within the rooms for which they were made." "The fruits of the remarkable Art Deco efflorescence throughout Europe form the first part of the book. In the second, the focus turns to the reaction against the artistes-decorateurs by the champions of modernism. In France, the designs of Sonia Delaunay, Eileen Gray and Jean Lurcat evoked collage and Cubism; the Bauhaus and Scandinavia provided different influences. The fashion for abstract and modernist rugs was further stimulated by limited editions of rugs woven from works by such artists as Picasso, Klee and Miro, while in the USA, designers developed a style that was distinctly American." "This visual feast, of appeal not only to carpet collectors and textile specialists but to anyone with an interest in 20th-century design, ranges from the supremely imaginative achievements of Paul Poiret's unique weaving studio, the Ecole Martine, to the Scandinavian folk traditions of Marta Maas-Fjetterstrom, the innovations of Frank Lloyd Wright and Donald Deskey in the USA and Gunta Stolzl's handwoven carpets in Germany. The book's invaluable reference section includes detailed information on artists, manufacturers and retailers, their signatures and monograms, and a glossary and bibliography." --Book Jacket.

Filled with hundreds of gorgeous examples, this book is a comprehensive study of European and American carpets and rugs from the Middle Ages to the present day. The rich and inventive tradition of European and American carpets continues to inspire artists, designers, and decorators, while collectors and historians increasingly value carpets as important works of art. In this comprehensive volume, Sarah Sherrill examines Western carpet design and production from the Middle Ages to the present, in styles that range from magnificent palatial creations to delightful folk designs. With hundreds of dazzling illustrations, Sherrill's authoritative text includes chapters on Moorish weavers and the golden age of carpets in Spain; the exquisite carpets of the Savonnerie, Aubusson, and Beauvais in France; productions from Moorfields, Exeter, and Axminster in England; the intriguing but little-studied rugs of Eastern European countries; the charming and resourceful rugs of America; and an important chapter on modern designs that offers an extensive survey of rugs created by leading artists and architects of the nineteenth and twentieth centuries. Sherrill's stimulating text, based on years of research, brims with interesting new findings, not only on the history and design of these works, but also technological developments that had an often unrecognized effect on rug design and production. Supplementing the hundreds of reproductions of carpets are many views of the lavish rooms for which they were designed, as well as brilliant watercolor carpet designs, technical drawings clarifying weave and knot structures, and maps, making this an indispensable resource for historians, collectors, and anyone interested in beautiful furnishings and textiles. Sarah B. Sherrill, an authority on Western and Eastern carpets and rugs, has published many articles on the subject over the last two decades. She is on the faculty of The Bard Graduate Center for Studies in the Decorative Arts in New York and has taught in the graduate program in the history of decorative arts at the Cooper-Hewitt, National Design Museum/Parsons School of Design in New York. She is editor in chief of The Bard Graduate Center's journal Studies in the Decorative Arts and was an editor for over twenty years at the magazine Antiques. 400 illustrations

Valuable flea market finds... A peeling, antioue vanity in muted sea green... An elegant, cracked chandelier... An enormous, slipcovered sofa with deep, cushions... Comfort, the beauty of imperfections, the allure of time-worn objects, and the appeal of simple practical living: these are the cornerstones of what has come to be known as the Shabby Chic style. Like the cozy familiarity of a well-worn pair of faded jeans, the dilapidated elegance of an Italian viIla, or the worn grandeur of faded velvets and mismatched floral china handed down from your grandmother's attic, the Shabby Chic style is a revived appreciation for what is used, well-loved, and worn. It is a respect for natural evolution and a regard for what is easy and sensible. The hundreds of lavish photographs in this book invite you inside the unique world of Shabby Chic. Rachel Ashwell, founder of theShabby Chic home decor stores, for the first time provides her invaluable and much-sought-after advice on how to re-create Shabby Chic style in your own home. With engaging text and easy-to- follow instructions, Rachel details the Shabby Chic basics in a way that will put even the most apprehensive or novice decorators at ease. From flowers to fabrics to lighting, Rachel illuminates all of the elements essential to this unpretentious yet truly exquisite style. A behind-the-scenes look at a flea market lets readers in on Rachel's personal secrets of how to cull hidden treasures from flea market trash--an old trunk, its paint peeling around the edges, can be given new life as a coffee table, while a chipped white iron salvage piece becomes the perfect frame for a vintage mirror. This book tells you not only how to restore these pieces but how to find the perfect place for them in your home. Gorgeous color photographs and accompanying text reveal how this relaxed look works with a variety of different styles, from Victorian to Mediterranean to contemporary.

Oriental Carpets have always been prized in the West as luxury items, and this is a stunning showcase of 100 of the greatest oriental carpets in the V&A. The carpets in the book range from Chinese to Turkish and there is a section on popular kilims and flatweaves. The basic techniques of carpet weaving are explained alongside diagrams and photographic details showing how to interpret the structure of any carpet.

The richness of Near Eastern art is epitomized by sixteenth- and seventeenth-century Persian carpets. Among the finest ever produced, the two Ardabil carpets are believed to have been made as offerings for the Shrine of Sheikh Safi at Ardabil during the Safavid dynasty in sixteenth-century Persia. In this text Rexford Stead, deputy director of the Los Angeles County Museum of Art, explores the intricacies of the Ardabil carpets—one formerly in the Getty Museum and now in the Los Angeles County Museum of Art, and the other in the Victoria and Albert Museum, London. A bibliography and exhibition history are included.

This handbook contains black-and-white pictures and describes groupings of Middle Eastern rugs, their patterns, coloring, manufacture, and estimated antiquity. Substantial changes were made between the first and third editions, including the deletion of a whole group of rugs and additions based on new research. The translator was able to add notes based upon his own research into the ownership of certain rugs.