Of the writing systems of the ancient world which still await deciphering, the Indus script is the most important. It developed in the Indus or Harappan Civilization, which flourished c. 2500-1900 BC in and around modern Pakistan, collapsing before the earliest historical records of South Asia were composed. Nearly 4,000 samples of the writing survive, mainly on stamp seals and amulets, but no translations. Professor Parpola is the chief editor of the Corpus of Indus Seals and Inscriptions. His ideas about the script, the linguistic affinity of the Harappan language, and the nature of the Indus religion are informed by a remarkable command of Aryan, Dravidian, and Mesopotamian sources, archaeological materials, and linguistic methodology. His fascinating study confirms that the Indus script was logo-syllabic, and that the Indus language belonged to the Dravidian family.

Of the writing systems of the ancient world which still await deciphering, the Indus script is the most important. It developed in the Indus or Harappan Civilization, which flourished c. 2500-1900 BC in and around modern Pakistan, collapsing before the earliest historical records of South Asia were composed. Nearly 4,000 samples of the writing survive, mainly on stamp seals and amulets, but no translations. Professor Parpola is the chief editor of the Corpus of Indus Seals and Inscriptions. His ideas about the script, the linguistic affinity of the Harappan language, and the nature of the Indus religion are informed by a remarkable command of Aryan, Dravidian, and Mesopotamian sources, archaeological materials, and linguistic methodology. His fascinating study confirms that the Indus script was logo-syllabic, and that the Indus language belonged to the Dravidian family.

The deciphering of the Indus script has met with suspicion and is exposed to ridicule even. Many people are nowadays of the opinion that the Indus script is altogether indecipherable, if not a bilingual of considerable size turns up. The approach to a decipherment presented in this volume makes avail of a bilingual, too, but its masterkey is the discovering of the symbolic connection of the Indus signs with the metaphoric language of the Rg-Veda. Nearly 200 inscriptions, among them the longest and those with the most interesting motifs, have been decoded here by setting them syllable for syllable in relation to Rg-Vedic verses. The results that were gained by this method for the pictographic values of the Indus signs are surprising and far beyond the possibilities of the most daring phantasy. At the same time many problems of the Rg-Veda could be solved or new insights be won.

The present volume is devoted to the study of the Indus script and its decipherment. It offers a methodology for reading the Indus script by combining paleography with ancient literary accounts and Vedic grammar.These illustrate the methodology and also help shed new light on the Harappans and their connections with the Vedic Civilization.The language of the seals is Vedic Sanskrit,with a significant number of them containing words and phrases traceable to the ancient Vedic glossary Nigha, compiled from still earlier sources by Yaska.

This is a path-breaking work as significant as the decipherment of Egyptian hieroglyphs by Champollion. For nearly130 years, the Indus script has remained a challenging enigma to scholars of languages, writing systems and civilization studies. The script was invented and used over an extensive area of what is called the Indus or Sindhu-Sarasvati civilization. Over 2000 or 80% of archaeological sites are found on the Sarasvati River basin, a river adored in a very old human document called the Rigveda and which dried up due to tectonic and resulting river migration causes. In 1822, history was made when Egyptian hieroglyphs were deciphered by Jean-Francois Champollion from parts of the Rosetta Stone. Champollion showed that the Egyptian writing system, c.3000 BCE was a combination of phonetic and ideographic glyphs. The Rosetta Stone is dated196 BCE and had a decree in three versions: one in ancient Egyptian hieroglyphs, one in the Egyptian demotic script, and one in ancient Greek. Since alphabets of ancient Greek were known, Champollion used the trilingual inscription to validate his historic decipherment. Indus Script Cipher makes history recording hundreds of hieroglyphs of India. Absence of a Rosetta Stone which has been the principal impediment in validating any decryption of Indus script cipher is thus overcome. Further validation comes from evidences of the historical periods in India from c. 600 BCE showing continued use of Indus script hieroglyphs which evolved from c. 3300 BCE. This book details a decipherment.of the Indus script using the same rebus method used by Champollion to read ancient phonetic hieroglyphs of Indiat. By demonstrating an Indian linguistic area of cultural and language contacts and history of language changes, this is a landmark contribution to civilization studies of the world and will promote efforts to rewrite the ancient socio-cultural and economic history of a billion people in India and neighboring regions.

Scientists discover Y-DNA haplogroups O2a and mt-DNA haplogroup M4a in the Rakhigarhi ancient DNA. These haplogroups are associated with the speakers of Austro-Asiatic languages such as Mundari, Santali and Khasi. These haplogroups and related languages are also present in Southeast Asia. In India, speakers of these languages are currently found mostly in Central and East India. Even though a prominent philologist of Harvard University, Mr. Michael Witzel, has argued the case for a language close to Munda (which he calls para-Mundari) being one of the languages of the erstwhile Indus Valley, a finding of this nature will come as a surprise to most others. So if the genetics do find haplogroups O and M4a in Rakhigarhi, some of our current understanding of Indian history may have to be revised. Tony Joseph in The Hindu, December 23, 2017

The Indus civilization flourished for half a millennium from about 2600 to 1900 BCE, when it mysteriously declined and vanished from view. It remained invisible for almost four thousand years, until its ruins were discovered in the 1920s by British and Indian archaeologists. Today, after almost a century of excavation, it is regarded as the beginning of Indian civilization and possibly the origin of Hinduism. The Indus: Lost Civilizations is an accessible introduction to every significant aspect of an extraordinary and tantalizing “lost” civilization, which combined artistic excellence, technological sophistication, and economic vigor with social egalitarianism, political freedom, and religious moderation. The book also discusses the vital legacy of the Indus civilization in India and Pakistan today.

"Indus Seals (2600-1900 BCE) Beyond Geometry: A New Approach to Break an Old Code" is a pioneering work which draws attention to the languages and culture of the Indus region for a better understanding of its ancient Indus seals. The signs and symbols inscribed on the seals are considered to be an ancient script which is yet to be deciphered.However, the seals are also imbued with images of animals, humans, deities, trees and unidentifiable objects. Hence, apart from depicting the script they also symbolize an assortment of social, cultural and ideological content which requires a holistic approach for its interpretation. This book looks for clues in three latent sources to establish the socio-cultural context of the seal images: it seeks ancient words retained in the Sindhi language and relates them to the seal images; it highlights the symbols of Buddhism, Jainism and Hinduism on the seals and traces the roots of the philosophy of nonviolence in ancient Indus cities; and it examines the geometric principles and patterns of seals to study the significance of geometry in the Indus Civilization. The book, through a few examples, demonstrates that these seemingly diverse means can eventually converge to present a clearer picture of a small fraction of the seal iconography. Hence, the book also emphasizes to explore more sources to understand the multiple facets of the seals."Indus Seals (2600-1900 BCE) Beyond Geometry: A New Approach to Break an Old Code" is Talpur's third book on the Indus Civilization. It is a companion to her last book "Moen jo Daro: Metropolis of the Indus Civilization (2600-1900 BCE)" and it is an update to her previous research covered in "Evidence of Geometry in Indus Valley Civilization," her first book on this subject.