"[An] entertaining work of geographical sleuthing.…Surprises abound." —The New Yorker An oft-overlooked region lies at the heart of British national history: the Debatable Land. The oldest detectable territorial division in Great Britain, the Debatable Land once served as a buffer between England and Scotland. It was once the bloodiest region in the country, fought over by Henry VIII, Elizabeth I, and James V. After most of its population was slaughtered or deported, it became the last part of Great Britain to be brought under the control of the state. Today, its boundaries have vanished from the map and are matters of myth and generational memories. In The Debatable Land, historian Graham Robb recovers the history of this ancient borderland in an exquisite tale that spans Roman, Medieval, and present-day Britain. Rich in detail and epic in scope, The Debatable Land provides a crucial, missing piece in the puzzle of British history.

Children’s literature today is dominated by the gothic mode, and it is in children’s gothic fictions that we find the implications of cultural change most radically questioned and explored. This collection of essays looks at what is happening in the children’s Gothic now when traditional monsters have become the heroes, when new monsters have come into play, when globalisation brings Harry Potter into China and yaoguai into the children’s Gothic, and when childhood itself and children’s literature as a genre can no longer be thought of as an uncontested space apart from the debates and power struggles of an adult domain. We look in detail at series such as The Mortal Instruments, Twilight, Chaos Walking, The Power of Five, Skulduggery Pleasant, and Cirque du Freak; at novels about witches and novels about changelings; at the Gothic in China, Japan and Oceania; and at authors including Celia Rees, Frances Hardinge, Alan Garner and Laini Taylor amongst many others. At a time when the energies and anxieties of children’s novels can barely be contained anymore within the genre of children’s literature, spilling over into YA and adult literature, we need to pay attention. Weird things are happening and they matter.

Yorkshire is 'a continent unto itself', a region where mountain, plain, coast, downs, fen and heath lie close. By weaving history, family stories, travelogue and ecology, Richard Morris reveals how Yorkshire took shape as a landscape and in literature, legend and popular regard. The result is a fascinating and wide-ranging meditation on Yorkshire and Yorkshireness, told through the prism of the region's most extraordinary people and places.

In 2013 Ian Crofton undertook a journey he had been pondering for years: a walk along the Border between Scotland and England. It would be an exploration both of his own identity - not quite Scottish, not quite English - and of a largely unexplored stretch of country. Apart from the line marked on the map, the route is not obvious. For much of its length the Border either follows the middle of various rivers, or traces the Southern Upland watershed, an area of bleak moorland and dense conifer plantations. During the course of his walk, Ian Crofton investigates the history, literature and legend of the Border. He talks to a range of people he comes across - farmers, landladies, bar staff, anglers, labourers, shepherds, shopkeepers - to find out what they make of the Border, if anything at all. Such conversations lead to a consideration of the very nature of borders. Do they provide a necessary defence of the nationstate? Or are they, in this day and age, an affront to global justice? Walking the Border is in the best traditions of travel writing, combining vivid description with human insight, the whole spiced with a wry sense of the absurdity and necessity of both inward and outward journeys.

Reproduction of the original: The Debatable Land by Arthur Colton

Drawing on ethno-anthropological fieldwork, this book considers issues of identity and belonging in Europe from a consciously emic perspective. The book explores issues such as borders, migration, economic organization, heritage, and the politics and practice of developing cultural understanding.

Explains the history of England's northern borderlands in the fifteenth century within a broader social, political and European context.

From creepy picture books to Harry Potter, Lemony Snicket, the Spiderwick Chronicles, and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children’s literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children’s literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children’s literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children’s literature. This collection examines the early intersection of the Gothic and children’s literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children’s literature for as long as children have been reading.