The Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design. The author explores many ways in which this displacement is affecting architecture: the dominance of performance criteria in the evaluation of design decisions; the blurring of the separation of design and construction; the undermining of architects’ authority over their projects by automated information sharing; the elimination of the human body as the common foundation of design and experience; the transformation of the meaning of geometry when it is performed by computers; the changing nature of design when it requires computation or is done by a digitally-enabled collaboration. Throughout the book, Scheer examines both the theoretical bases and the practical consequences of these changes. The Death of Drawing is a clear-eyed account of the reasons for and consequences of the displacement of drawing by computational media in architecture. Its aim is to give architects the ability to assess the impact of digital media on their own work and to see both the challenges and opportunities of this historic moment in the history of their discipline.

A gifted artist, Sadie is determined to fit in at her new school, but her deceased twin brother Ollie keeps appearing to her.

An astounding treasury of drawings and plans from one of the 20th century's greatest architects, offering unprecedented insight into his design process "The importance of a drawing is immense, because it's the architect's language," famed architect Louis Kahn, one of the most significant architects of the 20th century, told his masterclass in 1967. While much of his built work has been heavily studied, this publication chooses instead to focus on Kahn's prolific arsenal of drawings and plans, some of which were never realized. The Importance of a Drawingprovides an in-depth look into the subtleties of Kahn's designs, featuring incisive analysis from architectural experts and over 600 high-quality reproductions of work by Kahn and his associates. A testament to the architect's meticulous craft, this volume is an essential addition to the library of established designers as well as students of architecture. Louis Kahn(1901-74) was an Estonian-born American architect who worked in Philadelphia for the majority of his life. Inspired early in his career by European medievalism and later the ruins of much older civilizations, Kahn was notable for his ability to meld the modernist tendencies of his time with the classical poise of ancient monuments. Some of his major designs include the National Parliament House in Dhaka, Bangladesh and the Salk Institute for Biological Studies in La Jolla, California. Some of Kahn's unrealized projects, such as the Four Freedoms Park on Roosevelt Island, have since been constructed posthumously. Kahn taught at Yale School of Architecture from 1947 to 1957 and then at the University of Pennsylvania until his death.

"Ready or not, it’s high time to make BIM a part of your practice, or at least your vocabulary, and this book has as much to offer beginners as it does seasoned users of building information modeling software." —Chicago Architect The first book devoted to the subject of how BIM affects individuals and organizations working within the ever-changing construction industry, BIM and Integrated Design discusses the implementation of building information modeling software as a cultural process with a focus on the technology’s impact and transformative effect—both potentially disruptive and liberating—on the social, psychological, and practical aspects of the workplace. BIM and Integrated Design answers the questions that BIM poses to the firm that adopts it. Through thorough research and a series of case study interviews with industry leaders—and leaders in the making out from behind the monitor—BIM and Integrated Design helps you learn: Effective learning strategies for fully understanding BIM software and its use Key points about integrated design to help you promote the process to owners and your team How BIM changes not only the technology, process, and delivery but also the leadership playing field How to become a more effective leader no matter where you find yourself in the organization or on the project team How the introduction of BIM into the workforce has significant education, recruitment, and training implications Covering all of the human issues brought about or exacerbated by the advent of BIM into the architecture workplace, profession, and industry, BIM and Integrated Design shows how to overcome real and perceived barriers to its use.

Truly devoted to the idea of public art, Haring created murals wherever he went.

On June 6, 1944, Ugo Giannini landed on Omaha Beach at H+70 minutes as one of a platoon of military police assigned to the 29th Division. Ugos team was to control the incoming traffic. There were thirty-seven men in his platoon; they were decimated in the first ten minutes. Six men got to the beach. Someone told Ugo that he was needed on the bluff above. He climbed the Vierville Draw, jumped into a crater made by naval bombardment, and spent that day and part of the next day as an eyewitness to the greatest invasion ever conceived by the military. Remarkably, he began to draw. These are the only drawings made that historic day, as well as the next. This book is the story of one man, in the context of World War II; a man who was a poet, an artist, and had the strength of a boxer. A civilian used to the comforts and hysteria of an immigrant Italian family, in love with his childhood sweetheart, plunged into the hell of war. Presented here are the sketches from that historic day and the days that immediately followed. Drawn in pencil and pen, in a gritty, realist style, the images show heavily burdened infantrymen trying to stay afloat in the seawater, crawling on the beach or dead among the ruins of a bombed-out village. Interwoven with letters home written by a young man to his family and his girlfriend, the words and images portray the horror of war in a deep and personal way. The abstract paintings that appear at the end of the book provide a powerful statement, composed years after the initial experience, about the complete disintegration, both physical and spiritual, caused by war.

Drawing Ambience showcases a selection of drawings from the personal collection of the noted architectural educator Alvin Boyarsky (1928-1990). As chairman of the Architectural Association (AA) in London (1971-1990), Boyarsky accumulated an impressive collection of drawings at a time when the AA produced an extraordinary program of exhibitions and publications rooted in drawing not only as a representational medium but also a form of architecture in its own right. Boyarsky s drawing collection emerged at the confluence of modernism, postmodernism, and other cultural currents worldwide, capturing the work of artists and architects such as Alexander Brodsky and Ilya Utkin, Frank Gehry, Zaha Hadid, John Hejduk, Daniel Libeskind, Mary Miss, OMA, Eduardo Paolozzi, Superstudio, Shin Takamatsu, Bernard Tschumi, and Peter Wilson. The publication features a full-length essay situating Boyarsky s collection in the emergence of architecture as a global discursive discipline as well as close analysis of fifty of the most imaginative, visionary drawings in it. Exquisite reproductions of each of the featured drawings and prints, along with portfolios of limited-edition publications from the AA, are supplemented by close-up and microscopic images, providing an unprecedented opportunity to explore the imaginative spirit of drawing practices central to the magnetic web of conversations in the architectural discourse, both historical and contemporary, including the discipline s renewed interest in the hand as it relates to drawing and making. "

This comprehensive handbook for drawing the human figure is by a veteran instructor of the Art Students League of New York. Both a guide and a reference, it is suitable for all: novices, students, and professionals. Numerous illustrations with commentary cover the basic structure of the head and body, light and shade, the proper use of line, conveying action, depicting drapery, and much more.

Inspired by the website that the New York Times hailed as "redefining mourning," this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics. At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map. Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit. Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize. Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message. Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.

The completely updated, illustrated bestseller on architectural graphics with over 500,000 copies sold Architectural Graphics presents a wide range of basic graphic tools and techniques designers use to communicate architectural ideas. Expanding upon the wealth of illustrations and information that have made this title a classic, this Fourth Edition provides expanded and updated coverage of drawing materials, multiview drawings, paraline drawings, and perspective drawings. Also new to this edition is the author's unique incorporation of digital technology into his successful methods. While covering essential drawing principles, this book presents: approaches to drawing section views of building interiors, methods for drawing modified perspectives, techniques for creating accurate shade and shadows, expert styles of freehand sketching and diagramming, and much more.