In the tradition of Charles Duhigg’s The Power of Habit, a wise and fascinating book that shows us how “we can make deadlines work for us instead of the other way around” (The Wall Street Journal). Perfectionists and procrastinators alike agree—it’s natural to dread a deadline. Whether you are completing a masterpiece or just checking off an overwhelming to-do list, the ticking clock signals despair. Christopher Cox knows the panic of the looming deadline all too well—as a magazine editor, he has spent years overseeing writers and journalists who couldn’t meet a deadline to save their lives. After putting in a few too many late nights in the newsroom, he became determined to learn the secret of managing deadlines. He set off to observe nine different organizations as they approached a high-pressure deadline. Along the way, Cox made an even greater discovery: these experts didn’t just meet their big deadlines—they became more focused, productive, and creative in the process. An entertaining blend of “behavioral science, psychological theory, and academic studies with compelling storytelling and descriptive case studies” (Financial Times), The Deadline Effect reveals the time-management strategies these teams used to guarantee success while staying on schedule: a restaurant opening for the first time, a ski resort covering an entire mountain in snow, a farm growing enough lilies in time for Easter, and more. Cox explains how to use deadlines to our advantage, the dynamics of teams and customers, and techniques for using deadlines to make better, more effective decisions.

From prolific and influential consultant and author Tom DeMarco comes a project management novel that vividly illustrates the principles--and the outright absurdities--that affect the productivity of a software development team. With his trademark wit set free in the novel format, DeMarco centers the plot around the development of six software products. Mr. Tompkins, a manager downsized from a giant telecommunications company, divides the huge staff of developers at his disposal into eighteen teams--three for each of the software products. The teams are different sizes and use different methods, and they compete against each other and against an impossible deadline. With these teams--and with the help of numerous "fictionalized" consultants who come to his aid--Tompkins tests the project management principles he has gathered over a lifetime. Each chapter closes with journal entries that form the core of the eye-opening approaches to management illustrated in this entertaining novel.

Ben Wolf has big things planned for his senior year. Had big things planned. Now what he has is some very bad news and only one year left to make his mark on the world. How can a pint-sized, smart-ass seventeen-year-old do anything significant in the nowheresville of Trout, Idaho? First, Ben makes sure that no one else knows what is going on—not his superstar quarterback brother, Cody, not his parents, not his coach, no one. Next, he decides to become the best 127-pound football player Trout High has ever seen; to give his close-minded civics teacher a daily migraine; and to help the local drunk clean up his act. And then there's Dallas Suzuki. Amazingly perfect, fascinating Dallas Suzuki, who may or may not give Ben the time of day. Really, she's first on the list. Living with a secret isn't easy, though, and Ben's resolve begins to crumble . . . especially when he realizes that he isn't the only person in Trout with secrets.

The first book in the Ollie Chandler series, this rerelease of the Randy Alcorn bestseller is a heart-pounding murder mystery When tragedy strikes those closest to him, Jake Woods must draw upon all his resources to uncover the truth about the suspicious accident. Soon he finds himself swept up in a murder investigation that is both complex and dangerous. Unaware of the threat to his own life, Jake is drawn in deeper and deeper as he desperately searches for the answers to the immediate mystery at hand and—ultimately—the deeper meaning of his own existence. Deadline is a dramatic and vivid novel of substance, filled with hope and perspective for every reader who longs to feel purpose in life.

This electrifying sequel from the New York Times bestselling author of Feed reenters a world of zombies, geeks, politics, social media, and the virus that runs through them all. Shaun Mason is a man without a mission. Not even running the news organization he built with his sister has the same urgency as it used to. Playing with dead things just doesn't seem as fun when you've lost as much as he has. But when a CDC researcher fakes her own death and appears on his doorstep with a ravenous pack of zombies in tow, Shaun has a newfound interest in life. Because she brings news—he may have put down the monster who attacked them, but the conspiracy is far from dead. Now, Shaun hits the road to find what truth can be found at the end of a shotgun. More from Mira Grant: Newsflesh Feed Deadline Blackout Feedback Rise Praise for Feed: "I can't wait for the next book."―N.K. Jemisin "It's a novel with as much brains as heart, and both are filling and delicious."―The A. V. Club "Gripping, thrilling, and brutal... McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―Publishers Weekly (Starred Review) “Feed is a proper thriller with zombies.” —SFX "Deft cultural touches, intriguing science, and amped-up action will delight Grant's numerous fans." —Publishers Weekly (starred review)

When a circus tent fire results in the death of a young girl, reporter Dalton Walker searches for leads while juggling a second story about a young Amish woman who left her home to become a dancer in the Big Apple.

When Stephen's father passes away in 1861, he and his mother and brother are left at the mercy of a cruel uncle. As the Civil War intensifies to the south, Stephen's brother enlists to fight for the Union and help support the family. The war drags on and Stephen, an accomplished bugler in the town band, is witness to the sad consequences of slavery. The opportunity to enlist as Colonel Eli Lilly's personal bugler arises and Stephen jumps at the chance. After surviving the Battle of Sulphur Trestle in Alabama, Stephen is sent to a Confederate prison camp to await the end of the war. The trials of prison camp are severe but at war's end Stephen is set to be sent home to Indiana aboard the steamboat Sultana. However, disaster strikes and the ship catches fire and capsizes in America's largest maritime disaster. Through luck and fortitude Stephen survives, but his Civil War journey is one that will engage readers of all ages. Based on historical facts and characters, Stephan's story truly captures the essence of the era.

Since 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chávez, who died in 2013, downplayed the extent of violent crime and instead emphasized rehabilitation. His successor, President Nicolás Maduro, took the opposite approach, declaring an all-out war on crime (mano dura). What accounts for this drastic shift toward more punitive measures? In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela’s punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or exposé that channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.

This novel of a small-town reporter drawn into a chilling cold case is “an impressive debut that will keep you on the edge of your seat” (San Francisco Chronicle). A dying convict’s last request thrusts small-town newspaperman Jefferson Morgan into a deadly maelstrom as he explores a fifty-year-old case of child murder—a wound his town still isn’t ready to scrape open. Under the heaviest deadline of his life, and amid threats from unexpected foes, Morgan must struggle with his own conscience to tell a story no matter the consequences, dig deep into the town’s past, and unveil a killer who’s managed to remain hidden in plain sight for almost fifty years. Now a bestselling true crime author, Ron Franscell began his crime-writing career with fiction. This was his first mystery featuring newspaperman Jefferson Morgan, followed by its sequel, The Obituary. “As a bonus, [Franscell] packs the novel with plenty of fascinating details about the newspaper business. A nice little sleeper of a mystery that deserves a wide audience.”—Booklist

The eighth Virgil Flowers novel by internationally bestselling author John Sandford Barns, the chairman, looked around the room and said, 'Okay. We can do this. Let's see a show of hands. It's unanimous, or it's prison. Do we kill Clancy Conley?' "They all looked around at each other, each of them reluctant to go first. Then the fat man raised his hand, and then Kerns, and then the rest of them. "'It's unanimous,' Barns said." In southeast Minnesota, down on the Mississippi, a school board meeting is coming to an end. The board chairman announces that the rest of the meeting will be closed, due to personnel issues. "Issues" is correct. The proposal up for a vote before them is whether to authorize the killing of a local reporter. There are no votes against. Meanwhile, not far away, Virgil Flowers is helping out a friend by looking into a dognapping, which seems to be turning into something much bigger and uglier -- a team of dognappers supplying medical labs -- when he gets a call from Lucas Davenport. A murdered body has been found -- and the victim is a local reporter... * * * Praise for John Sandford and the Virgil Flowers novels * * * ‘Along the way to the satisfying ending, Virgil displays the rough humor and rough justice that make him such an appealing character’ Publishers Weekly on Deep Freeze ‘A knowing portrait of small-town life layered into a very well plotted mystery. Virgil understands that, in small towns, no one ever outgrows high school... One of the very best novels in a superior series’Booklist (starred review) on Deep Freeze ‘Add a gripping storyline, a generous helping of exquisitely conceived characters and laugh-out-loud humor that produce explosive guffaws, not muted chuckles, and you’re in for the usual late-night, don’t-even-think-of-stopping treat when Flowers hits town’ Richmond Times-Dispatch on Deep Freeze ‘An outstanding novel’ Publishers Weekly (starred review) on Escape Clause ‘Perfect entertainment’ Kirkus Reviews on Escape Clause