After being murdered as a child and brought back to life by two cops, Harry Doyle grew up to become a homicide detective who has the uncanny ability to hear the whispers of murder victims, and he must put his power to use to solve the murder of a beautiful woman who was also a notorious child molester.

Recent murder victim Tori can't make peace with the afterlife until she finds out who killed her and why. With the help of a Portal Detective named Seamus, Tori returns to the world of the living to seek answers.

Thirteen-year-old October Schwartz is new in town; she spends her free time in the Sticksville Cemetery and it isn't long before she befriends the ghosts of five dead teenagers, each from a different era of the past. They form the Dead Kid Detective Agency, a group committed to solving Sticksville's most mysterious mysteries.

Veronica Mars meets The Lying Game, The Dead Girls Detective Agency follows Charlotte Feldman, a teenage girl who must solve the mystery of how and why she was murdered if she wants to escape purgatory. The basis for the new Snapchat series! What would you do if you had to solve your own murder to get anywhere in death? Maybe if I hadn't slept through my alarm, slammed into Kristin—my high school's reigning mean girl—or stepped in a puddle, destroying my mom's new suede DVF boots (which I borrowed without asking), I wouldn't have been in the wrong place at the wrong time, and I wouldn't have been pushed in front of that arriving train. But I did, and I was. When I came to, I was informed by a group of girls that I'm dead. And that because I died under mysterious circumstances, I can't pass straight over to the Other Side. But at least I'm not alone. Meet the Dead Girls Detective Agency: Nancy, Lorna, and Tess—not to mention Edison, the really cute if slightly hostile dead boy. Apparently the only way out of this limbo is to figure out who killed me, or I'll have to spend eternity playing Nancy Drew. Considering I was fairly invisible in life, who could hate me enough to want me dead? And what if my murderer is someone I never would have suspected?

RICHELLE DADD WAS SHOT IN THE HEART... NOW SHE'S PISSED. First in the mind-bending, spellbinding Dead Detective series, starring homicide investigator, Richelle Dadd. Medical-school-dropout and police detective Richelle Dadd is...well, dead. But that won't stop her from trying to hold on to her house in a divorce battle with a bitter husband. Or keep her from digging into her own murder, to discover who put the bullet into her heart. And it certainly won't stand in the way of finding out the reason she's been reanimated as a zombie assassin, no longer in control of her life. Richelle will face off against Gypsy shamans, double-crossing ghosts, a partner she can't trust, and her own undead nature in a journey into the depths of the occult world and out the other side without losing her sense of humor―or humanity―along the way. It's a good thing her deductive skills―and her aim―are still up to par. Includes a "Dead Detective" bonus short story!

Some cases are as cold as the grave... A lost soul in limbo, Kevin Fahey is trying to prove he's a better ghost than he ever was a man. And trying to help Maggie Gunn, the detective who replaced him, is a good way to start.

When unsolved crimes resurface, Detective Superintendent Roy Grace faces a possible copycat killing in Dead Like You, by award winning crime author Peter James. The Metropole Hotel, Brighton. After a heady New Year's Eve ball, a woman is attacked as she returns to her room. A week later, another woman is assaulted. Both victims' shoes are taken by the offender . . . Roy Grace soon realizes that these new cases bear remarkable similarities to an unsolved series of crimes in the city back in 1997. Dubbed 'Shoe Man', the perpetrator was believed to have attacked five women before murdering his sixth victim and vanishing. Could this be a copycat, or has Shoe Man resurfaced? When more women are assaulted, Grace and his team find themselves in a desperate race against the clock to identify and save the life of the new sixth victim . . . Although the Roy Grace novels can be read in any order, Dead Like You is the sixth gripping title in the bestselling series. Enjoy more of the Brighton detective’s investigations with Dead Man's Grip and Not Dead Yet. Now a major ITV series, Grace, starring John Simm.

The Dead Witness gathers the finest adventures among private and police detectives from the nineteenth century and into the early twentieth--including a wide range of overlooked gems creating the finest ever anthology of Victorian detective stories. "The Dead Witness," the 1866 title story by Australian writer Mary Fortune, is the first known detective story by a woman, a suspenseful clue-strewn manhunt in the Outback. This forgotten treasure sets the tone for the whole anthology-surprises from every direction, including more female detectives and authors than you can find in any other anthology of its kind. Pioneer women writers such as Anna Katharine Green, Mary E. Wilkins, and C. L. Pirkis will take you from rural America to bustling London. Female detectives range from Loveday Brooke to Dorcas Dene and Madelyn Mack. In other stories, you will meet November Joe, the Canadian half-Native backwoods detective who stars in "The Crime at Big Tree Portage" and demonstrates that Sherlockian attention to detail works as well in the woods as in the city. Holmes himself is here, too, of course-not in another reprint of an already well-known story, but in the first two chapters of A Study in Scarlet, the first Holmes case, in which the great man meets and dazzles Watson. Authors range the gamut from luminaries such as Charles Dickens to the forgotten author who helped inspire Edgar Allan Poe's "The Murders in the Rue Morgue," the first real detective story. Bret Harte is here and so is E. W. Hornung, creator of master thief Raffles. Naturally Wilkie Collins couldn't be left behind. Michael Sims's new collection unfolds the fascinating and entertaining youth of what would mature into the most popular genre of the twentieth century.

Suicide or murder? DI Ford is sure there's a killer to catch, but time is running out. A young female soldier is found on Salisbury Plain, her throat cut and a bloody knife in her dead hand. Everyone assumes that she killed herself. But something doesn't feel right to DI Ford; the whole scene seems staged. Convinced of foul play, and despite fierce opposition from the army brass and his own superiors, Ford launches a murder investigation. Years on from his wife's death, Ford is still struggling with guilt and whether or not to tell his son the truth about what really happened. When his CSI partner confronts him about the tragedy, he knows he has to confess sooner or later. But the living can wait; the dead are calling. With the victim's regiment due to deploy to Somalia, taking any suspects and evidence with them, Ford has just days to apprehend the killer. His career on the line and his relationship with his son in the balance, Ford has to work fast if he is going to bring justice to the dead--and closure to the living.

A mesmerizing and thrilling novel—perfect for fans of Tana French and Stieg Larsson—that introduces a modern, unforgettable rookie cop whose past is as fascinating and as deadly as the crimes she investigates. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Boston Globe • The Seattle Times SHE KNOWS WHAT IT’S LIKE. . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy—and long dead—steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer. But D.C. Griffiths is no ordinary cop. She’s earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there’s that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open. Ignoring orders and protocol, Fiona begins to explore far beyond the rich man’s credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she’s only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks—not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time. BONUS: This edition includes an excerpt from Harry Bingham's Love Story, with Murders. Praise for Talking to the Dead “Gritty, compelling . . . a procedural unlike any other you are likely to read this year.”—USA Today “With Detective Constable Fiona ‘Fi’ Griffiths, Harry Bingham . . . finds a sweet spot in crime fiction . . . think Stieg Larsson’s Lisbeth Salander . . . Denise Mina’s ‘Paddy’ Meehan [or] Lee Child’s Jack Reacher. . . . The writing is terrific.”—The Boston Globe “The mystery-thriller genre is already so staffed with masterminds that it’s hard to make room for another. But along comes a book like Talking to the Dead, and suddenly an unadvertised opening is filled. . . . [This] has the feel of something fresh and compelling.”—New York Daily News “A stunner with precision plotting, an unusual setting, and a deeply complex protagonist . . . We have the welcome promise of more books to come about Griffiths.”—The Seattle Times “Recommended highly . . . [a] riveting procedural thriller.”—Library Journal (starred review)