Henry Steegman is hardly "Mr. Personality" aboard the Mars-bound Algonquin 9. Yet it is he who bungles upon the spectacular Macy's-like city beneath the Red Planet's crust. For better or worse, the name Steegman will be immortalized by a discovery that will transform millions of lives. For a struggling screenwriter, the Martian beings could mean a big story, big bucks, headlines...and more women than any many his size has ever known... For an exhiled Russian rocket man, the are a possible route to America's space program, and the land of opportunity... For a flying-saucer faker of flickering fame, the possibilities are out of this world. In a brilliant near-future look at the human condition, Frederick Pohl has honed his satire-sharp science fiction to a steely new edge.

The tranquility of Mars is disrupted by humans who want to conquer space, colonize the planet, and escape a doomed Earth.

Orson Welles' 1938 radio production of The War of the Worlds is now remembered as one of the most sublime, if accidental. hoaxes ever concocted. This is what really happened.

THEY WERE GREEN, THEY WERE LITTLE, THEY WERE BALD AS BILLIARD BALLS AND THEY WERE EVERYWHERE! Luke Devereaux was a science fiction writer, holed up in a desert shack waiting for inspiration. He was the first to see a Martian - but he certainly wasn't the last. It was estimated that one billion of them had arrived - one to every three human beings on Earth. Obnoxious green creatures who could be seen and heard (but not harmed) and who probed private sex lives as shamelessly as they exposed government secrets. No one knew why they had come. No one knew how to make them go away - except perhaps, Luke Devereaux. Unfortunately he was going slightly bananas, so it wouldn't be easy. But for a science fiction writer nothing was impossible...

“Last Day on Mars is thrillingly ambitious and imaginative. Like a lovechild of Gravity and The Martian, it's a rousing space opera for any age, meticulously researched and relentlessly paced, that balances action, science, humor, and most importantly, two compelling main characters in Liam and Phoebe. A fantastic start to an epic new series.” —Soman Chainani, New York Times bestselling author of the School for Good and Evil series “Emerson's writing explodes off the page in this irresistible space adventure, filled with startling plot twists, diabolical aliens, and (my favorite!) courageous young heroes faced with an impossible task.” —Lisa McMann, New York Times bestselling author of the Unwanteds series It is Earth year 2213—but, of course, there is no Earth anymore. Not since it was burned to a cinder by the sun, which has mysteriously begun the process of going supernova. The human race has fled to Mars, but this was only a temporary solution while we have prepared for a second trip: a one-hundred-fifty-year journey to a distant star, our best guess at where we might find a new home. Liam Saunders-Chang is one of the last humans left on Mars. The son of two scientists who have been racing against time to create technology vital to humanity’s survival, Liam, along with his friend Phoebe, will be on the last starliner to depart before Mars, like Earth before it, is destroyed. Or so he thinks. Because before this day is over, Liam and Phoebe will make a series of profound discoveries about the nature of time and space and find out that the human race is just one of many in our universe locked in a dangerous struggle for survival.

The most comprehensive look at our relationship with Mars—yesterday, today, and tomorrow—through history, archival images, pop culture ephemera, and interviews with NASA scientists, for fans of Andy Weir and For All Mankind. Mars has been a source of fascination and speculation ever since the ancient Egyptians observed its blood-red hue and named it for their god of war and plague. But it wasn't until the 19th century when “canals” were observed on the surface of the Red Planet, suggesting the presence of water, that scientists, novelists, filmmakers, and entrepreneurs became obsessed with the question of whether there’s life on Mars. Since then, Mars has fully invaded pop culture, inspiring its own day of the week (Tuesday), an iconic Looney Tunes character, and many novels and movies, from Ray Bradbury’s Martian Chronicles to The Martian. It’s this cultural familiarity with the fourth planet that continues to inspire advancements in Mars exploration, from NASA’s launch of the Mars rover Perseverance to Elon Musk’s quest to launch a manned mission to Mars through SpaceX by 2024. Perhaps, one day, we’ll be able to answer the questions our ancestors asked when they looked up at the night sky millennia ago.

A comprehensive bibliography of books and short fiction published in the English language.

Nominated as one of America’s best-loved novels by PBS’s The Great American Read Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plain-old "human error" are much more likely to kill him first. But Mark isn't ready to give up yet. Drawing on his ingenuity, his engineering skills—and a relentless, dogged refusal to quit—he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

In the mid-1980s, Easton Press began publishing a series of leather-bound collector editions called “Masterpieces of Science Fiction” and “Masterpieces of Fantasy,” which featured some of the most important works in these genres. James Gunn was commissioned to write introductions to these works, which allowed him to pay tribute to many authors who inspired and influenced his own work. In Paratexts: Introductions to Science Fiction and Fantasy, Gunn has collected the most significant essays produced for the Easton series, along with prefaces he wrote for reprints of his own novels. Cited here are some of the most significant works of 19th and 20th century science fiction and fantasy, such as The Island of Dr. Moreau, 1984, Stranger in a Strange Land, A Clockwork Orange, Speaker for the Dead, The Postman, Do Androids Dream of Electric Sheep?, The Hitchhiker’s Guide to the Universe, The Dead Zone, The Mists of Avalon, Dragon’s Eye, Nine Princes in Amber, Blue Mars, The Last Unicorn, and The Lord of the Rings. Drawing upon Gunn’s lifetime of work in the field, these introductions include analyses of the individual works and the fields in which they were written. Gunn also briefly discusses each novel’s significance in the science fiction canon. Collected here for the first time, these prefaces and introductions provide readers with insight into more than seventy novels, making Paratexts a must-read for science fiction and fantasy aficionados.