Le livre de Stefan Sulzer raconte l'histoire d'une visite à la Dia Art Foundation à Beacon, près de New York, au cours de laquelle la mère de l'artiste s'est sentie si troublée par l'élégante simplicité des peintures de l'américain Robert Ryman, qu'elle a laissé glisser lentement et avec la plus grande concentration sa main sur une de ces peintures. Le livre de Stefan Sulzer raconte l'histoire d'une visite à la Dia Art Foundation à Beacon, près de New York, au cours de laquelle la mère de l'artiste s'est sentie si troublée par l'élégante simplicité des peintures de l'américain Robert Ryman, qu'elle a laissé glisser lentement et avec la plus grande concentration sa main sur une de ces peintures.

Le livre d'artiste "Collection for the poor" est inspiré du livre d'Eugène Schwartz "Confessions of a poor collector". Il peut être vu comme une réponse à la demande de devenir un collectionneur d'art contemporain malgré un quasi-zéro du compte bancaire. Il rassemble 21 artistes entreprenant le travail d'exploration des stratégies économiques et de distribution en dehors du marché de l'art. Le livre qui en résulte est une oeuvre d'art en soi à un prix très raisonnable qui est en même temps un manuel qui aide à trouver des oeuvres d'art abordables qui conviennent à la fois aux capacités financières et au bon goût.

Financial Times Book of the Year The extraordinary artist, the spider woman, the intellectual, the rebel, the sly enchantress, and the “good girl” sing together in this exuberant, lithe text beautifully translated by Cole Swensen. This brilliant portrait of the renowned artist Louise Bourgeois (1911–2010) shows a woman who was devoted to her art and whose life was also that of her century. The art world’s grande dame and its shameless old lady, spinning personal history into works of profound strangeness, speaks with her characteristic insolence and wit, through a most discreet, masterful writer. From her childhood in France to her exile and adult life in America, to her death, this phosphorescent novella describes Bourgeois’s inner life as only one artist regarding another can. Included as an afterword is Frémon’s essay about his own “portrait writing” and how he came to know and work with Louise Bourgeois.

During Mac DeMarco's European Tour in the fall 2017 Stefan Marx joined the band for a few stops to draw on stage during Mac DeMarco's live performance. Hiding in the back of the band, he got time to capture a unique view on the five musicians, the whole performance, some behind the scenes moments and the audience. This artist book contains most of the drawings from these concerts and is compiled by Stefan Marx, it is his 26th publication with Nieves.00Stefan Marx is a Berlin based artist. His work is drawing based and exhibited internationally. His artist books are published by Nieves, Rollo-Press, and Christoph Keller Editions/JRP Ringier ? beside these releases he publishes regularly by himself. All Smallville Records releases are visually defined by Marx? drawings. Since 2017 he works with the Berlin based porcelain manufacture KPM on various projects, he has lectured widely and taught Drawing at the Bauhaus University in Weimar.

A vibrantly illustrated exploration of the creative, inclusive, and inspiring movement happening in today’s Southern interior design The American South is a place steeped in history and tradition. We think of sweet tea, thick drawls, and even thicker summer air. It is also a place with a fraught history, complicated social norms, and dated perspectives. Yet among the makers and artists of the South, there is a powerful movement afoot. Alyssa Rosenheck shines a much-needed spotlight on a burgeoning community of people who are taking what’s beloved, inherent, and honored in the South and making it their own. The New Southern Style tours more than 30 homes and includes interviews with the designers, artists, and creative entrepreneurs who are reinventing Southern design and culture. This beautifully illustrated book is sure to inspire the home and soul.

With the warmth and humor we've come to know, the creator and host of A Prairie Home Companion shares his own remarkable story. In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures. PHC lasted forty-two years, 1,557 shows, and enjoyed the freedom to do as it pleased for three or four million listeners every Saturday at 5 p.m. Central. He got to sing with Emmylou Harris and Renée Fleming and once sang two songs to the U.S. Supreme Court. He played a private eye and a cowboy, gave the news from his hometown, Lake Wobegon, and met Somali cabdrivers who’d learned English from listening to the show. He wrote bestselling novels, won a Grammy and a National Humanities Medal, and made a movie with Robert Altman with an alarming amount of improvisation. He says, “I was unemployable and managed to invent work for myself that I loved all my life, and on top of that I married well. That’s the secret, work and love. And I chose the right ancestors, impoverished Scots and Yorkshire farmers, good workers. I’m heading for eighty, and I still get up to write before dawn every day.”

'Ferocious, aching with compassion and cruelly brilliant.'– Kathleen Dunn, author of Geek Love Cass Neary is not afraid of living on the edge. A photographer whose shots of New York's punk scene in the seventies briefly earned her fame, caché, and a cultish kind of cool, Cass has spent much of her life since then in the dark, watching and waiting. But thirty years later she is alone, adrift, and falling rapidly into oblivion. So when an old acquaintance asks her to interview a fellow photographer – a notorious recluse who lives on an island off the coast of Maine – she accepts. There, she stumbles across a decades-old crime still claiming new victims. Amid this inhospitable hinterland, Cass comes to realise that her final shot might also be her shot at redemption. First published in 2007, Generation Loss is a mesmerizing literary crime thriller from the author of A Haunting on the Hill.

Meet fourteen-year-old Gary. A self-described "tree-toad,"a sly and endearing geek, Gary has many unwieldy passions, chief among them his cousin Kate, his Underwood typewriter and the soft-porn masterpiece, High School Orgies. The folks of Lake Wobegon don't have much patience for a kid's ungodly obsessions, and so Gary manages to filter the hormonal earthquake that is puberty and his hopeless devotion to glamorous, rebellious Kate through his fantastic yarns. With every marvellous story he moves a few steps closer to becoming a writer. And when Kate gets herself into trouble with the local baseball star, Gary also experiences the first pangs of a broken heart. With his trademark gift for treading "a line delicate as a cobweb between satire and sentiment"(Cleveland Plain Dealer), Garrison Keillor brilliantly captures a newly minted post-war America and delivers an unforgettable comedy about a writer coming of age in the rural Midwest.

Stories, essays, poems, and personal reminiscences from the sage of Lake Wobegon When, at thirteen, he caught on as a sportswriter for the Anoka Herald, Garrison Keillor set out to become a professional writer, and so he has done—a storyteller, sometime comedian, essayist, newspaper columnist, screenwriter, poet. Now a single volume brings together the full range of his work: monologues from A Prairie Home Companion, stories from The New Yorker and The Atlantic, excerpts from novels, newspaper columns. With an extensive introduction and headnotes, photographs, and memorabilia, The Keillor Reader also presents pieces never before published, including the essays “Cheerfulness” and “What We Have Learned So Far.” Keillor is the founder and host of A Prairie Home Companion, celebrating its fortieth anniversary in 2014. He is the author of nineteen books of fiction and humor, the editor of the Good Poems collections, and a member of the American Academy of Arts and Letters.

At a time when Abstract Expressionism prevailed and was identified as an American-abstract art, artists with a different vision adopted a less painterly and subjective approach. These?Minimal? artists attempted to remove expressive, narrative or symbolic interpretations for the viewer to concentrate on the qualities of form, colour, space and materials. To draw the viewer into a direct relationship with the artwork they created their own pictorial language, often based on the use of simple geometric forms and employed industrial materials.0The Marzona Collection was shown in a museum context in Vienna at the Museum Moderner Kunst Stiftung Ludwig in 1995, then during the 2001 Venice Biennale at Villa Manin (and also in the Kunsthalle Bielefeld) and has been on long-term loan to the Staatliche Museen zu Berlin.00Exhibition: Galerie Thaddaeus Ropac - Ely House, London, UK (28.04.-29.07.2017)).