The Dawn A Monthly Monthly Magazine, Edited And Run By Satis Chandra Mukherjee For Sixteen Years From 1897 To 1913, Holds A Unique Place In The History Of Modern India.

Biography of a Book traces the life of an iconic Australian literary work in the lead-up to, and for a century after, its initial publication: Henry Lawson's 1896 collection While the Billy Boils. Paul Eggert follows Lawson's gradual development of a pared-back bush realism in the early 1890s, as he struggled to forge a career, writing short stories and sketches for the newspapers. Lawson's famous collection came out at a decisive moment for the development of a fully professional Australian literary publishing industry, then in its infancy in Sydney. The volume's editing, design and production were collaborative events that changed the feel and nature of Lawson's writing. He had to give ground on his texts and their sequencing. The collection went on to be reprinted and repackaged countless times. Its production and reception histories act like a geological cross-section, revealing the contours of successive cultural formations in Australia. In unravelling the life of Lawson's classic work Eggert's book-historical approach challenges and clarifies established understandings of crucial moments in Australian literary history and of Lawson himself

Following the sinking of the USS Maine in Havana Harbor in 1898, pro-war arguments in the American press led public opinion to favor engaging in the Spanish-American War--or so goes the popular version of events. Yet there was a substantial anti-imperialist segment of the public that tried to halt the advance towards conflict. Drawing on contemporary sources, the author analyzes the anti-war arguments that preceded the Spanish-American War and continued during the war in the Philippines. News articles, letters to editors, opinion pieces and the yellow journalism of the day show how anti-war groups ultimately failed to stop a war with Spain.

This work examines in detail the world of travelogues of a highly interesting culture-universe: the Bengali bhadralok. A travelogue is usually a crucial political/aesthetic text. Its very fabric is structured in space and power - it creates, relates, compares and contrasts spaces and powers. Bengalis travelling to Europe in the colonial period felt compelled to produce such texts. An analysis of these works from a historian's angle provides crucial windows to the colonised mind striving for self-definition. Trailokyanath Mukherjee, Romesh Chandra Dutt, Krishnabhabini Das, Swami Vivekananda, Rabindranath Tagore and other travellers aimed to demystify the myth of Europe by establishing physical contact. Their depictions of the reality of the colonial metropolis served as acts of self-assertion, dislocating England from its position of centrality. Simonti Sen studies in detail the conflicted narratives of minds that aimed to reconcile a Western education with an incipient sense of national self. In doing so, she raises issues regarding national definition which are as relevant today as they were a century ago. This work would appeal to readers interested in the history of India and, in particular, of Bengal; it would also appeal to those involved in literature and cultural studies.

The entrepreneur of phonograph concerts and motion-picture programs Lyman H. Howe was the leading traveling exhibitor of his time and the exemplar of an important but until now little examined aspect of American popular culture. This work, with its numerous and lively illustrations, uses his career to explore the world of itinerant showmen, who exhibited all motion pictures seen outside large cities during the 1890s and early 1900s. They frequently built cultural alliances with genteel city dwellers or conservative churchgoers and in later years favored "high-class" topics appealing to audiences uncomfortable with the plebeian nickelodeons. Bridging the fields of American studies and film history, the book reveals the remarkable sophistication with which exhibitors created their elaborate, evening-length programs to convey powerful ideological messages. Whether depicting the Spanish-American War, the 1900 Paris Exposition, or British colonialism in action, Howe's "cinema of reassurance" had many parallels with the music of John Philip Sousa. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.