A sweeping saga of two brothers locked in combat in colonial 1940s Burma, where an ancient magic will decide their fate, and that of the whole country.

An innovative author of verse romance, Chretien de Troyes wrote in northern France between 1170 and 1190. Credited with the first Arthurian romance, he composed five works set in King Arthur's court, culminating with an unfinished masterpiece, the Conte del Graal (Story of the Grail). This text is the first to mention the banquet serving dish that became the Holy Grail in early efforts to rewrite or complete the text. This book focuses on the Conte's narrative depiction of mirrors real and metaphorical: shining armor, a polished golden eagle, the Grail itself, St. Paul's enigmatic looking glass, the blood drops in snow in which Perceval sees the face of his beloved. The last chapter joins the controversy over Chretien's intended conclusion, and proposes a climactic ending in which Perceval, heir to the Grail kingdom, confronts his double, Gawain, heir to Arthur's Logres.

Akayzia Adams, a feisty 12 year old girl from the East End of London, is at Old Winsome's Academy in the magical world called the Inner Lands. She and her friends are looking forward to a relaxed and happy summer term after their recent battle with the Masterdragon Thargrond. But the school mirrors keep doing odd things. And before long Akayzia is caught up in a tangled web of mystery being spun by the Shadowmaker, the Witch Haggritta and their helpers. The search for an answer takes her into three worlds of magic.

THE THIRD BOOK IN A GRIPPING NEW FANTASY ADVENTURE SERIES FROM NEW YORK TIMES BESTSELLING AUTHOR A. J. HARTLEY. For Darwen Arkwright, being able to travel through mirrors makes him special. But what if his gift won’t last for ever? When the world beyond the mirror is threatened, Darwen Arkwright, together with friends Rik and Alex, must go in search of allies to join the fight to defeat Greyling and his growing army of monsters. But in a world of mirrors things may not always be as they first appear, and when the battle lines are drawn, how will Darwen know who are his friends and who are his enemies? The problem with doors is that they open both ways. There are monsters inside, and some of them are trying to get out . . . “Magical, inventive and hugely entertaining. This is a wonderfully written, delightful story, full of diverse characters, from a hugely talented author. Highly welcome and recommended” - Bali Rai

In an important contribution to African American film and performance history, Stephanie Batiste looks back at African American stage and screen productions of the 1930s.

This wide-ranging collection of essays contains unexplored themes and theoretical orientations centering on racism and spatial dimensions; the transnational and political Wright; Wright and masculinity, Wright and the American 1950s and 1960s; and some of the first analyses of Wright's recently published A Father ' s Law (2008).