A supernatural take on World War II espionage featuring a girl with the ability to possess other bodies.

In 1940s Europe, a group of Allied spies try to track down a dangerous force that seems to jump from body to body, leaving nothing behind but a bloody trail and questions. Europe, December 1942. The global conflict has reached a fever pitch. The Nazis are at the height of their power, but the Allies have had their first victories both in Stalingrad and in the Pacific. Never has the war’s outcome been so much in doubt. Amidst this chaos, the destinies of several men will cross through a project code named "Legion," which consists of a series of horrific tests that a young Romanian girl with apparent supernatural abilities must undergo. Her 'skills,' if fully exploited by the Nazis, would give them unimaginable power…

For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction. Power and Pathos is published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The catalogue is abundantly illustrated, including multiple views of each sculpture."--BOOK JACKET.

Excerpt from The Dancing Faun Geraldine, ' cried her mother, from the other end of the drawing-room, come and sing to us, my dear. Mr. Clausen has not heard your voice since your return from Paris.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In Pompeii's beautiful House of the Vettii, thirteen-year-old Ariana works as a kitchen slave. Unbeknownst to her, she is the daughter of her master, Claudius Vettius, a wealthy wine merchant. Ariana must deal with the smoldering jealousy of Claudius's wife, Julia, and the misplaced ardor of her half-brother, Marcus, a handsome teenage rebel. Not far from the House of the Vettii is the stately House of the Faun, notable for the bronze statue of a dancing faun, a mythical woodland creature, at the center of its spacious atrium. The master's son, Gaius, is almost fifteen, and hopes to follow in the footsteps of his father, an official in the city government. When Ariana is sent to the House of the Faun to serve as a maid, she and Gaius meet and fall in love. But they know that a slave girl and a government official's son have little chance of a future together. Numerous obstacles stand in their path, not the least of which is Marcus's jealousy. An absorbing and passionate tale, The House of the Faun tells a story of young love set against the intriguing backdrop of ancient Pompeii.