First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

* Score, photographs, and production details of one of this century's best-loved ballets * Includes rare archival material * Packaged with audio CD This work brings together the complete dance score of The Green Table--one of the most famous ballets of the 20th century--in Labanotation, along with music notation for the piano accompaniment and a complete recording of the accompaniment on CD. It also includes several essays about the work and its genesis, and many historic production photographs. This book is an important item for all colleges with dance programs to own in their libraries and for scholars interested in the study of contemporary dance.

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

This is a comprehensive history of the American dance troupe, the Joffrey Ballet, and a portrait of Robert Joffrey, the creative personality who inspired it. Written in anecdotal style, the book probes the complex relationship which exists between a culture and its artists.

Peter Wright has been a dancer, choreographer, teacher, producer and director in the theatre as well as in television for over 70 years. In Wrights & Wrongs, Peter offers his often surprising views of today's dance world, lessons learned – and yet to learn – from a lifetime's experience of ballet, commercial theatre and television. Peter started his career in wartime, with the Kurt Jooss company. He has worked with such greats as Pina Bausch, Margot Fonteyn, Rudolf Nureyev, Marcia Haydée, Richard Cragun, Monica mason, Karen Kain, Miyako Yoshida and Carlos Acosta - as well as today's generation of starts including Alina Cajocaru, Marianela Nunez, Natalia Osipova and Lauren Cuthbertson. While now regarded as part of the British ballet establishment, for many years Peter developed his career outside London, particularly in Germany with John Cranko's Stuttgart Ballet. That distance gives him a unique and unrivalled view on ballet companies. His close association with choreographers Frederick Ashton, Ninette de Valois, founder of the Royal Ballet, Kenneth MacMillan and David Bintley gives Peter an authoritative perspective on British ballet. Wrights and Wrongs includes black-and-white photographs from Wright's career, and as Exeunt magazine comments: 'Anyone with an interest in British ballet will find plenty to occupy them in Wright's book... the many dramas and delights of his life in dance spring forth from the page with brio.'

A one-time limited printing of 1,000 copies, this new book features a major dance of Paul Taylor’s per page – 59 in all – with a beautiful full-color photo for each. This beautiful tribute is filled with commentary by dance experts Robert Gottlieb and Susan Carbonneau, and additional text by Paul’s most famous dancers, and by Paul himself, including a letter from Paul to his dancers in 1974, published for the first time. The book is a 9’ x 12” paperback with French flap covers, and the front cover is a dramatic all-black matte cover.

The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.

Pina Bausch's work has had tremendous impact across the spectrum of late twentieth-century performance practice. It helped to redefine the possibilities of what both dance and theater can be. This edited collection presents a compendium of source material combined with contextual essays that serve as a base for the study of Pina Bausch's performance work. Edited by a renowned Bausch expert, Royd Climenhaga, it promises to help to open up Bausch's performative world for students, scholars and practitioners alike.