With this travel journal, readers can retrace Robert Langdon's footsteps and experience the mysteries that propel The DaVinci Code, the world's most popular novel.

Explores the locations, historic events, landmarks, people, and places found in "The Da Vinci Code."

As a commitment to witness, stimulate and record humanityÕs co-creation of paradise on earth, Jasmuheen shares her experiences and insights on this as she travels the globe during 2006 to 2012. From Russia and the Eastern Bloc countries, through Europe to the jungles of Colombia and India, Jasmuheen reports on her work with many open hearted groups that gather with her. In this journal the reader gains insight on what life is like for someone who is in full time service with this Ôparadise co-creationÕ agenda. Spending nearly half of each year on the road, living in hotel rooms, airports and seminar halls, constantly adjusting to continually changing weather patterns, all the while being nourished only by prana, Jasmuheen manages to keep herself healthy and happy regardless of the many challenges she faces for despite all of this she grows and learns and thoroughly enjoys meeting with all the beautiful light filled people that she now constantly meets in this world.

Don't forget a thing with this...Journal Lined Notebook Plaid Journal: The Classic, Unique, Fun, Creative Notebook is a well made with a matte cover complete with 120 pages of lined white paper which is ideal for those who want to write down their thoughtful memories, grateful expressions, everyday goals, thoughts that come to mind, book ideas, or just reminders Buy one for yourself, and an extra, as a gift for your mom, grandmother, aunt, friend, coworker, roommate, sister, father, brother, uncle, neighbor, wife, girlfriend, daughter, son, or bestie. ABOUT THIS ITEM: COVER: Beautifully designed, tough matte paperback cover. INTERIOR: This notebook includes 120 pages of quality, crisp white paper with a beautiful design that minimizes ink bleed-through PERFECT SIZE : 6x9 inch, easy for handwriting and carrying in your bag or backpack. MULTI-USE: Ideal choice for everyday/business/conference/travel/class/notebook/daily planner use. We have lots of great trackers and journals, so be sure to check out our other listings by clicking on the "Miloud Benz" link just below the title of this tracker. We will be very glad if you write reviews on our books - that will help us to grow further and create funny and interesting content

The Dan Brown Enigma is an insightful look into the world of Dan Brown that will not only enthral and entertain, but will unlock the secrets of one of the world's most exciting and enigmatic writers. Dan Brown is already one of the bestselling authors that the world has ever seen.Due to the success of his gripping novels Digital Fortress, Deception Point, Angels and Demons, The Da Vinci Code and The Lost Symbol, he has become a household name. But how did he achieve this? What's his secret? This in-depth biography reveals how, with a heady mix of science, religion, fact and fiction, he has captured the public's imagination and secured his place in the history of the popular thriller. Despite his enormous success, Dan Brown is an unassuming man. This book includes a look at his early years -- long before the fame and fortune that came with the success of The Da Vinci Code -- when he was a musician, teacher and writer of humour titles. It also examines the crucial role that his wife, Blythe Brown, plays in his life and work. His skilful storytelling, with its intricate, twisting plotlines, is certainly something that sets him apart from other thriller writers. The Dan Brown Enigma also looks at his extraordinary attention to detail and reveals how important research is to each of his books. Through hours and hours of careful study, he brings to light ancient rites and rituals that are buried deep within our collective subconscious. This combination of Brown's imagination with the secret truths, myths and legends from a variety of ancient institutions -- including the Freemasons and the Catholic Church -- are perhaps why his novels are so successful...and, at times, controversial.

#1 New York Times bestselling author Dan Brown makes his picture book debut with this mindful, humorous, musical, and uniquely entertaining book! The author will be donating all US royalties due to him to support music education for children worldwide, through the New Hampshire Charitable foundation. Travel through the trees and across the seas with Maestro Mouse and his musical friends! Young readers will meet a big blue whale and speedy cheetahs, tiny beetles and graceful swans. Each has a special secret to share. Along the way, you might spot the surprises Maestro Mouse has left for you- a hiding buzzy bee, jumbled letters that spell out clues, and even a coded message to solve! Children and adults can enjoy this timeless picture book as a traditional read-along, or can choose to listen to original musical compositions as they read--one for each animal--with a free interactive smartphone app, which uses augmented reality to play the appropriate song for each page when a phone's camera is held over it.

This practical, accessible resource will help future and practicing teachers integrate literature into their middle school or high school classrooms, while also addressing content area standards and improving the literacy skills of their students. Two introductory chapters are followed by five chapters that each cover a different genre: Chapter 3, Informational Books; Chapter 4, Fiction; Chapter 5, Biography, Autobiography, and Memoir; Chapter 6, Poetry; and Chapter 7, How-to and Hands-on Books. Each genre chapter consists of four parts: Part 1: Discusses the genre and how content area teachers can use books within that genre to further content learning and enhance literacy skills. Part 2: Offers hands-on instructional strategies and activities using literature, with activities for use in a variety of disciplines. Part 3: Presents individual author studies (three or four per chapter) with bibliographies and guidelines for using the authors' books in content area courses. Part 4: Features an annotated bibliography of specially selected children and young adult literature for that genre, organized by content area. The annotations provide information about the book, which can be used to prepare booktalks, and teaching ideas for using in a specific content area. Altogether these sections contain more than 600 annotated entries tabbed by subject area, including art, English/language arts, languages and culture, math and technology, music, PE/health, science, and social studies/history.

Before the multi-million, runaway bestseller The Da Vinci Code, Dan Brown set his razor-sharp research and storytelling skills on the most powerful intelligence organization on earth--the National Security Agency (NSA)--in this thrilling novel, Digital Fortress. When the NSA's invincible code-breaking machine encounters a mysterious code it cannot break, the agency calls its head cryptographer, Susan Fletcher, a brilliant and beautiful mathematician. What she uncovers sends shock waves through the corridors of power. The NSA is being held hostage...not by guns or bombs, but by a code so ingeniously complex that if released it would cripple U.S. intelligence. Caught in an accelerating tempest of secrecy and lies, Susan Fletcher battles to save the agency she believes in. Betrayed on all sides, she finds herself fighting not only for her country but for her life, and in the end, for the life of the man she loves. From the underground hallways of power to the skyscrapers of Tokyo to the towering cathedrals of Spain, a desperate race unfolds. It is a battle for survival--a crucial bid to destroy a creation of inconceivable genius...an impregnable code-writing formula that threatens to obliterate the post-cold war balance of power. Forever.

A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.