The aim of the author of this book is to bring home not only to researchers, but to every kind of audience the repercussions of a literary topic that was an essential part of Classical education and, even more, a crucial subject in and outside the academic world. In ancient Greece and Rome, the Cycle of Troy was viewed as an essential compilation of information and educational models which was a vivid testimony throughout the history of Greek and Roman influence. Yet in the middle Ages, Trojan myths, just as with those concerning other characters like Hercules or Jason, were transformed into models of human behaviour, i.e. underwent the process of “moralization”. We say “Moralitee” to point out how Geoffrey Chaucer recreates those myths. Although we will extensively discuss how Chaucer recreates the Trojan myths in his works, we can anticipate what the reader will find. Chaucer manipulates his material from a multifold point of view: first of all, Chaucer was a man of his times, an unquiet mind and personality who always plays different games with that material. We might consider heroic the fact that Chaucer would pour out on his work the great background that the European writers (mainly Boccaccio, Dante, and Petrarch) supplied him (we will remember how difficult collecting information was in a period of vast lack of what we might call “media”). Come what may, he projects his wisdom to stress the most surmounting aspects of the formal characterization of the myths, and integrates them into the proper contexts of his works, as one of the key forces that the audience is expected to revive with the knowledge that it is supposed to own.

An extremely thorough, expertly compiled and crisply annotated comprehensive bibliography of Chaucer scholarship between 1997 and 2010

A study of time in Chaucer's major works. Geoffrey Chaucer wrote at a turning point in the history of timekeeping, but many of his poems demonstrate a greater interest in the moral dimension of time than in the mechanics of the medieval clock. Chaucer and the Ethics of Time examines Chaucer's sensitivity to the insecurity of human experience amid the temporal circumstances of change and time-passage, as well as strategies for ethicising historical vision in several of his major works. While wasting time was occasionally viewed as a sin in the late Middle Ages, Chaucer resists conventional moral dichotomies and explores a complex and challenging relationship between the interior sense of time and the external pressures of linearism and cyclicality. Chaucer's diverse philosophical ideas about time unfold through the reciprocity between form and discourse, thus encouraging a new look at not only the characters' ruminations on time in the tradition of St Augustine and Boethius, but also manifold narrative sequences and structures, including anachronism.

Heracles is the quintessential ancient Greek hero. The rich and massive tradition associated with him encompasses myths of all kinds: quest myths, monster-fights, world-foundational myths, aetiological myths, philosophical myths, allegorical myths, and more. It informs and is informed by every genre and variety of Classical literature. The figure of Heracles opens windows onto numerous aspects of ancient religion, including those of cult, syncretism, Christian reception, the relationship between gods and heroes, and the intersection of religion with politics. The Oxford Handbook of Heracles is the first large-scale guide to Heracles, his myth-cycle the Twelve Labors, and, to the pervasive impact of the hero upon Greek and Roman culture. The first half of the volume is devoted to the lucid exposition and analysis of the ancient evidence, literary and iconographic, for Heracles' life and deeds. In the second half, the Heracles tradition is analyzed from a range of thematic perspectives, including the contrasting projections of the figure across the major literary genres and in art; the ways in which Greek communities and even Roman emperors exploited the figure in the fashioning of their own identities and for political advantage; his cult in Greece and Rome and its syncretism with that of the Phoenician Melqart; and Heracles' reception in later Western tradition. Presenting, in 39 chapters, the authoritative work of international experts in a clear and well-structured format, this volume provides a convenient reference tool for scholars and offers an accessible starting-point for students.

The present volume is intended as a scientific conversation between pioneering research and the traditionally leading disciplines of medievalism. With that aim, the collection presents a selection of crucial essays to add to contemporary discussion which, however convergent and synchronous in approach, also pull in heterogeneous distinct ways and enhance the multiple perspectives which are currently embraced in the study of English medievalism. The chapters, fifteen in all, constitute a peer-reviewed selection of papers presented at the 22nd International Conference of the Spanish Society for Mediaeval English Language and Literature (SELIM), which brought together a large number of scholars worldwide, and was held at the Department of Modern Languages of the University of La Rioja in 2010. A brief glance at the book’s contents evinces the manifestly plural ways in which the English Middle Ages, the mesmerising media tempestas, are being addressed in current critical debate, from the diverse areas of linguistics, literature, teaching methodology and translation. In all, the book becomes exceptional witness to all these developments, being not foolhardy to predict that the dark old ages provide, as ever, foundations for stimulating new highlights and ideas.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The purpose of this volume is to offer a number of scholarly papers dealing with various aspects of medieval English language and literature. Voices on Medieval is organised in three main sections, according to contents: (1) medical and scientific texts and manuscripts, (2) language and linguistics, and (3) literature and culture. Bibliographic references and primary sources are given after each article, preceding the notes. We have devoted a special section to studies which portray ongoing research in the field of scientific and medical manuscripts. These essays correspond to a reflection of projects and individual work currently carried out in different European research centres and universities, such as in the Department of English of the University of Helsinki, in the Department of Modern Philology of the University of Las Palmas de Gran Canaria, and in the Department of English of the University of Málaga. This special section will represent, we hope, a further contribution to the field and, also, to the forthcoming titles by Irma Taavitsainen and Päivi Pahta Medical and Scientific Writing in Late Medieval English (OUP) and Corpus of Middle English Medical Texts (John Benjamins).

This volume offers an overview of the rich narrative material circulating in the medieval Mediterranean. As a multilingual and multicultural zone, the Eastern Mediterranean offered a broad market for tales in both oral and written form and longer works of fiction, which were translated and reworked in order to meet the tastes and cultural expectations of new audiences, thus becoming common intellectual property of all the peoples around the Mediterranean shores. Among others, the volume examines for the first time popular eastern tales, such as Kalila and Dimna, Sindbad, Barlaam and Joasaph, and Arabic epics together with their Byzantine adaptations. Original Byzantine love romances, both learned and vernacular, are discussed together with their Persian counterparts and with later adaptations of western stories. This combination of such disparate narrative material aims to highlight both the wealth of medieval storytelling and the fundamental unity of the medieval Mediterranean world. Contributors are Carolina Cupane, Faustina Doufikar-Aerts, Massimo Fusillo, Corinne Jouanno, Grammatiki A. Karla, Bettina Krönung, Renata Lavagnini, Ulrich Moennig, Ingela Nilsson, Claudia Ott, Oliver Overwien, Panagiotis Roilos, Julia Rubanovich, Ida Toth, Robert Volk and Kostas Yiavis.