James Denis gives Captain Lacey a task, to deliver a mysterious package to a man with an office near the Custom House on the bank of the Thames. Lacey, who has been drawn into danger delivering items for Denis before, opens the package to find a single chess piece, a white queen. The piece tells Lacey nothing, but he soon realizes it plays deeply into Denis’s ongoing battle for control of London’s underworld. Meanwhile Lacey encounters an old army friend just returned from Antigua, who is being accused of smuggling and possibly murder. Lacey decides to help the man, whom he considers honorable, to clear his name. But Lacey is drawn farther into the dark games of James Denis and his rival, until only his wits and memories from his past can save himself and his family from gravest danger. Book 15 of the Captain Lacey Regency Mysteries

ondon 1816 After rescuing a lovely woman from an attempted robbery, Captain Lacey discovers that she's the widow of a colonel who had been accused of murdering an English officer during the recent war. Lydia declares that her husband was innocent and that she knows the true culprits' identities. Intrigued, Lacey begins to investigate, and soon finds himself mired in scandals past and present. Book 2 of the Captain Lacey Regency Mysteries. This is a full-length novel.

Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars to begin solving crimes that go unnoticed by the Bow Street Runners, which take him from the mansions of Mayfair to the backstreets of London's rookeries. On a cold January night in 1817, former cavalry officer Captain Gabriel Lacey is summoned to the banks of the Thames to identify the body of a young woman. When Lacey looks down at the pretty, dead young woman, cut down too soon, he vows to find her murderer. Lacey's search takes him to the Glass House, a sordid gaming hell that played a large part in the victim's past, as well as to gatherings of the haut ton and the chambers of respectable Middle Temple barristers. Lacey uncovers secrets from the highborn and the low, finds himself drawn deeper into the schemes of a crime lord, and explores his tenuous new friendship with Lady Breckenridge.

September, 1940. With London having endured the Blitz for nearly a month, people are calling for vengeance, but once again the night heralds more destruction. In Custom House, anxious residents dutifully head to the nearest public air-raid shelter as the warning siren wails. When dawn brings the all-clear, people disperse, but one man remains -- he is dead, stabbed through the heart. Detective Inspector John Jago discovers that the victim was a pacifist. But why, then, was he carrying a loaded revolver in his pocket?

Captain Lacey must clear Brewster of a murder near his home in St. Giles, one that points to Brewster's pugilist past. Meanwhile, trouble comes to Lacey's home in the form of Donata's late husband's family.

“Delightful...Fans of Victoria Thompson or Deanna Raybourn are sure to enjoy dipping into this historical series.”—Library Journal With the dawn of the twentieth century on the horizon, the fortunes of the venerable Vanderbilt family still shine brightly in the glittering high society of Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance. . . Responding to a frantic call on her newfangled telephone from her eighteen-year-old cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress--Consuelo's mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo of a happy future. But the future is short-lived for the fortune teller, who is found dead by her crystal ball, strangled with a silk scarf. Standing above her is one of the Vanderbilts' maids, who is promptly taken into police custody. After the frenzy has died down, Consuelo is nowhere to be found. At Alva's request, Emma must employ her sleuthing skills to determine if the vanishing Vanderbilt has eloped with the beau of her choice--or if her disappearance may be directly connected to the murder. . .

Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars to begin solving crimes that go unnoticed by the Bow Street Runners, which take him from the mansions of Mayfair to the backstreets of London's rookeries. As Captain Gabriel Lacey prepares for his upcoming wedding, his former neighbor, Marianne Simmons, asks for his help to find an actress friend who’s gone missing. Lacey agrees to help look for the actress, little realizing that the search will pit him against men who think nothing of abduction, assault, or sending incendiary devices to the innocent. At the same time, Lacey’s personal life is changing, and his time for investigation is frequently and frustratingly interrupted. He is also commanded by a new Bow Street Runner to assist in bringing down James Denis, a criminal with whom Lacey now has complicated ties. Lacey must help or else risk hanging alongside Denis. The search for the actress takes Lacey from elegant assembly rooms to the backstage of the Theatre Royal in Drury Lane, where he finds darkness in all corners. Lacey’s life and honor are constantly challenged as he tries to settle into his new life, until he realizes he can follow no code but his own.

Lucie Montgomery is the only member of her family opposed to the sale of the family's vineyard, and therefore the next possible victim of a greedy murderer.

The most pivotal and yet least understood event of Frank Lloyd Wright’s celebrated life involves the brutal murders in 1914 of seven adults and children dear to the architect and the destruction by fire of Taliesin, his landmark residence, near Spring Green, Wisconsin. Unaccountably, the details of that shocking crime have been largely ignored by Wright’s legion of biographers—a historical and cultural gap that is finally addressed in William Drennan’s exhaustively researched Death in a Prairie House: Frank Lloyd Wright and the Taliesin Murders. In response to the scandal generated by his open affair with the proto-feminist and free love advocate Mamah Borthwick Cheney, Wright had begun to build Taliesin as a refuge and "love cottage" for himself and his mistress (both married at the time to others). Conceived as the apotheosis of Wright’s prairie house style, the original Taliesin would stand in all its isolated glory for only a few months before the bloody slayings that rocked the nation and reduced the structure itself to a smoking hull. Supplying both a gripping mystery story and an authoritative portrait of the artist as a young man, Drennan wades through the myths surrounding Wright and the massacre, casting fresh light on the formulation of Wright’s architectural ideology and the cataclysmic effects that the Taliesin murders exerted on the fabled architect and on his subsequent designs. Best Books for General Audiences, selected by the American Association of School Librarians, and Outstanding Book, selected by the Public Library Association

The Sunday Times bestseller and the definitive story behind the ITV factual drama White House Farm, about the horrific killings that took place in 1985. On 7 August 1985, Nevill and June Bamber, their daughter Sheila and her two young sons Nicholas and Daniel were discovered shot to death at White House Farm in Essex. The murder weapon was found on Sheila's body, a bible lay at her side. All the windows and doors of the farmhouse were secure, and the Bambers' son, 24-year-old Jeremy, had alerted police after apparently receiving a phone call from his father, who told him Sheila had 'gone berserk' with the gun. It seemed a straightforward case of murder-suicide, but a dramatic turn of events was to disprove the police's theory. In October 1986, Jeremy Bamber was convicted of killing his entire family in order to inherit his parents' substantial estates. He has always maintained his innocence. Drawing on interviews and correspondence with many of those closely connected to the events – including Jeremy Bamber – and a wealth of previously unpublished documentation, Carol Ann Lee brings astonishing clarity to a complex and emotive case. She describes the years of rising tension in the family that culminated in the murders, and provides clear insight into the background of each individual and their relationships within the family unit. Scrupulously fair in its analysis, The Murders at White House Farm is an absorbing portrait of a family, a time and a place, and a gripping account of one of Britain's most notorious crimes.