"The Cursed Mirror: Rakel's Shadow" is an intriguing tale that will immerse you in a world of mystery and suspense from the very beginning. In the peaceful village of Nesjaverth, Rakel's life takes a sinister turn when a shadow in the mirror begins relentlessly pursuing her. As this shadow grows in power, Rakel finds herself losing control of her own existence. Dark secrets buried in her family's and community's past emerge to further taint her nightmare. Join Rakel on a journey filled with intrigue and mystery as she battles to free herself from the terrifying influence of her mirror. You will discover how her relationship with her loved ones fractures and how, alongside her best friend Margrét, her neighbor Gustav, and her loyal friend Jóhann, she embarks on a desperate struggle to regain her identity and sanity. In "The Cursed Mirror: Rakel's Shadow," the reader will be immersed in a world where reality and the supernatural intertwine in unexpected ways, and where the battle for survival and identity becomes a harrowing ordeal. This is a journey where shadows rise, secrets are revealed, and hope stirs amid the darkness.

In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.

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Commissario Soneri returns home for a hard-earned autumn holiday, hoping to spend a few days mushroom picking on the slopes of Montelupo. This isolated village relies on the salame factory founded in the post-war years by Palmiro Rodolfi, and now run by his son, Paride. On arrival, Soneri is greeted by anxious rumours about the factory's solvency and the younger Rodolfi's whereabouts. Not long afterwards, a decomposing body is found in the woods. In the shadow of Montelupo, carabinieri prepare to apprehend their chief suspect - an ageing woodsman who defended the same mountains from S.S. commandos during the war.

What are the most popular names of the Ambo people in Namibia? Why do so many Ambos have Finnish first names? What do the African names of these people mean? Why is the namesake so important in Ambo culture? How did the long independence struggle affect personal naming, and what are the latest name-giving trends in Namibia? This study analyses the changes in the personal naming system of the Ambo people in Namibia over the last 120 years, starting from the year 1883 when the first Ambos received biblical and European names at baptism. The central factors in this process were the German and South African colonisation and European missionary work on the one hand, and the rise of African nationalism on the other hand. Eventually, this clash between African and European naming practices led to a new and dynamic naming system which includes elements of both African and European origin.

The Book of Judith tells the story of a fictitious Jewish woman beheading the general of the most powerful imaginable army to free her people. The parabolic story was set as an example of how God will help the righteous. Judith's heroic action not only became a validating charter myth of Judaism itself but has also been appropriated by many Christian and secular groupings, and has been an inspiration for numerous literary texts and works of art. It continues to exercise its power over artists, authors and academics and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. It transforms our understanding across a wide range of disciplines. The collection includes new archival source studies, the translation of unpublished manuscripts, the translation of texts unavailable in English, and Judith images and music.

Rakel, once feared and exiled for possessing magic, is now hailed a hero. Leading resistance forces against the Chosen--an army of magic users that invaded her homeland--she is granted everything she has longed for: acceptance, a home, and the love of her friends. But the battle for her country has just begun.The Chosen's powerful leader, Tenebris Malus, has come north to aid his army. His troops pillage the villages and cities they cannot hold, and Rakel's brother--the King--refuses to rule. Most troubling of all, Rakel--who has always loved her magic--sees great similarities between herself and the deadly Tenebris.However, not all is lost as the Chosen Colonel Farrin Graydim questions his loyalties to his leader, and the attraction he holds for Rakel.Can Rakel's overcome her doubts and defeat Tenebris? Will Farrin choose to follow his heart or his loyalties?