Traditional Chinese edition of Carter Dickson's (writing as John Dickson Carr) vintage classic The Curse of the Bronze Lamp. In Chinese. Distributed by Tsai Fong Books, Inc.

John Dickson Carr is known as the master of the “locked-room” mystery—the “impossible crime.” But Carr also wrote short stories, radio plays, essays, introductions, and book reviews. S. T. Joshi has written the first full-length study of Carr’s entire work and pays particular attention to this author’s three best-known detectives: Henri Bencolin, Dr. Gideon Fell, and Sir Henry Merrivale.

A curse shall befall anyone who takes the bronze lamp out of Egypt, so a seer has said. Lady Helen Loring thinks such tales are sheer poppycock. She takes the lamp back to England, she places it on the mantelpiece at Serven Hall, and she disappears, just as the seer said.

A chilling Gothic tale of warped passion and bizarre murder by the master of the historical whodunit. Two women: one a vile old bawd, dead, it seemed, of fright; the other, Peg, a headstrong, ravishing young heiress. Their lives are linked by a mysterious portrait and a child's nursery rhyme - a rhyme that spells disgrace and death for the lusty young Peg unless her unwilling lover can trace the connection. 'No one is so consistently successful as Carr' New York Times Book Review

This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The book offers an historical, critical and theoretical exploration of horror radio and audio performance examining key areas such as writing, narrative, performance practice and reception throughout the history of that most unjustly neglected of popular art forms: radio drama and ‘spoken word’ auditory cultures. The volume draws on extensive archival research as well as insightful interviews with significant writers, producers and actors. The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio.