'The Curse of Minerva', which was written at Athens, and is dated March 17, 1811, remained unpublished, as a whole, in this country, during Byron's life-time. The arrangement which had been made with Cawthorn, to bring out a fifth edition of 'English Bards', included the issue of a separate volume, containing 'Hints from Horace' and 'The Curse of Minerva;' and, as Moore intimates, it was the withdrawal of the latter, in deference to the wishes of Lord Elgin or his connections, which led to the suppression of the other satires. Byron is regarded as one of the greatest British poets, and remains widely read and influential. He travelled widely across Europe, especially in Italy where he lived for seven years. Later in life, Byron joined the Greek War of Independence fighting the Ottoman Empire, for which many Greeks revere him as a national hero. He died one year later at age 36 from a fever contracted while in Messolonghi in Greece. Often described as the most flamboyant and notorious of the major Romantics, Byron was both celebrated and castigated in life for his aristocratic excesses, including huge debts, numerous love affairs with people of both sexes, rumours of a scandalous liaison with his half-sister, and self-imposed exile.

Examines the feminine, the domestic, the local, collective, sentimental and novelistic in the Romantic literary canon. This book questions romanticism, suppression of the feminine, the material, and the collective, and its opposition to readings centering on these concerns.

A scathing poetic indictment of Lord Elgin's removal of the Parthenon Marbles from Greece, written by the great Romantic poet Lord Byron. Originally published in 1811 as part of Byron's satirical poem 'The Curse of Minerva, ' this work is a powerful critique of cultural plunder and imperialism. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.