Examinations of the culture - artistic, material, musical - of English monasteries in the six centuries between the Conquest and the Dissolution. The cultural remains of England's abbeys and priories have always attracted scholarly attention but too often they have been studied in isolation, appreciated only for their artistic, codicological or intellectual features and notfor the insights they offer into the patterns of life and thought - the underlying norms, values and mentalité - of the communities of men and women which made them. Indeed, the distinguished monastic historian David Knowles doubted there would ever be sufficient evidence to recover "the mentality of the ordinary cloister monk". These twelve essays challenge this view. They exploit newly catalogued and newly discovered evidence - manuscript books, wall paintings, and even the traces of original monastic music - to recover the cultural dynamics of a cross-section of male and female communities. It is often claimed that over time the cultural traditions of the monasteries were suffocated by secular trends but here it is suggested that many houses remained a major cultural force even on the verge of the Reformation. James G. Clark is Professor of History at the University of Exeter. Contributors: DAVID BELL, ROGER BOWERS, JAMES CLARK, BARRIE COLLETT, MARY ERLER, G. R. EVANS, MIRIAM GILL, JOAN GREATREX, JULIAN HASELDINE, J. D. NORTH, ALAN PIPER, AND R. M. THOMSON.

"An extremely interesting and important book... makes an important contribution to the history of medieval monastic spirituality in a formative period, whilst also fitting into wider debates on the origins, development and impact of ideas on crusading and holy war." Dr William Purkis, University of Birmingham Monastic culture has generally been seen as set apart from the medieval battlefield, as "those who prayed" were set apart from "those who fought". However, in this first study of the place of war within medieval monastic culture, the author shows the limitations of this division. Through a wide reading of Latin sermons, letters, and hagiography, she identifies a monastic language of war that presented the monk as the archetypal "soldier of Christ" and his life of prayer as a continuous combat with the devil: indeed, monks' claims to supremacy on the spiritual battlefield grew even louder as Church leaders extended the title of "soldier of Christ" to lay knights and crusaders. So, while medieval monasteries have traditionally been portrayed as peaceful sanctuaries in a violent world, here the author demonstrates that monastic identity was negotiated through real and imaginary encounters with war, and that the concept of spiritual warfare informed virtually every aspect of life in the cloister. It thus breaks new ground in the history of European attitudes toward warfare and warriors in the age of the papal reform movement and the early crusades. Katherine Allen Smith is Assistant Professor of History, University of Puget Sound.

Monasticism, in all of its variations, was a feature of almost every landscape in the medieval West. So ubiquitous were religious women and men throughout the Middle Ages that all medievalists encounter monasticism in their intellectual worlds. While there is enormous interest in medieval monasticism among Anglophone scholars, language is often a barrier to accessing some of the most important and groundbreaking research emerging from Europe. The Cambridge History of Medieval Monasticism in the Latin West offers a comprehensive treatment of medieval monasticism, from Late Antiquity to the end of the Middle Ages. The essays, specially commissioned for this volume and written by an international team of scholars, with contributors from Australia, Belgium, Canada, England, France, Germany, Italy, the Netherlands, Spain, Switzerland, and the United States, cover a range of topics and themes and represent the most up-to-date discoveries on this topic.

Highly Commended in the Longman-History Today Book of the Year Prize 2007 The patronage of Benedictine art and architecture, and the circumstances that made it possible and desirable, reveal much about the ambitions, beliefs and allegiances of both the order and those who interacted with it; moreover, analysis of such patronage also improves our understanding of some of the most important and beautiful buildings, sculpture, illuminated manuscripts, stained glass and other artefacts surviving from the middle ages.In this survey, focussing on the Benedictine monasteries and nunneries in south-west England (including Glastonbury) during the 240 years leading up to the dissolution of the religious orders under Henry VIII, the author discusses the question in terms of 'internal' practice, initiated by Benedictine monks and nuns, and 'external' practice, for which non-monastic agents were responsible; and analyses the historical circumstances affecting the commission and the purchase of art and architecture. Throughout, he takes care to situate the study of buildings and their embellishment within the broader context of Benedictine culture. The text is lavishly illustrated with forty-five black and white plates of art, architecture and documents, many of which have not previously been reproduced. Dr JULIAN M. LUXFORD is Lecturer at the School of Art History, St Andrews University.

There has long been a tendency among monastic historians to ignore or marginalize female participation in monastic life, but recent scholarship has begun to redress the balance, and the great contributions made by women to the religious life of the Middle Ages are now attracting increasing attention. This interdisciplinary volume draws together scholars from Spain, Italy, France, the Low Countries, Germany, Transylvania, Scandinavia, and the British Isles, and offers new insights into the history, art history, and material culture, and the religiosity and culture of medieval religious women. The different chapters within this book take a comparative approach to the emergence and spread of female monastic communities across different geographical, political, and economic settings, comparing and contrasting houses that ranged from rich, powerful royal abbeys to small, subsistence priories on the margins of society, and exploring the artistic achievements, the interaction with neighbours and secular and ecclesiastical authorities, and the spiritual lives that were led by their inhabitants. The contributors to this volume address issues as diverse as patronage and relationships with the outside world, organizational structures, the nature of Cistercian observance and identity among female houses, and the role of male authority, and in doing so, they seek to shed light on the divergences and commonalities upon which the female religious life was based.

The first account of the dissolution of the monasteries for fifty years--exploring its profound impact on the people of Tudor England "This is a book about people, though, not ideas, and as a detailed account of an extraordinary human drama with a cast of thousands, it is an exceptional piece of historical writing."--Lucy Wooding, Times Literary Supplement Shortly before Easter, 1540 saw the end of almost a millennium of monastic life in England. Until then religious houses had acted as a focus for education, literary, and artistic expression and even the creation of regional and national identity. Their closure, carried out in just four years between 1536 and 1540, caused a dislocation of people and a disruption of life not seen in England since the Norman Conquest. Drawing on the records of national and regional archives as well as archaeological remains, James Clark explores the little-known lives of the last men and women who lived in England's monasteries before the Reformation. Clark challenges received wisdom, showing that buildings were not immediately demolished and Henry VIII's subjects were so attached to the religious houses that they kept fixtures and fittings as souvenirs. This rich, vivid history brings back into focus the prominent place of abbeys, priories, and friaries in the lives of the English people.

This volume examines Carthusian history and culture of the later Middle Ages, with a primary but not exclusive focus on the English Province.

Offering a social archaeology of lesser monastic sites, this book incorporates a description and analysis of excavated remains and extant structures, a review of the relationship between historical and archaeological enquiry and a theoretical investigation of the nature of material culture and religious belief. Its main focus is on the social and economic functions defined spatially within sites and evidence is drawn from a wide range of sources: topographical setting and landscape management; structural evidence from excavated deposits and standing fabric; iconography; environmental evidence and human remains from excavated cemetaries.

Forges innovative connections between monastic archaeology and heritage studies, revealing new perspectives on sacred heritage, identity, medieval healing, magic and memory. This title is available as Open Access.

Monasticism became part of Europe from the early period of Christianity on the continent and developed into a powerful institution that had an effect on the greater church, on wider society, and on the landscape. Monastic communities were as diverse as the societies in which they lived, following a variety of rules, building monasteries influenced by common ideals and yet diverse in their regionalism, and contributing to the economic and spiritual well-being inside and outside their precincts. This interdisciplinary volume presents the diversity of medieval European monasticism with a particular emphasis on its impact on its immediate environs. Geographically it covers from the far west in Ireland, Scotland and Wales through Scandinavia, south to the Iberian Peninsula, and onto the continent to the east in Romania. Drawing on archaeological, art and architectural, textual and topographical evidence, the contributors explore how monastic communities were formed, how they created a landscape of monasticism, how they wove their identities with those around them, and how they interacted with all levels of society to leave a lasting imprint on European towns and rural landscapes.