The African country of Egypt was the center of one of the first human civilizations. Just looking at photographs of ancient Egyptian pyramids, jewelry, and even mummies shows how imaginative and intelligent the ancient Egyptians really were. Today, Egypt is still a source of beauty and creativity. The crafts featured in this book include a tambourine, a papyrus scroll, and even a death mask! Readers are sure to enjoy learning about the Egyptian culture while learning about traditional Egyptian crafts at the same time. Colorful photographs and step-by-step instructions accompany the curriculum-based text to reinforce learning.

Many traditional crafts practiced in contemporary Egypt can be traced back hundreds, if not thousands, of years. Scenes inscribed on the walls of ancient temples and tombs depict the earliest Egyptians making pottery and papyrus and working with stone, wood, and other materials. The eleven chapters of this volume explore these and other crafts that continue to flourish in Egypt. From copper and glass works to jewelry, woodwork, and hand-woven carpets and fabric, each chapter offers an in-depth look at one material or craft and the artisans who keep its traditions alive. The authors, drawing on historical sources and documentary research, sketch the evolution of each craft, looking into its origins, the development of tools and methods used in the craft, and the diverse influences that have shaped the form and function of craft items produced today, ranging widely through the pharaonic, Coptic, Islamic, and modern periods. This historical examination is complemented by extensive field research and interviews with craftsmen and women, which serve to set these crafts into a living cultural context and offer a window into the modern craft economy, the lives of craftspeople, and the local communities and traditions they express and sustain. The volume is amply illustrated with vivid photographs of contemporary craft items and artisans at work, from the coastal town of Damietta to the far-flung deserts and the ancient alleyways of Cairo. It is a narrative and visual tour that provides valuable insight into contemporary Egypt as seen through its material culture and the legions of unsung artists who nourish and enrich it.

"Crafts were central to daily life in early modern Japan. They were powerful carriers of knowledge, sociality, and identity, and how and from what materials they were made were matters of serious concern among all classes of society. In Craft Culture in Early Modern Japan, Christine M. E. Guth examines the network of forces--both material and immaterial--that supported Japan's rich, diverse, and aesthetically sophisticated artifactual culture between the late sixteenth and mid-nineteenth centuries. Exploring the institutions, modes of thought, and reciprocal relationships among people, materials, and tools, she draws particular attention to the role of women in crafts, embodied knowledge, and the special place of lacquer as a medium. By examining the ways and values of making that transcend specific media and practices, Guth illuminates the 'craft culture' of early modern Japan"--

Instructions for drawing Egyptian images and symbols.

"An expansive and captivating history of an often overlooked traditional art"—Egyptian Streets In the crowded center of Historic Cairo lies a covered market lined with wonderful textiles sewn by hand in brilliant colors and intricate patterns. This is the Street of the Tentmakers, the home of the Egyptian appliqué art known as khayamiya. The Tentmakers of Cairo brings together the stories of the tentmakers and their extraordinary tents—from the huge tent pavilions, or suradeq, of the streets of Egypt, to the souvenirs of the First World War and textile artworks celebrated by quilters around the world. It traces the origins and aesthetics of the khayamiya textiles that enlivened the ceremonial tents of the Fatimid, Mamluk, and Ottoman dynasties, exploring the ways in which they challenged conventions under new patrons and technologies, inspired the paper cut-outs of Henri Matisse, and continue to preserve a legacy of skilled handcraft in an age of relentless mass production. Drawing on historical literature, interviews with tentmakers, and analysis of khayamiya from around the world, the authors reveal the stories of this unique and spectacular Egyptian textile art.

In this beautifully illustrated and closely argued book, a completely updated and much expanded third edition of his magisterial survey, Curl describes in lively and stimulating prose the numerous revivals of the Egyptian style from Antiquity to the present day. Drawing on a wealth of sources, his pioneering and definitive work analyzes the remarkable and persistent influence of Ancient Egyptian culture on the West. The author deftly develops his argument that the civilization of Ancient Egypt is central, rather than peripheral, to the development of much of Western architecture, art, design, and religion. Curl examines: the persistence of Egyptian motifs in design from Graeco-Roman Antiquity, through the Medieval, Baroque, and Neo-Classical periods rise of Egyptology in the nineteenth and twentieth-century manifestations of Egyptianisms prompted by the discovery of Tutankhamun’s tomb various aspects of Egyptianizing tendencies in the Art Deco style and afterwards. For students of art, architectural and ancient history, and those interested in western European culture generally, this book will be an inspiring and invaluable addition to the available literature.

Lavishly illustrated in color, this book presents a spectacular collection of archaeological and artistic treasures covering the extent of Egyptian art from the Predynastic Period of the fourth millennium B.C. to the Greco-Roman period of the fourth century A.D. The volume features more than 130 objects ranging from architectural elements of a royal palace and funerary chapel to delicate jewelry and textile fragments, and contains many objects never previously shown in print. In an introductory essay David P. Silverman documents major expeditions to sites in Egypt and Nubia and summarizes the new information gleaned about ancient Egyptian civilization. Donald B. Redford provides a general treatment of ancient Egypt history. The objects themselves are introduced with concise essays by recognized Egyptologists: Edward Brovarski, Rita E. Freed, Arielle P. Kozloff, David O'Connor, Edna R. Russmann, William K. Simpson, and Josef W. Wegner. Contributors-- Edward Brovarski, Museum of Fine Arts, Boston Rita Freed, Museum of Fine Arts, Boston Arielle Kozloff, Cleveland Museum of Art David O'Connor, Institute of Fine Arts, New York University Donald Redford, University of Toronto Edna. R. Russman, Brooklyn Museum of Art David Silverman, University of Pennsylvania William Kelly Simpson, Yale University Josef W. Wegner, University of Pennsylvania

"[A] comprehensive resource, which contains texts, posters, slides, and other materials about outstanding works of Egyptian art from the Museum's collection"--Welcome (preliminary page).

Examines the objects and artifacts, the representations in art, and the examples of documentation that reveal the day-to-day life of ancient Egyptians.