The history of the Indigenous people, enslaved Africans, indentured Portuguese, Chinese, and Indian laborers provides an in-depth view of the evolution of the Guyanese people. It provides evidence of their strong cultural identity and reveals their ambitions, sense of direction, and perseverance to strive for well-being and happiness in the best possible life. A chain of events began in 1953 when British Guiana elected its first native-born leader, Dr. Cheddi Jagan. The British Prime Minister, Winston Churchill, suspended British Guiana’s Constitution, ordered the dissolution of the Government, and imprisonment of the elected leader, his wife, and members of his cabinet as they were not compatible to Churchill’s taste. The United States of America had difficulty appreciating how different forms of government and economic systems are applied in different countries. In 1961, President John F Kennedy ordered his Central Intelligence Agency to subvert the elected leader of British Guiana. The leader fell and the CIA’s men, accomplishing their task, moved on to another. Thirty years later, the fallen leader was again democratically elected to lead his country. President Kennedy’s ruthless subversion of democracy became the policy for subsequent elections of using the divisive concept of racial and ethnic segregations. The racial and ethnic prejudices have affected the distribution of power, opportunity, and wealth and creating enduring social stratifications. The children became adults with a poor understanding of how imperialism, the ancestral slaves and indentured laborers influenced their lives and their country, and the powerful and lasting effects they have.

Burdened with a heritage of both Spanish and British colonization and imperialism, Guyana is today caught between its colonial past, its efforts to achieve the consciousness of nationhood, and the need of its diverse subgroups to maintain their own identity. Stains on My Name, War in My Veins chronicles the complex struggles of the citizens of Guyana to form a unified national culture against the pulls of ethnic, religious, and class identities. Drawing on oral histories and a close study of daily life in rural Guyana, Brackette E. Williams examines how and why individuals and groups in their quest for recognition as a “nation” reproduce ethnic chauvinism, racial stereotyping, and religious bigotry. By placing her ethnographic study in a broader historical context, the author develops a theoretical understanding of the relations among various dimensions of personal identity in the process of nation building.

This work is a multi-disciplinary reconstruction and evaluation of the development and mobilisation of political consciousness in Guyana between the legal termination of physical enslavement in 1838 and the very eve of flag-and-anthem independence in 1966. Guyanese transformed themselves from disempowered colonial subjects to citizens of variable levels of awareness and empowerment during those one hundred and twenty-six years of struggle. Numerous organisations, themes, issues and tendencies within the movement receive careful attention in rigorous interrogation through the prisms of class, occupation, race, gender, colour and personality.

This book is a history of the three Guianas, now known as Guyana, Suriname, and French Guiana. Though histories of each of the countries exist, this is the first work in a century to consider the three countries as a group, and thus the first to present the history of all three as a comparative and overarching study. Special emphasis has been given to the story of how each colony was administered by Britain, the Netherlands, and France respectively, and how these differing colonial administrative policies have given rise to three vastly different cultures. Because the geographical area of the Guianas is relatively small, the indigenous population at the time of contact was relatively uniform across the area, and the external pressures on the three colonies over their histories exhibited significant similarities, the book presents the Guianas as an ideal laboratory in which to study the effects of imperialism and cultural assimilation practices. The book also briefly considers the present political and cultural status of the three polities and makes some projections about their possible futures. In all, the book presents a complete history from prehistory until the present day covering the entirety of the Guianas region, relating a colorful history from a little-studied corner of the world.

Originally published in 1984, this is a documented account of the political history of the former British colony of Guyana. Providing a reflection of the increasing involvement of the United States in the Caribbean and Central America on the long-term political, social and economic effect that intervention can have on the small states of less developed countries during the period of 1945 to 1983. The text includes a detailed historical account of post-World War II politics and moves onto the emergence of the nationalist movement in Guyana in the late 1940s and the cold war period of the 1950s; concluding with the consequences both politically and economically in the 1980s.

Musical Life in Guyana is the first in-depth study of Guyanese musical life. It is also a richly detailed description of the social, economic, and political conditions that have encouraged and sometimes discouraged musical and cultural creativity in Guyana. The book contributes to the study of the interactions between the policies and practices by national governments and musical communities in the Caribbean. Vibert C. Cambridge explores these interactions in Guyana during the three political eras that the society experienced as it moved from being a British colony to an independent nation. The first era to be considered is the period of mature colonial governance, guided by the dictates of “new imperialism,” which extended from 1900 to 1953. The second era, the period of internal self-government and the preparation for independence, extends from 1953, the year of the first general elections under universal adult suffrage, to 1966, the year when the colony gained its political independence. The third phase, 1966 to 2000, describes the early postcolonial era. Cambridge reveals how the issues of race, class, gender, and ideology deeply influenced who in Guyanese multicultural society obtained access to musical instruction and media outlets and thus who received recognition. He also describes the close connections between Guyanese musicians and Caribbean artists from throughout the region and traces the exodus of Guyanese musicians to the great cities of the world, a theme often neglected in Caribbean studies. The book concludes that the practices of governance across the twentieth century exerted disproportionate influence in the creation, production, distribution, and consumption of music.

The Guyana StoryFrom Earliest Times to Independence traces the countrys history from thousands of years ago when the first Amerindian groups began to settle on the Guyana territory. It examines the period of early European exploration leading to Dutch colonization, the forcible introduction of African slaves to work on cotton and sugar plantations, the effects of European wars, and the final ceding of the territory to the British who ruled it as their colony until they finally granted it independence in 1966. The book also tells of Indian, Chinese, and Portuguese indentured immigration and shows how the cultural interrelationships among the various ethnic groups introduced newer forms of conflict, but also brought about cooperation in the struggles of the workers for better working and living conditions. The final part describes the roles of the political leaders who arose from among these ethnic groups from the late 1940s and began the political struggle against colonialism and the demand for independence. This struggle led to political turbulence in the 1950s and early 1960s when the country was caught in the crosshairs of the cold war resulting in joint British-American devious actions that undermined a democratically elected pro-socialist government and deliberately delayed independence for the country until a government friendly to their international interests came to power.

Esme Rockett, also known as MC Ferocious, rocks her suburban Minnesota Christian high school with more than the hip-hop music she makes with best friends Marcy (DJ SheStorm) and Tess (The ConTessa) when she develops feelings for her co-MC, Rowie (MC Rohini).

"This is an important collection that brings together the work of scholars from North America, South America, and Europe to reveal the anthropological significance of Guayana, the ancient realm of El Dorado and still the scene of gold and diamond mining. Beginning with the earliest civilizations of the region, the chapters focus on the historical ecology of the rain forest and the archaeological record up to the sixteenth century, as well as ethnography, ethnology, and perceptions of space. The book features extensive discussions of the history of a range of indigenous groups, such as the Waiwai, Trio, Wajapi, and Palikur. Contributions analyze the emergence of a postcolonial national society, the contrasts between the coastlands and upland regions, and the significance of race and violence in contemporary politics." "A noteworthy study of the prehistory and history of the region, the book also provides a useful survey of the current issues facing northeastern Amazonia. The essays --