This social and political satire reads like an homage to classic South American novelists

On January 24, 1897, an event took place that would change Cuban culture forever: the first moving pictures were shown in Havana. A couple of weeks later, on February 7, the first movie was filmed on the island. Since then, cinematography and Cuba have shared peculiar and innate connections, as their beginnings roughly coincide and Cubans are living in both the age of independence and revolution and the age of film. This work is a filmography of every Cuban film (including documentaries, shorts and cartoons) released from 1897, the first year films were shown and made in Cuba, through 2001. Each entry gives the original title of the film, the English translation of it, director, production company or companies, year of release, black and white or color, total running time, writing credits if the film is based on a story or novel, animation credits if the film is a cartoon, music credits if music has been written specifically for the film, cast credits, and a synopsis and short critical evaluation. The work also provides comments on the relationship between Cuban film and history, and the changes that have taken place over the years in themes, topics, methods, and other aspects of filmmaking in Cuba.

Master storyteller Pablo Medina's The Cigar Roller is a radiant novel recounting the life of Cuban master cigar roller Amadeo Terra. A proud and capricious man, tobacco has been the center of Amadeo's life, the source of his passion. For his considerable talents with the leaves he had been forgiven a great number of sins. An imperious patriarch of enormous appetites, Amadeo now lies in a Florida hospital after a stroke looks back at his previously unexamined life. One day Nurse feeds him mango from a baby-food jar-a change from the tasteless mush he frequently rejects with defiance-and the taste brings memories of his life in Havana flooding back to him. He recalls his turbulent, passionate relationship with his wife Julia, his numerous romantic transgressions, the three sons he's kept at a distance, the political strife that forced his family to relocate from Cuba to Florida, and finally the tragedy that he's kept locked away. The Cigar Roller is a tour de force, an evocative, humorous and endearing and portrait of a once robust man who, at the end of his imperfect life, clamors for some dignity and grace as he comes to terms with his regrets.

REVOLUTION is a thrilling novel of intrigue, deception, betrayal, courage and the remarkable resilience of the human spirit under unbelievable circumstances. It illustrates how Fidel and his brother Raul lied to the Cuban people, cheated those who helped them fight against Batista and murdered their way into power, removing anyone and everyone they saw as a threat. Revolution is the story of the Quintanas, an ordinary middle class family thrown into the turbulence of a civil war during the Cuban Revolution, as they witness their normal everyday lives change dramatically for the worse and watch as family members turn against each other. Joaquin Quintana is one of the original 82 men who landed in Cuba with Fidel to fight against Batista and liberate their country from that dictatorship. He rises to a high level position among the rebels and becomes part of Castro’s inner circle. After consolidating power, Fidel aligns Cuba with the Soviet Union and many of the men and women who fought with him against Batista are rounded up, jailed or executed. Joaquin, disillusioned with how the new regime has bastardized the ideals that he and so many of the rebels fought for and believes Fidel and his brother Raul orchestrated the murder of his friend and great revolutionary leader Camilo Cienfuegos, makes the decision to work with the CIA to over throw the Castro regime. Joaquin’s bothers Diego and Cesar, join him in plotting against Fidel while Elena, Diego’s daughter, becomes a blind and fervent disciple of Castro. Revolution was inspired by the family of the author Al Romero.

This three-person troupe is unique not only for its imaginative explorations of contemporary Latin/Chicano culture but also for its vision of a society in transition.

Eleven short stories of the Cuban immigrant experience as characters adjust to life in the United Sates, from an award-winning author. From the prize–winning title story—a masterpiece of humor and heartbreak—unfolds a collection of tales that illuminate the landscape of an exiled community rich in heritage, memory, and longing for the past. In Cuba I Was a German Shepherd is at once “tender and sharp-fanged” as Ana Menéndez evocatively charts the territory from Havana to Coral Gables, Florida, and explores whether any of us are capable, or even truly desirous, of outrunning our origins (LA Weekly). “With the grace of Margaret Atwood and the sensuality of Laura Esquivel,” Menéndez makes an unforgettable debut “rich in metaphor, wisdom, and delicious subtlety” (St. Petersburg Times).

The surprising story of Che Guevara, Fidel Castro, and the scrappy band of rebel men and women who followed them. Most people are familiar with the basics of the Cuban Revolution of 1956–1959: it was led by two of the twentieth century’s most charismatic figures, Fidel Castro and Che Guevara; it successfully overthrew the island nation’s US–backed dictator; and it quickly went awry under Fidel’s rule. But less is remembered about the amateur nature of the movement or the lives of its players. In this wildly entertaining and meticulously researched account, historian and journalist Tony Perrottet unravels the human drama behind history’s most improbable revolution: a scruffy handful of self-taught revolutionaries—many of them kids just out of college, literature majors, and art students, and including a number of extraordinary women—who defeated 40,000 professional soldiers to overthrow the dictatorship of Fulgencio Batista. Cuba Libre!’s deep dive into the revolution reveals fascinating details: How did Fidel’s highly organized lover Celia Sánchez whip the male guerrillas into shape? Who were the two dozen American volunteers who joined the Cuban rebels? How do you make land mines from condensed milk cans—or, for that matter, cook chorizo à la guerrilla (sausage guerrilla-style)? Cuba Libre! is an absorbing look back at a liberation movement that captured the world's imagination with its spectacular drama, foolhardy bravery, tragedy, and, sometimes, high comedy—and that set the stage for Cold War tensions that pushed the world to the brink of nuclear war.

The Long-Awaited, Enormously Entertaining Memoir by One of the Great Artists of Our Time—Now a New York Times, USA Today, Los Angeles Times, and Publisher’s Weekly Bestseller. In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure. This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.

Published to coincide with the 50th anniversary of the Cuban Revolution, this work takes a look at Cuban history seen through the collection of Ramiro Fernandez, the world's largest archive of Cuban photos and ephemera.

In The Cuban Hustle, Sujatha Fernandes explores the multitudinous ways artists, activists, and ordinary Cubans have hustled to survive and express themselves in the aftermath of the Soviet Union’s collapse. Whether circulating information on flash drives as a substitute for the internet or building homemade antennas to listen to Miami’s hip hop radio stations, Cubans improvise alternative strategies and workarounds to contend with ongoing isolation. Throughout these essays, Fernandes examines the emergence of dynamic youth cultures and social movements as Cuba grappled with economic collapse, new digital technologies, the normalization of diplomatic ties with the United States during the Obama administration, and the regression of US-Cuban relations in the Trump era. From reflections on feminism, new Cuban cinema, and public art to urban slums, the Afro-Cuban movement, and rumba and hip hop, Fernandes reveals Cuba to be a world of vibrant cultures grounded in an ethos of invention and everyday hustle.